ISBN: 9780195129045 - composers at work: the craft of musical composition 1450-1600 (27 Ergebnisse)

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Zustand: New. 1998. Paperback. Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition. Num Pages: 368 pages, numerous halftones, music examples, tables. BIC Classification: 3JB; AVA; AVGC2; AVH. Category: (P) Professional & Vocational. Dimension: 146 x 228 x 22. Weight in Grams: 550. . . . . . Books ship from the US and Ireland.…

Paperback. Zustand: New. Composers at Work discusses a problem that has fascinated scholars for a long time: how did Renaissance composers write their complex vocal polyphony? Twentieth-century scholars are so accustomed to scoring music, carefully lining up the vertical simultaneities, and carefully aligning the bar lines in order to study and perform music, that the idea that a composer could create elaborate polyphony, even in eight parts, without the aid of a score, seems incomprehensible. How then did sixteenth-century composers write their music, and what evidence exists to document this compositional process?Using sketches and other documentary evidence, long a matter of intense study in later centuries, Professor Owens' study is the first full-length investigation of the topic in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.…

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Zustand: New. 1998. Paperback. Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition. Num Pages: 368 pages, numerous halftones, music examples, tables. BIC Classification: 3JB; AVA; AVGC2; AVH. Category: (P) Professional & Vocational. Dimension: 146 x 228 x 22. Weight in Grams: 550. . . . . .…

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Paperback. Zustand: New. Composers at Work discusses a problem that has fascinated scholars for a long time: how did Renaissance composers write their complex vocal polyphony? Twentieth-century scholars are so accustomed to scoring music, carefully lining up the vertical simultaneities, and carefully aligning the bar lines in order to study and perform music, that the idea that a composer could create elaborate polyphony, even in eight parts, without the aid of a score, seems incomprehensible. How then did sixteenth-century composers write their music, and what evidence exists to document this compositional process?Using sketches and other documentary evidence, long a matter of intense study in later centuries, Professor Owens' study is the first full-length investigation of the topic in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.…

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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Composers at Work discusses a problem that has fascinated scholars for a long time: how did Renaissance composers write their complex vocal polyphony Twentieth-century scholars are so accustomed to scoring music, carefully lining up the vertical simultaneities, and carefully aligning the bar lines in order to study and perform music, that the idea that a composer could create elaborate polyphony, even in eight parts, without the aid of a score, seems incomprehensible. How then did sixteenth-century composers write their music, and what evidence exists to document this compositional process Using sketches and other documentary evidence, long a matter of intense study in later centuries, Professor Owens' study is the first full-length investigation of the topic in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.…

Paperback. Zustand: new. Paperback. How did Renaissance composers write their music? In this revolutionary look at a subject that has fascinated scholars for years, musicologist Jessie Ann Owens offers new and striking evidence that contrary to accepted theory, sixteenth-century composers did not use scores to compose--even to write complex vocal polyphony.Drawing on sources that include contemporary theoretical treatises, documents and letters, iconographical evidence, actualfragments of composing slates, and numerous sketches, drafts, and corrected autograph manuscripts, Owens carefully reconstructs the step-by-step process by which composers between 1450 and 1600composed their music. The manuscript evidence--autographs of more than thirty composers--shows the stages of work on a wide variety of music--instrumental and vocal, sacred and secular--from across most of Renaissance Europe. Her research demonstrates that instead of working in full score, Renaissance composers fashioned the music in parts, often working with brief segments, according to a linear conception. The importance of this discovery on editorial interpretation and on performance cannotbe overstated.The book opens with a broad picture of what has been known about Renaissance composition. From there, Owens examines the teaching of composition and the ways inwhich musicians and composers both read and wrote music. She also considers evidence for composition that occurred independent of writing, such as composing "in the mind" or composing with instruments. In chapters on the manuscript evidence, she establishes a typology both of the sources themselves and of their contents (sketches, drafts, fair copies). She concludes with case studies detailing the working methods of Francesco Corteccia, Henricus Isaac, Cipriano de Rore, and Giovanni Pierluigida Palestrina.This book will change the way we analyze and understand early music. Clear, provocative, and painstakingly researched, Composers at Work: The Craft of MusicalComposition 1450-1600 makes essential reading for scholars of Renaissance music as well as those working in related fields such as sketch studies and music theory. Comprehensive and systematic study of compositional process in Renaissance music. Owens draws on documentary, manuscript, and theoretical evidence to construct a new explanation of how composers actually worked. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.Klappentextr.…

Taschenbuch. Zustand: Neu. Composers at Work | The Craft of Musical Composition 1450-1600 | Jessie Ann Owens | Taschenbuch | Buch | Englisch | 1999 | Oxford University Press | EAN 9780195129045 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Zustand: New. Print on Demand pp. 368.

Zustand: New. Print on Demand pp. 368 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Zustand: New. PRINT ON DEMAND pp. 368.