9780271098968 - Delacroix?s Moroccans: Art and Masculinity von Olmsted, Jennifer W. (29 Ergebnisse)

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Hardback. Zustand: New. The Women of Algiers in Their Apartment is arguably Eugène Delacroix's best-known work from his trip to Morocco in 1832, and the attention scholars have paid to it has obscured a crucial fact about Delacroix's Moroccan subjects: most of his paintings of North Africa depict men rather than women.After serving as a diplomat's companion on a mission to Morocco, Delacroix went on to devote over three-quarters of his massive North African oeuvre to the military prowess, effective leadership, equestrian virtuosity, and elegant dress of Moroccan men. Using the evidence of his writings, sketches, and paintings, Olmsted argues that rather than embodying a typical colonialist fantasy, Delacroix's paintings of Moroccan men instead show his subjects as models of heroic masculinity and political sovereignty, a position that ran counter to prevailing French attitudes toward North Africans. In this way, Delacroix's Moroccans intervenes in the discourse of imperialism to examine the multiple, heterogeneous features of cultural response and provides nuanced readings of the artist's work that support the idea that European constructions of non-European cultures were not monolithic.Olmsted's multifaceted analysis creates a powerful and original understanding of Delacroix's Moroccan oeuvre and a counternarrative to the colonialist imagery of his era. Through close attention to Delacroix's paintings, drawings, and writings, as well as their historical and political contexts, this book illuminates the artist's practice and offers a fresh avenue for assessing colonialism and art produced within colonial contexts.

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Hardcover. Zustand: new. Hardcover. The Women of Algiers in Their Apartment is arguably Eugene Delacroixs best-known work from his trip to Morocco in 1832, and the attention scholars have paid to it has obscured a crucial fact about Delacroixs Moroccan subjects: most of his paintings of North Africa depict men rather than women.After serving as a diplomats companion on a mission to Morocco, Delacroix went on to devote over three-quarters of his massive North African oeuvre to the military prowess, effective leadership, equestrian virtuosity, and elegant dress of Moroccan men. Using the evidence of his writings, sketches, and paintings, Olmsted argues that rather than embodying a typical colonialist fantasy, Delacroixs paintings of Moroccan men instead show his subjects as models of heroic masculinity and political sovereignty, a position that ran counter to prevailing French attitudes toward North Africans. In this way, Delacroixs Moroccans intervenes in the discourse of imperialism to examine the multiple, heterogeneous features of cultural response and provides nuanced readings of the artists work that support the idea that European constructions of non-European cultures were not monolithic.Olmsteds multifaceted analysis creates a powerful and original understanding of Delacroixs Moroccan oeuvre and a counternarrative to the colonialist imagery of his era. Through close attention to Delacroixs paintings, drawings, and writings, as well as their historical and political contexts, this book illuminates the artists practice and offers a fresh avenue for assessing colonialism and art produced within colonial contexts. "Examines the intersection of gender, race, and imperialism in Eugene Delacroix's representations of Arab men from his famous trip to Morocco in 1832 as models of heroic masculinity and dignified autonomy"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Hardback. Zustand: New. The Women of Algiers in Their Apartment is arguably Eugène Delacroix's best-known work from his trip to Morocco in 1832, and the attention scholars have paid to it has obscured a crucial fact about Delacroix's Moroccan subjects: most of his paintings of North Africa depict men rather than women.After serving as a diplomat's companion on a mission to Morocco, Delacroix went on to devote over three-quarters of his massive North African oeuvre to the military prowess, effective leadership, equestrian virtuosity, and elegant dress of Moroccan men. Using the evidence of his writings, sketches, and paintings, Olmsted argues that rather than embodying a typical colonialist fantasy, Delacroix's paintings of Moroccan men instead show his subjects as models of heroic masculinity and political sovereignty, a position that ran counter to prevailing French attitudes toward North Africans. In this way, Delacroix's Moroccans intervenes in the discourse of imperialism to examine the multiple, heterogeneous features of cultural response and provides nuanced readings of the artist's work that support the idea that European constructions of non-European cultures were not monolithic.Olmsted's multifaceted analysis creates a powerful and original understanding of Delacroix's Moroccan oeuvre and a counternarrative to the colonialist imagery of his era. Through close attention to Delacroix's paintings, drawings, and writings, as well as their historical and political contexts, this book illuminates the artist's practice and offers a fresh avenue for assessing colonialism and art produced within colonial contexts.

Zustand: New.

Zustand: NEW.

Hardcover. Zustand: new. Hardcover. The Women of Algiers in Their Apartment is arguably Eugene Delacroixs best-known work from his trip to Morocco in 1832, and the attention scholars have paid to it has obscured a crucial fact about Delacroixs Moroccan subjects: most of his paintings of North Africa depict men rather than women.After serving as a diplomats companion on a mission to Morocco, Delacroix went on to devote over three-quarters of his massive North African oeuvre to the military prowess, effective leadership, equestrian virtuosity, and elegant dress of Moroccan men. Using the evidence of his writings, sketches, and paintings, Olmsted argues that rather than embodying a typical colonialist fantasy, Delacroixs paintings of Moroccan men instead show his subjects as models of heroic masculinity and political sovereignty, a position that ran counter to prevailing French attitudes toward North Africans. In this way, Delacroixs Moroccans intervenes in the discourse of imperialism to examine the multiple, heterogeneous features of cultural response and provides nuanced readings of the artists work that support the idea that European constructions of non-European cultures were not monolithic.Olmsteds multifaceted analysis creates a powerful and original understanding of Delacroixs Moroccan oeuvre and a counternarrative to the colonialist imagery of his era. Through close attention to Delacroixs paintings, drawings, and writings, as well as their historical and political contexts, this book illuminates the artists practice and offers a fresh avenue for assessing colonialism and art produced within colonial contexts. "Examines the intersection of gender, race, and imperialism in Eugene Delacroix's representations of Arab men from his famous trip to Morocco in 1832 as models of heroic masculinity and dignified autonomy"-- Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Zustand: Nuovo. Ril. in cart., cm 20,5 x 26, pp 199, tavv. e ill. a col. e b/n. - ISBN: 9780271098968.

