9780226823355 - experimenting the human: art, music, and the contemporary posthuman von barrett, g. douglas (24 Ergebnisse)
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Hardback. Zustand: New. An engaging argument about what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter human agency amid the uneven temporality of postwar glob…al capitalism. Time moves forward for some during this period, while it seems to stand still or even move backward for others. Some say we're already posthuman, while others endure the extended consequences of never having been considered fully human in the first place. Experimental music reflects on this state, Barrett contends, through its interdisciplinary involvements in postwar science, technology, and art movements. Rather than pursuing the human's beyond, experimental music addresses the social and technological conditions that support such a pursuit. Barrett locates this tendency of experimentalism throughout its historical entanglements with cybernetics, and in his intimate analysis of Alvin Lucier's neurofeedback music, Pamela Z's BodySynth performances, Nam June Paik's musical robotics, Pauline Oliveros's experiments with radio astronomy, and work by Laetitia Sonami, Yasunao Tone, and Jerry Hunt. Through a unique meeting of music studies, media theory, and art history, Experimenting the Human provides fresh insights into what it means to be human.
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Hardcover. Zustand: new. Hardcover. An engaging consideration of what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology have challenged the centrality of the human amid th…e uneven temporality of postwar capitalism. Experimental music addresses this condition, Barrett contends, not by adhering to the formal strictures of musical modernism but by producing extra-formal meaning through its immanent transdisciplinary involvements with postwar science, technology, and art movements. Hear Alvin Lucier use his brain waves to play percussion. Picture Pamela Z sculpting the sound of her voice using her wearable BodySynth system. Imagine Pauline Oliveros reflecting her voice off of the moon using radio signals. What these musical artworks have in common is an engagement with the notion that the human has been increasingly challenged through cultural, biological, medical, economic, and technoscientific means. This book brings together music studies, art history, and media studies to provide new perspectives on cybernetics, artificial intelligence, neuroscience, robotics, and radio astronomy. Through a unique meeting of experimental music, posthumanism, and contemporary art, Experimenting the Human provides fresh insights into the perennial question of what it means to be human. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Zustand: Brand New. 240 pages. 9.25x6.25x0.75 inches. In Stock.
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Zustand: New. Über den AutorG Douglas Barrett is assistant professor in the Media Arts Department at New Jersey City University.
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Hardback. Zustand: New. An engaging argument about what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter human agency amid the uneven temporality of postwar glob…al capitalism. Time moves forward for some during this period, while it seems to stand still or even move backward for others. Some say we're already posthuman, while others endure the extended consequences of never having been considered fully human in the first place. Experimental music reflects on this state, Barrett contends, through its interdisciplinary involvements in postwar science, technology, and art movements. Rather than pursuing the human's beyond, experimental music addresses the social and technological conditions that support such a pursuit. Barrett locates this tendency of experimentalism throughout its historical entanglements with cybernetics, and in his intimate analysis of Alvin Lucier's neurofeedback music, Pamela Z's BodySynth performances, Nam June Paik's musical robotics, Pauline Oliveros's experiments with radio astronomy, and work by Laetitia Sonami, Yasunao Tone, and Jerry Hunt. Through a unique meeting of music studies, media theory, and art history, Experimenting the Human provides fresh insights into what it means to be human.
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Hardcover. Zustand: new. Hardcover. An engaging consideration of what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology have challenged the centrality of the human amid th…e uneven temporality of postwar capitalism. Experimental music addresses this condition, Barrett contends, not by adhering to the formal strictures of musical modernism but by producing extra-formal meaning through its immanent transdisciplinary involvements with postwar science, technology, and art movements. Hear Alvin Lucier use his brain waves to play percussion. Picture Pamela Z sculpting the sound of her voice using her wearable BodySynth system. Imagine Pauline Oliveros reflecting her voice off of the moon using radio signals. What these musical artworks have in common is an engagement with the notion that the human has been increasingly challenged through cultural, biological, medical, economic, and technoscientific means. This book brings together music studies, art history, and media studies to provide new perspectives on cybernetics, artificial intelligence, neuroscience, robotics, and radio astronomy. Through a unique meeting of experimental music, posthumanism, and contemporary art, Experimenting the Human provides fresh insights into the perennial question of what it means to be human. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Buch. Zustand: Neu. Neuware - 'In Experimenting the Human, G Douglas Barrett, himself an artist of experimental music, argues that a radical prefiguration of posthumanism can be found in the discourses and practices of postwar experimental music. Experimental music draws upon practices developed through exchanges between the US,… Europe, and East Asia during the postwar era (along with influences from the pre-war avant-garde), including indeterminacy, open forms, and extended uses of music technology. Although not exclusively focused on technology, experimental music has played a critical role in shaping the fields of biofeedback, AI, and robotics-paradigms central to the development of cybernetics and, later, posthumanism. Beyond the modernist project of subjecting sound parameters to the deterministic human control exemplified by serialism, experimentalism has used indeterminacy-beginning with chance and natural processes and later incorporating computer algorithms, biofeedback, and AI-in ways that mirror posthumanism's challenge to the centrality of human agency. Through a series of six intimate studies of works by Alvin Lucier, Nam June Paik, Pamela Z, and Laetitia Sonami, Barrett places posthuman thought in dialogue with works of experimental music surveyed from the 1960s to the present. In addition to studies of individual musical works, he illustrates existing exchanges between experimental music and cybernetics theorists since the 1950s, and links this dialogue to posthumanist theory beginning in the 1990s for which those very cyberneticists were a primary point of departure. Posthumanism and experimental music address fundamental questions about the relationship between humans and technology and thus have much to learn from one another. This project illuminates the insights to be gained from viewing these two movements together. Experimental music can be informed by posthumanism's sustained inquiry into the relationship between the human and technology. Conversely, posthumanism, a field focused on literature and visual culture, may benefit from music that has worked through many of its essential concerns in practice'.
Verlag: University of Chicago press
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Hardcover. Zustand: new. Hardcover. An engaging consideration of what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology have challenged the centrality of the human amid th…e uneven temporality of postwar capitalism. Experimental music addresses this condition, Barrett contends, not by adhering to the formal strictures of musical modernism but by producing extra-formal meaning through its immanent transdisciplinary involvements with postwar science, technology, and art movements. Hear Alvin Lucier use his brain waves to play percussion. Picture Pamela Z sculpting the sound of her voice using her wearable BodySynth system. Imagine Pauline Oliveros reflecting her voice off of the moon using radio signals. What these musical artworks have in common is an engagement with the notion that the human has been increasingly challenged through cultural, biological, medical, economic, and technoscientific means. This book brings together music studies, art history, and media studies to provide new perspectives on cybernetics, artificial intelligence, neuroscience, robotics, and radio astronomy. Through a unique meeting of experimental music, posthumanism, and contemporary art, Experimenting the Human provides fresh insights into the perennial question of what it means to be human. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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