ISBN: 9780262014823 - mixed use, manhattan: photography and related practices, 1970s to the present (mit press) (22 Ergebnisse)

Hardcover. Zustand: Very Good. 1st Edition. 4to, hardcover, 304pp., ills. First edition. VG+: a clean, bright, sound, very presentable copy. Extra postage will be asked (5).

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Hardcover without dustjacket as issued, 304 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

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Hardcover. Zustand: new. Hardcover. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets.When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece, Housing in New York: A Brief History, 1960-2007 (2007); "Losing the Form in Darkness," an autobiographical story by David Wojnarowicz; and essays by prominent art historians. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Zustand: New.

Zustand: New. pp. 303.

Hardcover. Zustand: New.

Zustand: New. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Editor(s): Cooke, Lynne; Crimp, Douglas (Professor of Visual and Cultural Studies, University of Rochester, New York, USA). Num Pages: 303 pages, 130 color illus., 70 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 277 x 237 x 31. Weight in Grams: 1706. . 2010. Illustrated. Hardcover. . . . .…

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Editor(s): Cooke, Lynne; Crimp, Douglas (Professor of Visual and Cultural Studies, University of Rochester, New York, USA). Num Pages: 303 pages, 130 color illus., 70 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 277 x 237 x 31. Weight in Grams: 1706. . 2010. Illustrated. Hardcover. . . . . Books ship from the US and Ireland.…

Zustand: New. pp. 303.

Hardcover. Zustand: new. Hardcover. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets.When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece, Housing in New York: A Brief History, 1960-2007 (2007); "Losing the Form in Darkness," an autobiographical story by David Wojnarowicz; and essays by prominent art historians. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Zustand: New.

Gebunden. Zustand: New. Lynne Cooke is Chief Curator and Deputy Director at the Museo Nacional Centro de Arte Reina Sof&#237a in Madrid and Curator at Large for Dia Art Foundation.Douglas Crimp is Fanny Knapp Allen Professor of Art History at the University of Rochester. .

Hardcover. Zustand: Brand New. 300 pages. 10.75x9.25x1.50 inches. In Stock.

Buch. Zustand: Neu. Neuware - How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets.When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece, Housing in New York: A Brief History, 1960-2007 (2007); "Losing the Form in Darkness," an autobiographical story by David Wojnarowicz; and essays by prominent art historians. …

Hardback. Zustand: New.

Hardcover. Zustand: New. When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic team Shunk-Kender shot a vast series of images of Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Matta-Clark, and William Wegman, among others) ; and Cindy Sherman staged some of her Untitled Film Stills on the streets of Lower Manhattan. Mixed Use, Manhattan documents and illustrates these projects as well as more recent work by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979) , the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images, a chronology of the policy decisions and developments that altered the face of New York City from 1950 to the present; an autobiographical story by David Wojnarowicz; and essays by Johanna Burton, Lytle Shaw, Juan Suarez, and the exhibition's curators, Lynne Cooke and Douglas Crimp.…