Isbn: 9780226461199 - the escape: from a seventeenth-century drawing manual of the face and its expressions (25 Ergebnisse)

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Hardback. Zustand: New. Charles Le Brun's drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutter's work, Le Brun's manual is set to a different direction--a series of abstract drawings recalling vestiges of the human face animated by emotion. But Schutter's drawings are neither copies nor portraiture. Rather, they are reflections on how Lebrun's renderings were made. Collected here, Schutter's work recreates not the subject matter but the very values of Lebrun's drawings--light, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutter's hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closure--unlike their academic source material--and render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike.…

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Hardcover. Zustand: new. Hardcover. Charles Le Bruns drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutters work, Le Bruns manual is set to a different directiona series of abstract drawings recalling vestiges of the human face animated by emotion. But Schutters drawings are neither copies nor portraiture. Rather, they are reflections on how Lebruns renderings were made. Collected here, Schutters work recreates not the subject matter but the very values of Lebruns drawingslight, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutters hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closureunlike their academic source materialand render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardback. Zustand: New. Charles Le Brun's drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutter's work, Le Brun's manual is set to a different direction--a series of abstract drawings recalling vestiges of the human face animated by emotion. But Schutter's drawings are neither copies nor portraiture. Rather, they are reflections on how Lebrun's renderings were made. Collected here, Schutter's work recreates not the subject matter but the very values of Lebrun's drawings--light, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutter's hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closure--unlike their academic source material--and render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike.…

Hardcover. Zustand: new. Hardcover. Charles Le Bruns drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutters work, Le Bruns manual is set to a different directiona series of abstract drawings recalling vestiges of the human face animated by emotion. But Schutters drawings are neither copies nor portraiture. Rather, they are reflections on how Lebruns renderings were made. Collected here, Schutters work recreates not the subject matter but the very values of Lebruns drawingslight, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutters hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closureunlike their academic source materialand render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…