Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Hardcover. Zustand: Very Good. The book has foxing on text block and on outer pages, and overall yellowing.otherwise in great condition, the book is crisp, unmarked, and has a tight binding.
Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Sprache: Englisch
Verlag: The University of Chicago Press, US, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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In den WarenkorbHardback. Zustand: New. This text illustrates and explains the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. With contributions by 17 scholars and improvisers, the text offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined.
Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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In den WarenkorbHardcover. Zustand: New. New copy - Usually dispatched within 3 working days.
Sprache: Englisch
Verlag: University of Chicago Press, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Zustand: New. 1998. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.
Gebunden. Zustand: New. Über den AutorBruno Nettl is professor of music and anthropology at the University of Illinois, Champaign-Urbana. He is the author or editor of nineteen books, including Folk and Traditional Music of the Western Continents and Th.
Sprache: Englisch
Verlag: The University of Chicago Press, US, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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EUR 152,93
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In den WarenkorbHardback. Zustand: New. This text illustrates and explains the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. With contributions by 17 scholars and improvisers, the text offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined.
Sprache: Englisch
Verlag: The University Of Chicago Press Dez 1998, 1998
ISBN 10: 0226574105 ISBN 13: 9780226574103
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Buch. Zustand: Neu. Neuware - 'In the Course of Performance is the first book in decades to illustrate and explain the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. This difficulty may account for the very few attempts scholars have made to provide a general guide to this elusive subject. With contributions by seventeen scholars and improvisers, 'In the Course of Performance offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined. The most comprehensive guide to the understanding of musical improvisation available, 'In the Course of Performance will be indispensable to anyone attracted to this fascinating art. Contributors are Stephen Blum, Sau Y. Chan, Jody Cormack, Valerie Woodring Goertzen, Lawrence Gushee, Eve Harwood, Tullia Magrini, Peter Manuel, Ingrid Monson, Bruno Nettl, Jeff Pressing, Ali Jihad Racy, Ronald Riddle, Stephen Slawek, Chris Smith, R. Anderson Sutton, and T. Viswanathan.