ISBN: 9780063240216 - we radiant things: notes on being alien and becoming cyborg (24 Ergebnisse)

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Hardcover. Zustand: new. Hardcover. "We Radiant Things is criticism at its most intimate and alive. I am grateful for this book.Cathy Park Hong, author of Minor FeelingsBlending lyric memoir and cultural criticism, acclaimed poet Franny Chois debut essay collection explores our obsession with cyborgs and what sci-fi representations of Asian femmes reveal about race, gender, sexuality, disability, labor, technology, and language.In the 2014 film Ex-Machina, a Japanese maid named Kyokobeautiful, obedient, unspeakingpeels back the skin on her face to reveal glimmering circuitry. The white man who has been trying to understand her inscrutable behavior looks on in horror. When Franny Choi first watches this scene, their own face awash in the screens eerie glow, they feel a familiar mix of revulsion and self-recognition. Yes, Choi thinks, thats what Ive been trying to say.In this luminous essay collection, Choi descends into the uncanny valley to encounter notable cyborgs and robots from across American culture and asks why so many of them bear the faces of East Asian women. Just why is it that whenever artificial intelligence is represented, a sexy but unfeeling Asian woman enters the frame What does the literal objectification of Asian femmes say about how the West imaginesand dreadsan increasingly automated futureChoi draws from their own experiences along with queer, feminist, and critical race theory to answer these questions. Refusing the detached safety of critical distance, they write instead at stabbing rangea risky intimacy that collapses the space between human and machine, critic and subject. We Radiant Things draws closer to the images carved out for us, the histories of oppression that animate them, and the future in which we try, painfully, to find ourselves. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardback. Zustand: New. "We Radiant Things is criticism at its most intimate and alive. I am grateful for this book."-Cathy Park Hong, author of Minor FeelingsBlending lyric memoir and cultural criticism, acclaimed poet Franny Choi's debut essay collection explores our obsession with cyborgs and what sci-fi representations of Asian femmes reveal about race, gender, sexuality, disability, labor, technology, and language.In the 2014 film Ex-Machina, a Japanese maid named Kyoko-beautiful, obedient, unspeaking-peels back the skin on her face to reveal glimmering circuitry. The white man who has been trying to understand her inscrutable behavior looks on in horror. When Franny Choi first watches this scene, their own face awash in the screen's eerie glow, they feel a familiar mix of revulsion and self-recognition. Yes, Choi thinks, that's what I've been trying to say.In this luminous essay collection, Choi descends into the uncanny valley to encounter notable cyborgs and robots from across American culture and asks why so many of them bear the faces of East Asian women. Just why is it that whenever artificial intelligence is represented, a sexy but unfeeling Asian woman enters the frame? What does the literal objectification of Asian femmes say about how the West imagines-and dreads-an increasingly automated future?Choi draws from their own experiences along with queer, feminist, and critical race theory to answer these questions. Refusing the detached safety of critical distance, they write instead "at stabbing range"-a risky intimacy that collapses the space between human and machine, critic and subject. We Radiant Things draws closer to the images carved out for us, the histories of oppression that animate them, and the future in which we try, painfully, to find ourselves.…

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Hardcover. Zustand: New. Zustand des Schutzumschlags: New. New! // ''We Radiant Things is criticism at its most intimate and alive. I am grateful for this book.'--Cathy Park Hong, author of Minor Feelings Blending lyric memoir and cultural criticism, acclaimed poet Franny Choi's debut essay collection explores our obsession with cyborgs and what sci-fi representations of Asian femmes reveal about race, gender, sexuality, disability, labor, technology, and language. In the 2014 film Ex-Machina, a Japanese maid named Kyoko--beautiful, obedient, unspeaking--peels back the skin on her face to reveal glimmering circuitry. The white man who has been trying to understand her inscrutable behavior looks on in horror. When Franny Choi first watches this scene, their own face awash in the screen's eerie glow, they feel a familiar mix of revulsion and self-recognition. Yes, Choi thinks, that's what I've been trying to say. In this luminous essay collection, Choi descends into the uncanny valley to encounter notable cyborgs and robots from across American culture and asks why so many of them bear the faces of East Asian women. Just why is it that whenever artificial intelligence is represented, a sexy but unfeeling Asian woman enters the frame? What does the literal objectification of Asian femmes say about how the West imagines--and dreads--an increasingly automated future? Choi draws from their own experiences along with queer, feminist, and critical race theory to answer these questions. Refusing the detached safety of critical distance, they write instead 'at stabbing range'--a risky intimacy that collapses the space between human and machine, critic and subject. We Radiant Things draws closer to the images carved out for us, the histories of oppression that animate them, and the future in which we try, painfully, to find ourselves. ' -- publisher.…

