ISBN: 9780195371314 - embodied visions: evolution, emotion, culture, and film (17 Ergebnisse)

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Zustand: New. Num Pages: 336 pages, 10 halftones, 2 line illustrations. BIC Classification: APFA; JM; PSAN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 242 x 160 x 22. Weight in Grams: 579. . 2009. Illustrated. hardcover. . . . .

Zustand: New. Num Pages: 336 pages, 10 halftones, 2 line illustrations. BIC Classification: APFA; JM; PSAN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 242 x 160 x 22. Weight in Grams: 579. . 2009. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

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Hardcover. Zustand: new. Hardcover. Embodied Visions presents a groundbreaking analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. Throughout his study, Torben Grodal uses the breakthroughs of modern brain science to explain central features of film aesthetics and to construct a general model of aesthetic experience-what he terms the PECMA flow model-that demonstrates the movement ofinformation and emotions in the brain when viewing film. Examining a wide array of genres-animation, romance, pornography, fantasy, horror-from evolutionary and psychological perspectives, Grodal also reflects on socialissues at the intersection of film theory and neuropsychology. These include moral problems in film viewing, how we experience realism and character identification, and the value of the subjective forms that cinema uniquely elaborates. Embodied Visions presents a groundbreaking analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. Throughout his study, Torben Grodal uses the breakthroughs of modern brain science to explain central features of film aesthetics and to construct a general model of aesthetic experience-what he terms the PECMA flow model-that demonstrates the movement of information and emotions in the brain when viewing film. Examining a wide array of genres-animation, romance, pornography, fantasy, horror-from evolutionary and psychological perspectives, Grodal also reflects on social issues at the intersection of film theory and neuropsychology. These include moral problems in film viewing, how we experience realism and character identification, and the value of the subjective forms that cinema uniquely elaborates. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Zustand: New. Print on Demand pp. 334.

Zustand: New. Print on Demand pp. 334 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Buch. Zustand: Neu. Embodied Visions | Evolution, Emotion, Culture, and Film | Torben Kragh Grodal | Buch | Gebunden | Englisch | 2009 | Oxford University Press | EAN 9780195371314 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Zustand: New. PRINT ON DEMAND pp. 334.

Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Embodied Visions presents a groundbreaking analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. Throughout his study, Torben Grodal uses the breakthroughs of modern brain science to explain central features of film aesthetics and to construct a general model of aesthetic experience - what he terms the PECMA flow model - that demonstrates the movement of information and emotions in the brain when viewing film. Examining a wide array of genres - animation, romance, pornography, fantasy, horror - from evolutionary and psychological frameworks, Grodal expands his scope to reflect on social issues at the intersection of film theory and neuropsychology, including moral problems in film viewing, how we experience realism and character identification, and the value of the subjective forms that cinema elaborates. Embodied Visions broadens the theoretical framework of cognitive approaches to cinema while contributing toward a growing body of work on the relation between biology and culture. …