Sprache: Englisch
Verlag: Columbia University Press, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Sprache: Englisch
Verlag: Columbia University Press, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: Ammareal, Morangis, Frankreich
Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2014. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2014. Ammareal gives back up to 15% of this item's net price to charity organizations.
Sprache: Englisch
Verlag: Columbia University Press, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Columbia University Press, US, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Hardback. Zustand: New. New communication and information technologies provide distinct challenges and possibilities for the Chinese script, which, unlike alphabetic or other phonetic scripts, relies on multiple signifying principles. In recent decades, this multiplicity has generated a rich corpus of reflection and experimentation in literature, film, visual and performance art, and design and architecture, within both China and different parts of the West. Approaching this history from a variety of alternative theoretical perspectives, Beyond Sinology reflects on the Chinese script to pinpoint the multiple connections between languages, scripts, and medial expressions and cultural and national identities. Through a complex study of intercultural representations, exchanges, and tensions, the text focuses on the concrete "scripting" of identity and alterity, advancing a new understanding of the links between identity and medium and a critique of articulations that rely on single, monolithic, and univocal definitions of writing.Chinese writing-with its history of divergent readings in Chinese and non-Chinese contexts, with its current reinvention in the age of new media and globalization-can teach us how to read and construct mediality and cultural identity in interculturally responsible ways and also how to scrutinize, critique, and yet appreciate and enjoy the powerful multi-medial creativity embodied in writing.
Sprache: Englisch
Verlag: Columbia University Press, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: GreatBookPrices, Columbia, MD, USA
EUR 120,95
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Columbia University Press, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 105,19
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Columbia University Press, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 115,38
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 125,51
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 282 pages. 6.50x9.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Columbia University Press, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: moluna, Greven, Deutschland
EUR 94,29
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In den WarenkorbZustand: New. Über den AutorAndrea Bachner is assistant professor of comparative literature at Cornell University.InhaltsverzeichnisList of IllustrationsA Note on Characters, Romanization, Translations, and ImagesAckno.
Sprache: Englisch
Verlag: Columbia University Press, US, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: Rarewaves USA United, OSWEGO, IL, USA
EUR 115,37
Anzahl: Mehr als 20 verfügbar
In den WarenkorbHardback. Zustand: New. New communication and information technologies provide distinct challenges and possibilities for the Chinese script, which, unlike alphabetic or other phonetic scripts, relies on multiple signifying principles. In recent decades, this multiplicity has generated a rich corpus of reflection and experimentation in literature, film, visual and performance art, and design and architecture, within both China and different parts of the West. Approaching this history from a variety of alternative theoretical perspectives, Beyond Sinology reflects on the Chinese script to pinpoint the multiple connections between languages, scripts, and medial expressions and cultural and national identities. Through a complex study of intercultural representations, exchanges, and tensions, the text focuses on the concrete "scripting" of identity and alterity, advancing a new understanding of the links between identity and medium and a critique of articulations that rely on single, monolithic, and univocal definitions of writing.Chinese writing-with its history of divergent readings in Chinese and non-Chinese contexts, with its current reinvention in the age of new media and globalization-can teach us how to read and construct mediality and cultural identity in interculturally responsible ways and also how to scrutinize, critique, and yet appreciate and enjoy the powerful multi-medial creativity embodied in writing.
Sprache: Englisch
Verlag: Columbia University Press Jan 2014, 2014
ISBN 10: 0231164521 ISBN 13: 9780231164528
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - New communication and information technologies provide distinct challenges and possibilities for the Chinese script, which, unlike alphabetic or other phonetic scripts, relies on multiple signifying principles. In recent decades, this multiplicity has generated a rich corpus of reflection and experimentation in literature, film, visual and performance art, and design and architecture, within both China and different parts of the West. Approaching this history from a variety of alternative theoretical perspectives, Beyond Sinology reflects on the Chinese script to pinpoint the multiple connections between languages, scripts, and medial expressions and cultural and national identities. Through a complex study of intercultural representations, exchanges, and tensions, the text focuses on the concrete 'scripting' of identity and alterity, advancing a new understanding of the links between identity and medium and a critique of articulations that rely on single, monolithic, and univocal definitions of writing.Chinese writing--with its history of divergent readings in Chinese and non-Chinese contexts, with its current reinvention in the age of new media and globalization--can teach us how to read and construct mediality and cultural identity in interculturally responsible ways and also how to scrutinize, critique, and yet appreciate and enjoy the powerful multi-medial creativity embodied in writing.