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Hardcover. Zustand: new. Hardcover. "We Radiant Things is criticism at its most intimate and alive. I am grateful for this book.Cathy Park Hong, author of Minor FeelingsBlending lyric memoir and cultural criticism, acclaimed poet Franny Chois debut essay collection explores our obsession with cyborgs and what sci-fi representations of Asian femmes reveal about race, gender, sexuality, disability, labor, technology, and language.In the 2014 film Ex-Machina, a Japanese maid named Kyokobeautiful, obedient, unspeakingpeels back the skin on her face to reveal glimmering circuitry. The white man who has been trying to understand her inscrutable behavior looks on in horror. When Franny Choi first watches this scene, their own face awash in the screens eerie glow, they feel a familiar mix of revulsion and self-recognition. Yes, Choi thinks, thats what Ive been trying to say.In this luminous essay collection, Choi descends into the uncanny valley to encounter notable cyborgs and robots from across American culture and asks why so many of them bear the faces of East Asian women. Just why is it that whenever artificial intelligence is represented, a sexy but unfeeling Asian woman enters the frame What does the literal objectification of Asian femmes say about how the West imaginesand dreadsan increasingly automated futureChoi draws from their own experiences along with queer, feminist, and critical race theory to answer these questions. Refusing the detached safety of critical distance, they write instead at stabbing rangea risky intimacy that collapses the space between human and machine, critic and subject. We Radiant Things draws closer to the images carved out for us, the histories of oppression that animate them, and the future in which we try, painfully, to find ourselves. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Hardcover. Zustand: new. Hardcover. "We Radiant Things is criticism at its most intimate and alive. I am grateful for this book.Cathy Park Hong, author of Minor FeelingsBlending lyric memoir and cultural criticism, acclaimed poet Franny Chois debut essay collection explores our obsession with cyborgs and what sci-fi representations of Asian femmes reveal about race, gender, sexuality, disability, labor, technology, and language.In the 2014 film Ex-Machina, a Japanese maid named Kyokobeautiful, obedient, unspeakingpeels back the skin on her face to reveal glimmering circuitry. The white man who has been trying to understand her inscrutable behavior looks on in horror. When Franny Choi first watches this scene, their own face awash in the screens eerie glow, they feel a familiar mix of revulsion and self-recognition. Yes, Choi thinks, thats what Ive been trying to say.In this luminous essay collection, Choi descends into the uncanny valley to encounter notable cyborgs and robots from across American culture and asks why so many of them bear the faces of East Asian women. Just why is it that whenever artificial intelligence is represented, a sexy but unfeeling Asian woman enters the frame What does the literal objectification of Asian femmes say about how the West imaginesand dreadsan increasingly automated futureChoi draws from their own experiences along with queer, feminist, and critical race theory to answer these questions. Refusing the detached safety of critical distance, they write instead at stabbing rangea risky intimacy that collapses the space between human and machine, critic and subject. We Radiant Things draws closer to the images carved out for us, the histories of oppression that animate them, and the future in which we try, painfully, to find ourselves. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Buch. Zustand: Neu. Neuware - 'We Radiant Things is criticism at its most intimate and alive. I am grateful for this book."Cathy Park Hong, author of Minor FeelingsBlending lyric memoir and cultural criticism, acclaimed poet Franny Choi's debut essay collection explores our obsession with cyborgs and what sci-fi representations of Asian femmes reveal about race, gender, sexuality, disability, labor, technology, and language.In the 2014 film Ex-Machina, a Japanese maid named Kyokobeautiful, obedient, unspeakingpeels back the skin on her face to reveal glimmering circuitry. The white man who has been trying to understand her inscrutable behavior looks on in horror. When Franny Choi first watches this scene, their own face awash in the screen's eerie glow, they feel a familiar mix of revulsion and self-recognition. Yes, Choi thinks, that's what I've been trying to say.In this luminous essay collection, Choi descends into the uncanny valley to encounter notable cyborgs and robots from across American culture and asks why so many of them bear the faces of East Asian women. Just why is it that whenever artificial intelligence is represented, a sexy but unfeeling Asian woman enters the frame What does the literal objectification of Asian femmes say about how the West imaginesand dreadsan increasingly automated future Choi draws from their own experiences along with queer, feminist, and critical race theory to answer these questions. Refusing the detached safety of critical distance, they write instead "at stabbing range"a risky intimacy that collapses the space between human and machine, critic and subject. We Radiant Things draws closer to the images carved out for us, the histories of oppression that animate them, and the future in which we try, painfully, to find ourselves.…

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Hardback. Zustand: New. "We Radiant Things is criticism at its most intimate and alive. I am grateful for this book."-Cathy Park Hong, author of Minor FeelingsBlending lyric memoir and cultural criticism, acclaimed poet Franny Choi's debut essay collection explores our obsession with cyborgs and what sci-fi representations of Asian femmes reveal about race, gender, sexuality, disability, labor, technology, and language.In the 2014 film Ex-Machina, a Japanese maid named Kyoko-beautiful, obedient, unspeaking-peels back the skin on her face to reveal glimmering circuitry. The white man who has been trying to understand her inscrutable behavior looks on in horror. When Franny Choi first watches this scene, their own face awash in the screen's eerie glow, they feel a familiar mix of revulsion and self-recognition. Yes, Choi thinks, that's what I've been trying to say.In this luminous essay collection, Choi descends into the uncanny valley to encounter notable cyborgs and robots from across American culture and asks why so many of them bear the faces of East Asian women. Just why is it that whenever artificial intelligence is represented, a sexy but unfeeling Asian woman enters the frame? What does the literal objectification of Asian femmes say about how the West imagines-and dreads-an increasingly automated future?Choi draws from their own experiences along with queer, feminist, and critical race theory to answer these questions. Refusing the detached safety of critical distance, they write instead "at stabbing range"-a risky intimacy that collapses the space between human and machine, critic and subject. We Radiant Things draws closer to the images carved out for us, the histories of oppression that animate them, and the future in which we try, painfully, to find ourselves.…