Isbn: 9780199567645 - stage, stake, and scaffold: humans and animals in shakespeare's theatre (23 Ergebnisse)

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Zustand: New. In Shakespeare's London, the stage of the playhouse, the stake of the bear baiting arena, and the scaffold of public execution constituted an ensemble of related spectacles that shared the same audiences. Andreas Hofele argues that this generated a powerful exchange of images and a spill-over of animal features into Shakespeare's characters. Num Pages: 336 pages, 11 black-and-white halftones. BIC Classification: DSBD; DSGS; HBLH; JHMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 238 x 158 x 30. Weight in Grams: 650. . 2011. Illustrated. hardcover. . . . .…

Hardback. Zustand: New. The powerful exchanges between stage, stake, and scaffold - the theatre, the bear garden and the spectacle of public execution - crucially informed Shakespeare's explorations into the construction and workings of 'the human'. The theatre's family resemblance to animal baiting and the spectacle of punishment, its sharing of the same basic type of performance space - a theatre-in-the-round, a scaffold, stake or platform surrounded by spectators - bred an ever-ready potential for a transfer of images and meanings. The staging of one of these kinds of performance is always framed by an awareness of the other two, whose presence is never quite erased and often, indeed, emphatically foregrounded. Situating Shakespearean drama within its material environment, Andreas Höfele explores how this spill-over affects the way Shakespeare models his human characters and his understanding of 'human character' in general. His dramatis personae are infused with a degree of animality that a later, more specifically Cartesian, anthropology would categorically efface. Readings based on such an anthropology tend to reduce Shakespeare's teeming multitude of animal references to a stable marker of moral, social, and ontological difference, 'beast' being everything 'man' is not or ought not to be. In contrast, Höfele argues that Shakespearean notions of humanity rely just as much on inclusion as on exclusion of the animal. Humans and animals face each other across the species divide, but the divide proves highly permeable.…

Zustand: New. In Shakespeare's London, the stage of the playhouse, the stake of the bear baiting arena, and the scaffold of public execution constituted an ensemble of related spectacles that shared the same audiences. Andreas Hofele argues that this generated a powerful exchange of images and a spill-over of animal features into Shakespeare's characters. Num Pages: 336 pages, 11 black-and-white halftones. BIC Classification: DSBD; DSGS; HBLH; JHMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 238 x 158 x 30. Weight in Grams: 650. . 2011. Illustrated. hardcover. . . . . Books ship from the US and Ireland.…

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Hardback. Zustand: New. The powerful exchanges between stage, stake, and scaffold - the theatre, the bear garden and the spectacle of public execution - crucially informed Shakespeare's explorations into the construction and workings of 'the human'. The theatre's family resemblance to animal baiting and the spectacle of punishment, its sharing of the same basic type of performance space - a theatre-in-the-round, a scaffold, stake or platform surrounded by spectators - bred an ever-ready potential for a transfer of images and meanings. The staging of one of these kinds of performance is always framed by an awareness of the other two, whose presence is never quite erased and often, indeed, emphatically foregrounded. Situating Shakespearean drama within its material environment, Andreas Höfele explores how this spill-over affects the way Shakespeare models his human characters and his understanding of 'human character' in general. His dramatis personae are infused with a degree of animality that a later, more specifically Cartesian, anthropology would categorically efface. Readings based on such an anthropology tend to reduce Shakespeare's teeming multitude of animal references to a stable marker of moral, social, and ontological difference, 'beast' being everything 'man' is not or ought not to be. In contrast, Höfele argues that Shakespearean notions of humanity rely just as much on inclusion as on exclusion of the animal. Humans and animals face each other across the species divide, but the divide proves highly permeable.…

Hardcover. Zustand: gut. 2011. Stage, Stake, and Scaffold : Humans and Animals in Shakespeare's Theatre In englischer Sprache. pages.

