Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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hardcover. Zustand: Very Good. The dust jacket is missing. The copy is in otherwise good condition.
Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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hardcover. Zustand: Good. No dust jacket. Clean, unmarked copy.
Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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Sprache: Englisch
Verlag: The University of Chicago Press, US, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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In den WarenkorbHardback. Zustand: New. The first book to consider the shellac disc as a global format. With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format. Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly.
Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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Sprache: Englisch
Verlag: The University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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In den WarenkorbHardback. Zustand: New. New copy - Usually dispatched within 4 working days.
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In den WarenkorbHardcover. Zustand: Brand New. 203 pages. 9.50x6.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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In den WarenkorbZustand: New. Über den AutorGavin Williams is a lecturer in music at King s College London. He is the editor of Hearing the Crimean War: Wartime Sound and the Unmaking of Sense.KlappentextThe first boo.
Sprache: Englisch
Verlag: The University of Chicago Press, US, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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In den WarenkorbHardback. Zustand: New. The first book to consider the shellac disc as a global format. With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format. Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly.
Sprache: Englisch
Verlag: The University Of Chicago Press Jun 2024, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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Buch. Zustand: Neu. Neuware - 'With the rise of the gramophone circa 1900, the shellac disc mushroomed into the dominant sound format of the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor as well as early colonial expeditions to capture sounds, to offer a global portrait of this format. Spun at 78 revolutions per minute, the shellac disc had become an industrial standard, even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Yet the recording of sounds was only one element in the making of this global format. Using friction as a lens, Gavin Williams reveals the environments plundered, the materials seized, the ears entangled. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium and so too explores new ways of understanding listening in technological culture more broadly'.
Verlag: University of Chicago press
ISBN 10: 0226833240 ISBN 13: 9780226833248
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In den WarenkorbHardcover. Zustand: Brand New. 203 pages. 9.50x6.50x0.75 inches. In Stock. This item is printed on demand.
Sprache: Englisch
Verlag: The University of Chicago Press, 2024
ISBN 10: 0226833240 ISBN 13: 9780226833248
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In den WarenkorbHardcover. Zustand: new. Hardcover. The first book to consider the shellac disc as a global format. With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format. Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.