yong tae min (14 Ergebnisse)

Zustand: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Rustica (tapa blanda). Zustand: New. Zustand des Schutzumschlags: Nuevo. 01. El presente libro de poemas tiene una característica antológica, abarcando composiciones poétcas de largos periodos entre 1977-2007. La obra tiene una unidad: preocupación constante por el fluir del tiempo, por sus milagros y sus miserias, por sus azahares y azares. LIBRO.

Zustand: Nuevo. POESIA -.

Zustand: New.

Zustand: New.

Madrid, Alfaguara, Col. Ägora de poesía, 1971, 1ª edición. 15x21, 63pgs. Rústica con solapas. Firma y dedicatoria autógrafa del autor. Muy buen estado. POESÍA COREANA SIGLO XX.

Edit. Artesa, Cuadernos de poesía, Nº 25, Burgos, 1975, rústica ilustrada, 225 p., 21x16 cm., ilustraciones en b/n, una hoja desplegable en acordeón, una página con algún subrayado a lapicero, raspadura en tapa de atrás, Muy Buen estado. [415 g.] Literatura, poesía, revistas, publicaciones periódicas.

Encuadernación de tapa blanda. Zustand: Muy Bien. 90 p. Dedicado por el Autor(es).

Encuadernación de tapa blanda. Zustand: Muy Bien. 63 p. Dedicado por el Autor(es).

Madrid, Alfaguara, Colecc. Agora, 1971. 21x15 cm. 64 p. Rústica, solapas. Dedicatoria del autor. Primera edición. (Ref. N. 405).

Zustand: Bueno. 23754 Yong-Tae Min 1983 Rialp, Madrid, 1983. Adonais, 406 - 407. intonso. 304 pp. 13x18 cm Poesía,Corea.

Softcover. Zustand: Very Good. First Edition. Very Good white paperback with some bumping at the corners. Inscription on the front fly in Korean (? ). 53 pages, text unmarked. Poetry in English (translated by Chung Chong-wha, Lee Joon-young, Ko Chang-su, , William Marr) , Spanish (translated by Min Yong-tae) , French (translated by Kim Wha-young) , Chinese (translated by Ho Se-uk) , and Japanese (translated by Kim Kwang-lim). ; J Poe; 8vo 8" - 9" tall; 53 pages.

Hardback. Zustand: New. Since the Korean Wave phenomenon started in 1997, Hallyu has undergone many changes. Geographically, while Asia has been the largest cultural market for the Korean cultural industries, other parts of society, including North America, Europe, the Middle East, and Latin America have gradually admitted Korean popular culture. The components of the Korean Wave have also greatly expanded. Hallyu originally implied the exports of a few cultural products, such as television dramas, popular music, and films; however, Korea has recently developed and exported K-pop, digital games and smartphone technologies as well as relevant youth culture. Meanwhile, industrial and technological contexts of the Korean Wave have changed significantly during the last 20 years. The role of social media in the Korean Wave's transnationalization in recent years is especially intriguing because fans around the world can easily access social media to enjoy K-pop, digital games, and films. The changes in the nature and appearance of the Korean Wave, conceptual and theoretical shifts in the studies of the Korean Wave, and the influences of the development of media technologies on the Korean Wave are all very significant. This book aims to provide a better understanding of Hallyu's theoretical and institutional history on one hand, and new features of the Korean Wave on the other hand.

Hardback. Zustand: New. Since the Korean Wave phenomenon started in 1997, Hallyu has undergone many changes. Geographically, while Asia has been the largest cultural market for the Korean cultural industries, other parts of society, including North America, Europe, the Middle East, and Latin America have gradually admitted Korean popular culture. The components of the Korean Wave have also greatly expanded. Hallyu originally implied the exports of a few cultural products, such as television dramas, popular music, and films; however, Korea has recently developed and exported K-pop, digital games and smartphone technologies as well as relevant youth culture. Meanwhile, industrial and technological contexts of the Korean Wave have changed significantly during the last 20 years. The role of social media in the Korean Wave's transnationalization in recent years is especially intriguing because fans around the world can easily access social media to enjoy K-pop, digital games, and films. The changes in the nature and appearance of the Korean Wave, conceptual and theoretical shifts in the studies of the Korean Wave, and the influences of the development of media technologies on the Korean Wave are all very significant. This book aims to provide a better understanding of Hallyu's theoretical and institutional history on one hand, and new features of the Korean Wave on the other hand.