Isbn: 9780271028569 - edvard munch's mermaid (28 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Penn State University Press, 2005

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    paperback. Zustand: Very Good. First Edition. Unread. No markings in book. Binding is fine. Includes fold out in rear of book. 54pp.

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    Paperback. Zustand: New. Edvard Munch (1863-1944) has attained lasting fame for paintings and prints-above all The Scream- that express the isolation and anxieties of the modern condition. Recently, the Philadelphia Museum of Art acquired a large Munch painting, Mermaid, little known outside a small circle of experts because it had never been displayed in museums or galleries. To introduce this important work to the public, the Museum has organized an exhibition that presents Mermaid alongside related paintings, drawings, and prints. Edvard Munch's Mermaid, which accompanies the exhibition, provides the first comprehensive discussion of the painting's history and significance. The Norwegian industrialist and collector Axel Heiberg commissioned Mermaid from Munch in 1896, when the artist was living in Paris, absorbing the city's intellectual life, expanding his work as a printmaker, and extending his activities to new realms, such as designing the theater sets and program for Henrik Ibsen's play Peer Gynt. The first two essays in this book from the Philadelphia Museum of Art situate Mermaid, Munch's first decorative painting, within the rich ferment of this period in his life. The painting's Norwegian imagery, Symbolist ethos, and Art Nouveau influences are explored even as its relationship to Munch's printmaking of 1896-97 and other artistic activities is elucidated. Mermaid was removed from Heiberg's house in 1938 and was converted by a restorer from a trapezoidal format to a standard rectangle. The final essay discusses the changes to the painting in light of Munch's highly personal and complex views on the alteration of his works. Edvard Munch's Mermaid reproduces all the prints, drawings, and paintings in the exhibition at the Philadelphia Museum of Art, September 24-December 31, 2005.…

  • Sprache: Englisch

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  • Sprache: Englisch

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  • Sprache: Englisch

    Verlag: Pennsylvania State University Press, University Park, 2005

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    Paperback. Zustand: new. Paperback. This book from the Philadelphia Museum of Art comprises essays about Norwegian painter Edvard Munch's Mermaid. Edvard Munch (1863-1944) has attained lasting fame for paintings and prints—above all The Scream—that express the isolation and anxieties of the modern condition, Recently, the Philadelphia Museum of Art acquired a large Munch painting, Mermaid, little known outside a small circle of experts because it had never been displayed in museums or galleries. To introduce this important work to the public, the Museum has organized an exhibition that presents Mermaid alongside related paintings, drawings, and prints. Edvard Munch's Mermaid, which accompanies the exhibition, provides the first comprehensive discussion of the painting's history and significance. The Norwegian industrialist and collector Axel Heiberg commissioned Mermaid from Munch in 1896, when the artist was living in Paris, absorbing the city's intellectual life, expanding his work as a printmaker, and extending his activities to new realms, such as designing the theater sets and program for Henrik Ibsen's play Peer Gynt. The first two essays in this book from the Philadelphia Museum of Art situate Mermaid, Munch's first decorative painting, within the rich ferment of this period in his life. The painting's Norwegian imagery, Symbolist ethos, and Art Nouveau influences are explored even as its relationship to Munch's printmaking of 1896-97 and other artistic activities is elucidated. Mermaid was removed from Heiberg's house in 1938 and was converted by a restorer from a trapezoidal format to a standard rectangle. The final essays discusses the changes to the painting in light of Munch's highly personal and complex views on the alteration of his works. Edvard Munch's Mermaid reproduces all the prints, drawings, and paintings inthe exhibition at the Philadelphia Museum of Art, September 24-December 31, 2005. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Sprache: Englisch

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  • Sprache: Englisch

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  • Sprache: Englisch

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  • Sprache: Englisch

    Verlag: Pennsylvania State University Press, 2005

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    Zustand: New. Num Pages: 56 pages, 27 colour illustrations, 16 b&w illustrations. BIC Classification: ACX; AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 8. Weight in Grams: 290. . 2005. 1st Edition. paperback. . . . . …

