Produktart
Zustand
Einband
Weitere Eigenschaften
Land des Verkäufers
Verkäuferbewertung
Verlag: Pierre Matisse Gallery, New York, 1950
Anbieter: Librairie-Galerie Dorbes Tobeart, PARIS, Frankreich
Buch
Couverture illustrée. Zustand: Très bon. New York, Pierre Matisse Gallery, 1950, plaquette agrafée sous couverture illustrée, non paginé (8 pp.), (20,5 x 17,8 cm). Exposition avril 1950. 3 reproductions hors-texte en noir et blanc. Texte de Nicolas Calas (in english). Liste des oeuvres. Très bon état (minimes traces du temps) / Very good condition (slight traces of wear) (envoi suivi sous emballage pro).
Verlag: New York: Pierre Matisse Gallery, 1963
Anbieter: ANARTIST, New York, NY, USA
Softcover staple bound exhibition catalog, 32 pages, poor condition: cover and all pages have heavy crease at center from oblong book being folded in half; covers yellowed and scuffed. As is; reference copy.
Verlag: View, New York, 1942
Anbieter: Derringer Books, Member ABAA, Avon, CT, USA
Erstausgabe
Paperback. Zustand: Very Good +. Zustand des Schutzumschlags: No. First Edition. Early issue of this magazine devoted to American surrealism. Edited by Charles Henri Ford. Possibly the first issue to be printed in the non-newspaper format. A special issue with half of it printed in one direction and the other half printed upside down such that you have to flip it over to read it right side up. The only issue of this magazine we have seen in this format. Light fade at spine edge else a stury well-bound beautiful example.
Verlag: View, Inc. New York, NY, 1945
Anbieter: Specific Object / David Platzker, New York, NY, USA
54 pp.; 30.5 x 23 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; First issue of "View: The Modern Magazine," a special issue on Marcel Duchamp published in 1945. Edited by Charles Henri Ford. Articles include: "Flag of Ecstasy," by Charles Henri Ford; "The Point of View: Testimony," and "Lighthouse of the Bride," by Andre Breton; "Marcel Duchamp in the Arensberg Collection," by James Thrall Soby; "Magic Circles," by Gabrielle Buffet; "Rrose Selavy (1921-23)," by Robert Desnos; "Marcel Duchamp, Anti-Artist," by Harriet and Sidney Janis; "Cheat to Cheat," by Nicolas Calas; "Les Larves D'Imagie, D'Henri robert Marcel Duchamp," by Frederick J. Kiesler; "The New Jazz," by Barry Ulanov; "Bilingual Bography," by Man Ray; "O Marcel-otherwise: I Also Have Been to Louise's," monologue transcribed by Mina Loy; "Duchampiana," by Julien Lecy; "A Portrait," by Henrie Waste; "America Discovers Marcel," by Robert Allerton Parker and "The Limit of the Probable in Modern Painting," by Leon Kochnitzky. Reproductions of artwork by Marcel Duchamp, Man Ray, Florine Stettheimer, Joseph Cornell, Max Ernst, Maya Deren, Yves Tanguy, and Matta. Front and back cover designed by Marcel Duchamp. Text in English and French. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 308. Fine./ Very Good. A nearly pristine copy with very light rubbing of cover edges and spine edge. 3 mm. dog-ear with bumping to top right corner of recto carrying through to contents. Contents otherwise clean and unmarked. Due to size and fragility additional shipping charges may be required for international orders.