ISBN: 9780262527552 - no medium (the mit press) (21 Ergebnisse)

Zustand: New.

Paperback or Softback. Zustand: New. No Medium. Book.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Paperback. Zustand: Brand New. reprint edition. 219 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New. Num Pages: 232 pages. BIC Classification: AB. Category: (G) General (US: Trade). Dimension: 155 x 227 x 18. Weight in Grams: 374. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. Num Pages: 232 pages. BIC Classification: AB. Category: (G) General (US: Trade). Dimension: 155 x 227 x 18. Weight in Grams: 374. . 2015. Paperback. . . . .

Zustand: Very Good.

Paperback. Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: New. Print on Demand pp. 232.

Zustand: New. Print on Demand pp. 232.

Zustand: New. PRINT ON DEMAND pp. 232.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Close readings of ostensibly blank works from unprinted pages to silent music that point to a new understanding of media.In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object.Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33 , Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a guide to further listening that surveys more than 100 scores and recordings of silent music.Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space. …

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Craig Dworkin, Professor in the English Department at the University of Utah, is the author of Reading the Illegible and the editor of Language to Cover a Page: The Early Writings of Vito Acconci (MIT Press).Close readings of ostensibly.…

Taschenbuch. Zustand: Neu. No Medium | Craig Dworkin | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2015 | MIT Press | EAN 9780262527552 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.