Zustand: New.

Hardcover. Zustand: Brand New. sew edition. 208 pages. 10.00x8.00x0.83 inches. In Stock.

Hardback. Zustand: New. The Women of Algiers in Their Apartment is arguably Eugène Delacroix's best-known work from his trip to Morocco in 1832, and the attention scholars have paid to it has obscured a crucial fact about Delacroix's Moroccan subjects: most of his paintings of North Africa depict men rather than women.After serving as a diplomat's companion on a mission to Morocco, Delacroix went on to devote over three-quarters of his massive North African oeuvre to the military prowess, effective leadership, equestrian virtuosity, and elegant dress of Moroccan men. Using the evidence of his writings, sketches, and paintings, Olmsted argues that rather than embodying a typical colonialist fantasy, Delacroix's paintings of Moroccan men instead show his subjects as models of heroic masculinity and political sovereignty, a position that ran counter to prevailing French attitudes toward North Africans. In this way, Delacroix's Moroccans intervenes in the discourse of imperialism to examine the multiple, heterogeneous features of cultural response and provides nuanced readings of the artist's work that support the idea that European constructions of non-European cultures were not monolithic.Olmsted's multifaceted analysis creates a powerful and original understanding of Delacroix's Moroccan oeuvre and a counternarrative to the colonialist imagery of his era. Through close attention to Delacroix's paintings, drawings, and writings, as well as their historical and political contexts, this book illuminates the artist's practice and offers a fresh avenue for assessing colonialism and art produced within colonial contexts.

Hardback. Zustand: New. The Women of Algiers in Their Apartment is arguably Eugène Delacroix's best-known work from his trip to Morocco in 1832, and the attention scholars have paid to it has obscured a crucial fact about Delacroix's Moroccan subjects: most of his paintings of North Africa depict men rather than women.After serving as a diplomat's companion on a mission to Morocco, Delacroix went on to devote over three-quarters of his massive North African oeuvre to the military prowess, effective leadership, equestrian virtuosity, and elegant dress of Moroccan men. Using the evidence of his writings, sketches, and paintings, Olmsted argues that rather than embodying a typical colonialist fantasy, Delacroix's paintings of Moroccan men instead show his subjects as models of heroic masculinity and political sovereignty, a position that ran counter to prevailing French attitudes toward North Africans. In this way, Delacroix's Moroccans intervenes in the discourse of imperialism to examine the multiple, heterogeneous features of cultural response and provides nuanced readings of the artist's work that support the idea that European constructions of non-European cultures were not monolithic.Olmsted's multifaceted analysis creates a powerful and original understanding of Delacroix's Moroccan oeuvre and a counternarrative to the colonialist imagery of his era. Through close attention to Delacroix's paintings, drawings, and writings, as well as their historical and political contexts, this book illuminates the artist's practice and offers a fresh avenue for assessing colonialism and art produced within colonial contexts.

Buch. Zustand: Neu. Neuware - 'Examines the intersection of gender, race, and imperialism in Eugáene Delacroix's representations of Arab men from his famous trip to Morocco in 1832 as models of heroic masculinity and dignified autonomy'.

Hardcover. Zustand: new. Hardcover. The Women of Algiers in Their Apartment is arguably Eugene Delacroixs best-known work from his trip to Morocco in 1832, and the attention scholars have paid to it has obscured a crucial fact about Delacroixs Moroccan subjects: most of his paintings of North Africa depict men rather than women.After serving as a diplomats companion on a mission to Morocco, Delacroix went on to devote over three-quarters of his massive North African oeuvre to the military prowess, effective leadership, equestrian virtuosity, and elegant dress of Moroccan men. Using the evidence of his writings, sketches, and paintings, Olmsted argues that rather than embodying a typical colonialist fantasy, Delacroixs paintings of Moroccan men instead show his subjects as models of heroic masculinity and political sovereignty, a position that ran counter to prevailing French attitudes toward North Africans. In this way, Delacroixs Moroccans intervenes in the discourse of imperialism to examine the multiple, heterogeneous features of cultural response and provides nuanced readings of the artists work that support the idea that European constructions of non-European cultures were not monolithic.Olmsteds multifaceted analysis creates a powerful and original understanding of Delacroixs Moroccan oeuvre and a counternarrative to the colonialist imagery of his era. Through close attention to Delacroixs paintings, drawings, and writings, as well as their historical and political contexts, this book illuminates the artists practice and offers a fresh avenue for assessing colonialism and art produced within colonial contexts. "Examines the intersection of gender, race, and imperialism in Eugene Delacroix's representations of Arab men from his famous trip to Morocco in 1832 as models of heroic masculinity and dignified autonomy"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Zustand: Neu. Delacroix's Moroccans | Art and Masculinity | Jennifer Olmsted | Buch | Einband - fest (Hardcover) | Englisch | 2025 | Pennsylvania State University Press | EAN 9780271098968 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

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