Isbn: 9780252078293 - d.a. pennebaker (contemporary film directors) (18 Ergebnisse)

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  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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  • Sprache: Englisch

    Verlag: University of Chicago press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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  • Sprache: Englisch

    Verlag: University of Illinois Press, US, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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    Paperback. Zustand: New. This volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that emphasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of "performing the real," Keith Beattie interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography. …

  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

    • Softcover

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  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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    Paperback. Zustand: New. 2025 MAYFILED IN DIRECTOR BIOS.

  • Sprache: Englisch

    Verlag: Univ of Illinois Pr, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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    Paperback. Zustand: Brand New. 192 pages. 8.00x5.00x0.50 inches. In Stock.

  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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    Zustand: New. Performing the real through the lens of a renowned innovator of documentary filmmaking Num Pages: 168 pages, 13 b&w photographs. BIC Classification: APFB; APFR. Category: (P) Professional & Vocational. Dimension: 141 x 210 x 12. Weight in Grams: 272. . 2011. 1st Edition. Paperback. . . . . …

  • Sprache: Englisch

    Verlag: University of Illinois Press, Baltimore, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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    Paperback. Zustand: new. Paperback. This volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that emphasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of "performing the real," Keith Beattie interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography. Performing the real through the lens of a renowned innovator of documentary filmmaking Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

    • Softcover

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    Zustand: New. In English.

  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

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  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

    • Softcover

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  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

    • Softcover

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    Zustand: New. Performing the real through the lens of a renowned innovator of documentary filmmaking Num Pages: 168 pages, 13 b&w photographs. BIC Classification: APFB; APFR. Category: (P) Professional & Vocational. Dimension: 141 x 210 x 12. Weight in Grams: 272. . 2011. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

    • Softcover

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  • Sprache: Englisch

    Verlag: University of Illinois Press, Baltimore, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

    • Softcover

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    Paperback. Zustand: new. Paperback. This volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that emphasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of "performing the real," Keith Beattie interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography. Performing the real through the lens of a renowned innovator of documentary filmmaking Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Sprache: Englisch

    Verlag: University of Illinois Press, US, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

    • Softcover

    Anbieter: Rarewaves.com UK, London, Vereinigtes KönigreichRarewaves.com UK

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    Paperback. Zustand: New. This volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that emphasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of "performing the real," Keith Beattie interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography. …

  • Sprache: Englisch

    Verlag: University of Illinois Press, 2011

    0252078292 / 9780252078293

    Serie: Buch 25 von 58 - Contemporary Film Directors

    • Softcover

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    Paperback. Zustand: New. Contemporary Film Directors; This volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that emphasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of "performing the real," Keith Beattie interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography.…