9780195175813 - Playing Across a Divide: Israeli-Palestinian Musical Encounters von Brinner, Benjamin (20 Ergebnisse)

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Zustand: New. Num Pages: 368 pages, 7 black and white halftones, 28 line illustrations. BIC Classification: AVA; HBJF1; JHMC. Category: (G) General (US: Trade). Dimension: 244 x 164 x 25. Weight in Grams: 628. . 2009. Illustrated. hardcover. . . . .

Hardback. Zustand: New. In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene informed by these extremes of hope and despair on both national and personal levels. Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artist Yair Dalal, Playing Across a Divide demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment. These artists' music drew from Western, Middle Eastern, Central Asian, and Afro-diasporic musical practices, bridging differences and finding innovative solutions to the problems inherent in combining disparate musical styles and sources. Creating this new music brought to the forefront the musicians' contrasting assumptions about sound production, melody, rhythm, hybridity, ensemble interaction, and improvisation. Author Benjamin Brinner traces the tightly interconnected field of musicians and the people and institutions that supported them as they and their music circulated within the region and along international circuits. Brinner argues that the linking of Jewish and Arab musicians' networks, the creation of new musical means of expression, and the repeated enactment of culturally productive musical alliances provide a unique model for mutually respectful and beneficial coexistence in a chronically disputed land.

Zustand: New. Num Pages: 368 pages, 7 black and white halftones, 28 line illustrations. BIC Classification: AVA; HBJF1; JHMC. Category: (G) General (US: Trade). Dimension: 244 x 164 x 25. Weight in Grams: 628. . 2009. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Hardback. Zustand: New. In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene informed by these extremes of hope and despair on both national and personal levels. Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artist Yair Dalal, Playing Across a Divide demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment. These artists' music drew from Western, Middle Eastern, Central Asian, and Afro-diasporic musical practices, bridging differences and finding innovative solutions to the problems inherent in combining disparate musical styles and sources. Creating this new music brought to the forefront the musicians' contrasting assumptions about sound production, melody, rhythm, hybridity, ensemble interaction, and improvisation. Author Benjamin Brinner traces the tightly interconnected field of musicians and the people and institutions that supported them as they and their music circulated within the region and along international circuits. Brinner argues that the linking of Jewish and Arab musicians' networks, the creation of new musical means of expression, and the repeated enactment of culturally productive musical alliances provide a unique model for mutually respectful and beneficial coexistence in a chronically disputed land.

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Hardcover. Zustand: new. Hardcover. In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene informed bythese extremes of hope and despair on both national and personal levels.Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, aswell as the collaborative projects of Israeli artist Yair Dalal, Playing Across a Divide demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment. These artists' music drew from Western, Middle Eastern, Central Asian, and Afro-diasporic musical practices, bridging differences and finding innovative solutions to the problems inherent in combining disparate musical styles and sources. Creating this new musicbrought to the forefront the musicians' contrasting assumptions about sound production, melody, rhythm, hybridity, ensemble interaction, and improvisation. Author Benjamin Brinner tracesthe tightly interconnected field of musicians and the people and institutions that supported them as they and their music circulated within the region and along international circuits. Brinner argues that the linking of Jewish and Arab musicians' networks, the creation of new musical means of expression, and the repeated enactment of culturally productive musical alliances provide a unique model for mutually respectful and beneficial coexistence in a chronically disputed land. Playing Across A Divide considers the circumstances and networks that nourished Israeli-Palestinian musical collaborations from 1991 to 2003, analyzing innovative musical syntheses. It proposes that linking networks of Jewish and Arab musicians, creating new musical expression, and enacting culturally productive musical alliances offer models for mutually beneficial coexistence. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Zustand: New. Print on Demand pp. 370.

Zustand: New. Print on Demand pp. 370 Figures, 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Playing Across A Divide considers the circumstances and networks that nourished Israeli-Palestinian musical collaborations from 1991 to 2003, analyzing innovative musical syntheses. It proposes that linking networks of Jewish and Arab musicians, creating new musical expression, and enacting culturally productive musical alliances offer models for mutually beneficial coexistence.

Zustand: New. PRINT ON DEMAND pp. 370.

Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Playing Across A Divide considers the circumstances and networks that nourished Israeli-Palestinian musical collaborations from 1991 to 2003, analyzing innovative musical syntheses. It proposes that linking networks of Jewish and Arab musicians, creating ne.

Buch. Zustand: Neu. Playing Across a Divide | Israeli-Palestinian Musical Encounters | Benjamin Brinner | Buch | Buch Gebunden | Englisch | 2009 | Oxford University Press | EAN 9780195175813 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.