  • Sprache: Englisch

    Verlag: Pennsylvania State Univ Pr, 2005

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  • Sprache: Englisch

    Verlag: Penn State University Press Sep 2005, 2005

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    Taschenbuch. Zustand: Neu. Neuware -Edvard Munch (1863-1944) has attained lasting fame for paintings and prints--above all The Scream-- that express the isolation and anxieties of the modern condition. Recently, the Philadelphia Museum of Art acquired a large Munch painting, Mermaid, little known outside a small circle of experts because it had never been displayed in museums or galleries. To introduce this important work to the public, the Museum has organized an exhibition that presents Mermaid alongside related paintings, drawings, and prints. Edvard Munch's Mermaid, which accompanies the exhibition, provides the first comprehensive discussion of the painting's history and significance. The Norwegian industrialist and collector Axel Heiberg commissioned Mermaid from Munch in 1896, when the artist was living in Paris, absorbing the city's intellectual life, expanding his work as a printmaker, and extending his activities to new realms, such as designing the theater sets and program for Henrik Ibsen's play Peer Gynt. The first two essays in this book from the Philadelphia Museum of Art situate Mermaid, Munch's first decorative painting, within the rich ferment of this period in his life. The painting's Norwegian imagery, Symbolist ethos, and Art Nouveau influences are explored even as its relationship to Munch's printmaking of 1896-97 and other artistic activities is elucidated. Mermaid was removed from Heiberg's house in 1938 and was converted by a restorer from a trapezoidal format to a standard rectangle. The final essay discusses the changes to the painting in light of Munch's highly personal and complex views on the alteration of his works. Edvard Munch's Mermaid reproduces all the prints, drawings, and paintings in the exhibition at the Philadelphia Museum of Art, September 24-December 31, 2005. 79 pp. Englisch.…

  • Sprache: Englisch

    Verlag: Penn State University Press Sep 2005, 2005

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    Taschenbuch. Zustand: Neu. Neuware -Edvard Munch (1863-1944) has attained lasting fame for paintings and prints--above all The Scream-- that express the isolation and anxieties of the modern condition. Recently, the Philadelphia Museum of Art acquired a large Munch painting, Mermaid, little known outside a small circle of experts because it had never been displayed in museums or galleries. To introduce this important work to the public, the Museum has organized an exhibition that presents Mermaid alongside related paintings, drawings, and prints. Edvard Munch's Mermaid, which accompanies the exhibition, provides the first comprehensive discussion of the painting's history and significance. The Norwegian industrialist and collector Axel Heiberg commissioned Mermaid from Munch in 1896, when the artist was living in Paris, absorbing the city's intellectual life, expanding his work as a printmaker, and extending his activities to new realms, such as designing the theater sets and program for Henrik Ibsen's play Peer Gynt. The first two essays in this book from the Philadelphia Museum of Art situate Mermaid, Munch's first decorative painting, within the rich ferment of this period in his life. The painting's Norwegian imagery, Symbolist ethos, and Art Nouveau influences are explored even as its relationship to Munch's printmaking of 1896-97 and other artistic activities is elucidated. Mermaid was removed from Heiberg's house in 1938 and was converted by a restorer from a trapezoidal format to a standard rectangle. The final essay discusses the changes to the painting in light of Munch's highly personal and complex views on the alteration of his works. Edvard Munch's Mermaid reproduces all the prints, drawings, and paintings in the exhibition at the Philadelphia Museum of Art, September 24-December 31, 2005. 79 pp. Englisch.…

