Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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Sprache: Englisch
Verlag: The University of Chicago Press, US, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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In den WarenkorbPaperback. Zustand: New. The English literary canon is haunted by the figure of the lost woman writer. She has, of course, been a powerful stimulus for the 20th-century rediscovery of works written by women. But as Jennifer Summit argues, "the lost woman writer" also served as an evocative symbol during the very formation of an English literary tradition from the 14th through the 16th centuries. Examining the history of the representations of women writers from Margery Kempe and Christine de Pizan to Elizabeth I and Mary Stuart, Queen of Scots, Summit shows how the woman writer came to embody alienation from tradition. Chaucer, for instance, used the figure of the woman writer to dramatize the problems of writing outside the dominant literary culture, while the reformation writer John Bale cast women writers as proto-Protestant icons of opposition to the Catholic church. Bringing together original archival research with new readings of key literary texts, Summit provides a revisionary account of the woman writers' role in English literary history.
Sprache: Englisch
Verlag: The University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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Erstausgabe
Zustand: New. Examining the history of the representations of women writers from Margery Kemp and Christine de Pizan to Elizabeth I and Mary Stuart, Queen of Scots, this volume shows how the woman writer came to embody alienation from tradition. Num Pages: 256 pages, 10 halftones. BIC Classification: 1DBKE; 2AB; 3H; 3JB; DSBB; DSBD; JFSJ1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 20. Weight in Grams: 460. . 2000. 1st Edition. Paperback. . . . .
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 284 pages. 9.25x6.25x0.75 inches. In Stock.
Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: The University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Examining the history of the representations of women writers from Margery Kemp and Christine de Pizan to Elizabeth I and Mary Stuart, Queen of Scots, this volume shows how the woman writer came to embody alienation from tradition. Num Pages: 256 pages, 10 halftones. BIC Classification: 1DBKE; 2AB; 3H; 3JB; DSBB; DSBD; JFSJ1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 20. Weight in Grams: 460. . 2000. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: The University of Chicago Press, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
Sprache: Englisch
Verlag: The University of Chicago Press, US, 2000
ISBN 10: 0226780139 ISBN 13: 9780226780139
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
EUR 40,47
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In den WarenkorbPaperback. Zustand: New. The English literary canon is haunted by the figure of the lost woman writer. She has, of course, been a powerful stimulus for the 20th-century rediscovery of works written by women. But as Jennifer Summit argues, "the lost woman writer" also served as an evocative symbol during the very formation of an English literary tradition from the 14th through the 16th centuries. Examining the history of the representations of women writers from Margery Kempe and Christine de Pizan to Elizabeth I and Mary Stuart, Queen of Scots, Summit shows how the woman writer came to embody alienation from tradition. Chaucer, for instance, used the figure of the woman writer to dramatize the problems of writing outside the dominant literary culture, while the reformation writer John Bale cast women writers as proto-Protestant icons of opposition to the Catholic church. Bringing together original archival research with new readings of key literary texts, Summit provides a revisionary account of the woman writers' role in English literary history.