Hardcover. Zustand: new. Hardcover. The powerful exchanges between stage, stake, and scaffold - the theatre, the bear garden and the spectacle of public execution - crucially informed Shakespeare's explorations into the construction and workings of 'the human'. The theatre's family resemblance to animal baiting and the spectacle of punishment, its sharing of the same basic type of performance space - a theatre-in-the-round, a scaffold, stake or platform surrounded by spectators - bred an ever-readypotential for a transfer of images and meanings. The staging of one of these kinds of performance is always framed by an awareness of the other two, whose presence is never quite erased and often,indeed, emphatically foregrounded. Situating Shakespearean drama within its material environment, Andreas Hoefele explores how this spill-over affects the way Shakespeare models his human characters and his understanding of 'human character' in general. His dramatis personae are infused with a degree of animality that a later, more specifically Cartesian, anthropology would categorically efface. Readings based on such an anthropology tend to reduce Shakespeare's teeming multitude of animalreferences to a stable marker of moral, social, and ontological difference, 'beast' being everything 'man' is not or ought not to be. In contrast, Hoefele argues that Shakespearean notions of humanity relyjust as much on inclusion as on exclusion of the animal. Humans and animals face each other across the species divide, but the divide proves highly permeable. In Shakespeare's London, the stage of the playhouse, the stake of the bear baiting arena, and the scaffold of public execution constituted an ensemble of related spectacles that shared the same audiences. Andreas Hoefele argues that this generated a powerful exchange of images and a spill-over of animal features into Shakespeare's characters. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Zustand: new. Questo è un articolo print on demand.

Hardcover. Zustand: new. Hardcover. The powerful exchanges between stage, stake, and scaffold - the theatre, the bear garden and the spectacle of public execution - crucially informed Shakespeare's explorations into the construction and workings of 'the human'. The theatre's family resemblance to animal baiting and the spectacle of punishment, its sharing of the same basic type of performance space - a theatre-in-the-round, a scaffold, stake or platform surrounded by spectators - bred an ever-readypotential for a transfer of images and meanings. The staging of one of these kinds of performance is always framed by an awareness of the other two, whose presence is never quite erased and often,indeed, emphatically foregrounded. Situating Shakespearean drama within its material environment, Andreas Hoefele explores how this spill-over affects the way Shakespeare models his human characters and his understanding of 'human character' in general. His dramatis personae are infused with a degree of animality that a later, more specifically Cartesian, anthropology would categorically efface. Readings based on such an anthropology tend to reduce Shakespeare's teeming multitude of animalreferences to a stable marker of moral, social, and ontological difference, 'beast' being everything 'man' is not or ought not to be. In contrast, Hoefele argues that Shakespearean notions of humanity relyjust as much on inclusion as on exclusion of the animal. Humans and animals face each other across the species divide, but the divide proves highly permeable. In Shakespeare's London, the stage of the playhouse, the stake of the bear baiting arena, and the scaffold of public execution constituted an ensemble of related spectacles that shared the same audiences. Andreas Hoefele argues that this generated a powerful exchange of images and a spill-over of animal features into Shakespeare's characters. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: New. Print on Demand pp. 330 Illus.

Zustand: New. Print on Demand pp. 330.

Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In Shakespeare s London, the stage of the playhouse, the stake of the bear baiting arena, and the scaffold of public execution constituted an ensemble of related spectacles that shared the same audiences. Andreas Hoefele argues that this generated a powerfu.…

Zustand: New. PRINT ON DEMAND pp. 330.

Hardcover. Zustand: new. Hardcover. The powerful exchanges between stage, stake, and scaffold - the theatre, the bear garden and the spectacle of public execution - crucially informed Shakespeare's explorations into the construction and workings of 'the human'. The theatre's family resemblance to animal baiting and the spectacle of punishment, its sharing of the same basic type of performance space - a theatre-in-the-round, a scaffold, stake or platform surrounded by spectators - bred an ever-readypotential for a transfer of images and meanings. The staging of one of these kinds of performance is always framed by an awareness of the other two, whose presence is never quite erased and often,indeed, emphatically foregrounded. Situating Shakespearean drama within its material environment, Andreas Hoefele explores how this spill-over affects the way Shakespeare models his human characters and his understanding of 'human character' in general. His dramatis personae are infused with a degree of animality that a later, more specifically Cartesian, anthropology would categorically efface. Readings based on such an anthropology tend to reduce Shakespeare's teeming multitude of animalreferences to a stable marker of moral, social, and ontological difference, 'beast' being everything 'man' is not or ought not to be. In contrast, Hoefele argues that Shakespearean notions of humanity relyjust as much on inclusion as on exclusion of the animal. Humans and animals face each other across the species divide, but the divide proves highly permeable. In Shakespeare's London, the stage of the playhouse, the stake of the bear baiting arena, and the scaffold of public execution constituted an ensemble of related spectacles that shared the same audiences. Andreas Hoefele argues that this generated a powerful exchange of images and a spill-over of animal features into Shakespeare's characters. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…