  • Sprache: Englisch

    Verlag: Penn State University Press Sep 2005, 2005

    0271028564 / 9780271028569

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    Taschenbuch. Zustand: Neu. Neuware -Edvard Munch (1863-1944) has attained lasting fame for paintings and prints--above all The Scream-- that express the isolation and anxieties of the modern condition. Recently, the Philadelphia Museum of Art acquired a large Munch painting, Mermaid, little known outside a small circle of experts because it had never been displayed in museums or galleries. To introduce this important work to the public, the Museum has organized an exhibition that presents Mermaid alongside related paintings, drawings, and prints. Edvard Munch's Mermaid, which accompanies the exhibition, provides the first comprehensive discussion of the painting's history and significance. The Norwegian industrialist and collector Axel Heiberg commissioned Mermaid from Munch in 1896, when the artist was living in Paris, absorbing the city's intellectual life, expanding his work as a printmaker, and extending his activities to new realms, such as designing the theater sets and program for Henrik Ibsen's play Peer Gynt. The first two essays in this book from the Philadelphia Museum of Art situate Mermaid, Munch's first decorative painting, within the rich ferment of this period in his life. The painting's Norwegian imagery, Symbolist ethos, and Art Nouveau influences are explored even as its relationship to Munch's printmaking of 1896-97 and other artistic activities is elucidated. Mermaid was removed from Heiberg's house in 1938 and was converted by a restorer from a trapezoidal format to a standard rectangle. The final essay discusses the changes to the painting in light of Munch's highly personal and complex views on the alteration of his works. Edvard Munch's Mermaid reproduces all the prints, drawings, and paintings in the exhibition at the Philadelphia Museum of Art, September 24-December 31, 2005.…

  • Sprache: Englisch

    Verlag: Pennsylvania State University Press, 2005

    0271028564 / 9780271028569

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    Zustand: New. Num Pages: 56 pages, 27 colour illustrations, 16 b&w illustrations. BIC Classification: ACX; AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 8. Weight in Grams: 290. . 2005. 1st Edition. paperback. . . . . Books ship from the US and Ireland. …

  • Sprache: Englisch

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    Taschenbuch. Zustand: Neu. Neuware - Edvard Munch (1863-1944) has attained lasting fame for paintings and prints--above all The Scream-- that express the isolation and anxieties of the modern condition. Recently, the Philadelphia Museum of Art acquired a large Munch painting, Mermaid, little known outside a small circle of experts because it had never been displayed in museums or galleries. To introduce this important work to the public, the Museum has organized an exhibition that presents Mermaid alongside related paintings, drawings, and prints. Edvard Munch's Mermaid, which accompanies the exhibition, provides the first comprehensive discussion of the painting's history and significance. The Norwegian industrialist and collector Axel Heiberg commissioned Mermaid from Munch in 1896, when the artist was living in Paris, absorbing the city's intellectual life, expanding his work as a printmaker, and extending his activities to new realms, such as designing the theater sets and program for Henrik Ibsen's play Peer Gynt. The first two essays in this book from the Philadelphia Museum of Art situate Mermaid, Munch's first decorative painting, within the rich ferment of this period in his life. The painting's Norwegian imagery, Symbolist ethos, and Art Nouveau influences are explored even as its relationship to Munch's printmaking of 1896-97 and other artistic activities is elucidated. Mermaid was removed from Heiberg's house in 1938 and was converted by a restorer from a trapezoidal format to a standard rectangle. The final essay discusses the changes to the painting in light of Munch's highly personal and complex views on the alteration of his works. Edvard Munch's Mermaid reproduces all the prints, drawings, and paintings in the exhibition at the Philadelphia Museum of Art, September 24-December 31, 2005.…

  • Sprache: Englisch

    Verlag: Penn State University Press Sep 2005, 2005

    0271028564 / 9780271028569

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    Taschenbuch. Zustand: Neu. Neuware -Edvard Munch (1863-1944) has attained lasting fame for paintings and prints--above all The Scream-- that express the isolation and anxieties of the modern condition. Recently, the Philadelphia Museum of Art acquired a large Munch painting, Mermaid, little known outside a small circle of experts because it had never been displayed in museums or galleries. To introduce this important work to the public, the Museum has organized an exhibition that presents Mermaid alongside related paintings, drawings, and prints. Edvard Munch's Mermaid, which accompanies the exhibition, provides the first comprehensive discussion of the painting's history and significance. The Norwegian industrialist and collector Axel Heiberg commissioned Mermaid from Munch in 1896, when the artist was living in Paris, absorbing the city's intellectual life, expanding his work as a printmaker, and extending his activities to new realms, such as designing the theater sets and program for Henrik Ibsen's play Peer Gynt. The first two essays in this book from the Philadelphia Museum of Art situate Mermaid, Munch's first decorative painting, within the rich ferment of this period in his life. The painting's Norwegian imagery, Symbolist ethos, and Art Nouveau influences are explored even as its relationship to Munch's printmaking of 1896-97 and other artistic activities is elucidated. Mermaid was removed from Heiberg's house in 1938 and was converted by a restorer from a trapezoidal format to a standard rectangle. The final essay discusses the changes to the painting in light of Munch's highly personal and complex views on the alteration of his works. Edvard Munch's Mermaid reproduces all the prints, drawings, and paintings in the exhibition at the Philadelphia Museum of Art, September 24-December 31, 2005.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 79 pp. Englisch.…

