Sprache: Englisch
Verlag: Oxford University Press Uk, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
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In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780199242597.
Sprache: Englisch
Verlag: Oxford University Press Uk, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 6,86
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In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780199242597.
Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press UK May 2001, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
Anbieter: Magus Books Seattle, Seattle, WA, USA
Trade Paperback. Zustand: VG-. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. minor light brown staining to the top of the page block.
Anbieter: Prometei Books, New Rochelle, NY, USA
Soft cover. Zustand: Fine. From publisher's library. Faint shelfwear on paperback covers. Library marking on the jacket. Bookplate on inside cover and library stamp. Otherwise, book is new and unread. Pages clean and crisp, spine unbroken. 1025B.
Sprache: Englisch
Verlag: Oxford University Press UK, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
Paperback. Zustand: As New. Softcover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. xxxiv, 274 pages, 22 cm.
Zustand: New.
Zustand: As New. Unread book in perfect condition.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 81,12
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Anbieter: Chiron Media, Wallingford, Vereinigtes Königreich
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In den WarenkorbPF. Zustand: New.
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Oxford University Press UK, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
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In den WarenkorbZustand: New. In this study of two creative minds, Lucy Newlyn offers a version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences. Num Pages: 274 pages, black & white illustrations. BIC Classification: 2AB; DSBF; DSC. Category: (P) Professional & Vocational. Dimension: 217 x 139 x 16. Weight in Grams: 378. . 2001. Revised ed. paperback. . . . .
Sprache: Englisch
Verlag: Oxford University Press UK, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 111,93
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In den WarenkorbZustand: New. In this study of two creative minds, Lucy Newlyn offers a version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences. Num Pages: 274 pages, black & white illustrations. BIC Classification: 2AB; DSBF; DSC. Category: (P) Professional & Vocational. Dimension: 217 x 139 x 16. Weight in Grams: 378. . 2001. Revised ed. paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: new. Questo è un articolo print on demand.
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PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Sprache: Englisch
Verlag: Oxford University Press, Oxford, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Rejecting all those accounts (including the poets' own) which have sought to construe difference as compatibility, Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences, of a theoretical and imaginative kind, which led tomisunderstanding. It is the central argument of Coleridge, Wordsworth, and the Language of Allusion that such 'misunderstanding' was creative and, for both poets, a means of self-definition. The key tothis interpretation is in the poets' private language: they were not only 'men speaking to men', but poets speaking to poets, and it is in their use of literary allusion that their tacit opposition emerges. Indeed, by examining the range of strategies open to any writer using private allusion, Newlyn's study reveals this mode to be potentially the most aggressive of literary forms. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. It is only on the surface, she argues, that each poet appears the other's ideal audience. Below the surface, radical differences led to misunderstanding. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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In den WarenkorbPaperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New. Print on Demand pp. 276 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.
Sprache: Englisch
Verlag: Oxford University Press, Oxford, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
Anbieter: CitiRetail, Stevenage, Vereinigtes Königreich
EUR 88,16
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In den WarenkorbPaperback. Zustand: new. Paperback. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Rejecting all those accounts (including the poets' own) which have sought to construe difference as compatibility, Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences, of a theoretical and imaginative kind, which led tomisunderstanding. It is the central argument of Coleridge, Wordsworth, and the Language of Allusion that such 'misunderstanding' was creative and, for both poets, a means of self-definition. The key tothis interpretation is in the poets' private language: they were not only 'men speaking to men', but poets speaking to poets, and it is in their use of literary allusion that their tacit opposition emerges. Indeed, by examining the range of strategies open to any writer using private allusion, Newlyn's study reveals this mode to be potentially the most aggressive of literary forms. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. It is only on the surface, she argues, that each poet appears the other's ideal audience. Below the surface, radical differences led to misunderstanding. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Sprache: Englisch
Verlag: Oxford University Press, Oxford, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Paperback. Zustand: new. Paperback. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Rejecting all those accounts (including the poets' own) which have sought to construe difference as compatibility, Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences, of a theoretical and imaginative kind, which led tomisunderstanding. It is the central argument of Coleridge, Wordsworth, and the Language of Allusion that such 'misunderstanding' was creative and, for both poets, a means of self-definition. The key tothis interpretation is in the poets' private language: they were not only 'men speaking to men', but poets speaking to poets, and it is in their use of literary allusion that their tacit opposition emerges. Indeed, by examining the range of strategies open to any writer using private allusion, Newlyn's study reveals this mode to be potentially the most aggressive of literary forms. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. It is only on the surface, she argues, that each poet appears the other's ideal audience. Below the surface, radical differences led to misunderstanding. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Anbieter: moluna, Greven, Deutschland
EUR 83,24
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In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this study of two creative minds, Lucy Newlyn offers a version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Newlyn argues that it is only on the surface that each poet appears the other s ideal audience. Below the sur.
Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
Zustand: New. PRINT ON DEMAND pp. 276.
Sprache: Englisch
Verlag: Oxford University Press OUP, 2001
ISBN 10: 0199242593 ISBN 13: 9780199242597
Anbieter: Books Puddle, New York, NY, USA
Zustand: New. Print on Demand pp. 276.
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Coleridge, Wordsworth and the Language of Allusion | Lucy Newlyn | Taschenbuch | Kartoniert / Broschiert | Englisch | 2001 | OUP Oxford | EAN 9780199242597 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In her study of two creative minds, Lucy Newlyn offers a startlingly new version of the poetic interaction between Coleridge and Wordsworth during the critical years from 1797 to 1807. Rejecting the traditional accounts, even those given by the poets themselves, which have minimized the differences between the two, Newlyn demonstrates that it is only on the most superficial level that each poet seemed to be the other's ideal audience. Below that surface, she insists, there were radical dissimilarities between the two which led to a kind of 'creative' misunderstanding by which each artist clearly defined himself in relation to the other. Because it is in the poet's 'private language' of allusion that these differences are most clearly seen, the book concludes that this 'private language' spoken by artists amongst themselves may in fact be the most aggressive of literary forms.