  • Sprache: Englisch

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    Taschenbuch. Zustand: Neu. Edvard Munch's Mermaid | John Zarobell (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2005 | Penn State University Press | EAN 9780271028569 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

  • Sprache: Englisch

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    Paperback. Zustand: New. Edvard Munch (1863-1944) has attained lasting fame for paintings and prints-above all The Scream- that express the isolation and anxieties of the modern condition. Recently, the Philadelphia Museum of Art acquired a large Munch painting, Mermaid, little known outside a small circle of experts because it had never been displayed in museums or galleries. To introduce this important work to the public, the Museum has organized an exhibition that presents Mermaid alongside related paintings, drawings, and prints. Edvard Munch's Mermaid, which accompanies the exhibition, provides the first comprehensive discussion of the painting's history and significance. The Norwegian industrialist and collector Axel Heiberg commissioned Mermaid from Munch in 1896, when the artist was living in Paris, absorbing the city's intellectual life, expanding his work as a printmaker, and extending his activities to new realms, such as designing the theater sets and program for Henrik Ibsen's play Peer Gynt. The first two essays in this book from the Philadelphia Museum of Art situate Mermaid, Munch's first decorative painting, within the rich ferment of this period in his life. The painting's Norwegian imagery, Symbolist ethos, and Art Nouveau influences are explored even as its relationship to Munch's printmaking of 1896-97 and other artistic activities is elucidated. Mermaid was removed from Heiberg's house in 1938 and was converted by a restorer from a trapezoidal format to a standard rectangle. The final essay discusses the changes to the painting in light of Munch's highly personal and complex views on the alteration of his works. Edvard Munch's Mermaid reproduces all the prints, drawings, and paintings in the exhibition at the Philadelphia Museum of Art, September 24-December 31, 2005.…

  • Sprache: Englisch

    Verlag: Sep 2005, 2005

    0271028564 / 9780271028569

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    Taschenbuch. Zustand: Neu. Neuware -Edvard Munch (1863-1944) has attained lasting fame for paintings and prints--above all The Scream-- that express the isolation and anxieties of the modern condition. Recently, the Philadelphia Museum of Art acquired a large Munch painting, Mermaid, little known outside a small circle of experts because it had never been displayed in museums or galleries. To introduce this important work to the public, the Museum has organized an exhibition that presents Mermaid alongside related paintings, drawings, and prints. Edvard Munch's Mermaid, which accompanies the exhibition, provides the first comprehensive discussion of the painting's history and significance. The Norwegian industrialist and collector Axel Heiberg commissioned Mermaid from Munch in 1896, when the artist was living in Paris, absorbing the city's intellectual life, expanding his work as a printmaker, and extending his activities to new realms, such as designing the theater sets and program for Henrik Ibsen's play Peer Gynt. The first two essays in this book from the Philadelphia Museum of Art situate Mermaid, Munch's first decorative painting, within the rich ferment of this period in his life. The painting's Norwegian imagery, Symbolist ethos, and Art Nouveau influences are explored even as its relationship to Munch's printmaking of 1896-97 and other artistic activities is elucidated. Mermaid was removed from Heiberg's house in 1938 and was converted by a restorer from a trapezoidal format to a standard rectangle. The final essay discusses the changes to the painting in light of Munch's highly personal and complex views on the alteration of his works. Edvard Munch's Mermaid reproduces all the prints, drawings, and paintings in the exhibition at the Philadelphia Museum of Art, September 24-December 31, 2005. 79 pp. Englisch.…

  • Sprache: Englisch

    Verlag: PENN ST UNIV PR, 2005

    0271028564 / 9780271028569

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    Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorJohn Zarobell is Assistant Curator of European Painting Before 1900 at the Philadelphia Museum of Art and Assistant Curator of the Rodin Museum.Shelley Langdale is Assistant Curator of Prints and Drawings at .…