Isbn: 9780295975641 - out of inferno: strindberg's reawakening as an artist (mclellan endowed) (12 Ergebnisse)

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Trade Paperback. Zustand: Fine. First Trade Paperback. xii, 390pp, index, bibliography, notes, appendices, bw & col ills. Slightest of edge wear to card covers. In 1897 August Strindberg embarked on one of the greatest comebacks in the history of literature. With the publication of a novel about his 6 years in exile he returned to the center of Swedish literary life. This volume analysys the reasons for Strindberg's collapse and subsequent reemergence as an influential modern writer whose plays helped change the course of modern theatre. Size: 8vo.…

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Paperback. Zustand: Good. 412 pages. cover worn, bumped, In 1897 August Strindberg, almost fifty years old, embarked on one of the gre at comebacks in the history of literature. For six years he had lived as an exil e in Germany, Austria, and France. Though more than twenty years earlier he had earned a place in Scandinavian literature, the general view in Sweden was that h e was finished, his career over. Then, with the publication of Inferno, the nove l that described some of the most harrowing experiences of his exile years, he r eturned swiftly to the center of Swedish literary life. In Out of Inferno Harry G. Carlson analyzes the reasons for Strindberg?s collapse and subsequent reeme rgence as an influential modern writer.Strindberg?s early success was a s a realist, or Naturalist, writer in the 1870s and 1880s. Astute and politicall y conscious, Strindberg emphasized social relevance in his art. At the same time , however, he instinctively trusted his highly inventive ?visions.? The tens ions and contradictions between realist and dreamer ultimately helped precipitat e the collapse of his career in the Inferno years.Carlson explores Strind berg?s struggle to redefine both his art and himself as an artist, and the inf luence on him of various intellectual trends in fin de siècle Berlin and Paris? ??occultism, alchemy, Orientalism, medievalism. After declaring himself finished with drama and fiction, Strindberg turned to an old love, painting, and sought out friends in avant-garde circles, among them Munch and Gauguin. His renewed in terest in painting and in experiments in the powers of the visual imagination la id the groundwork for the radical experimentation of his later drama. In the ext raordinary atmosphere of artistic ferment in Berlin and Paris, Strindberg?s al.…

Paperback. Zustand: New. 011140; STRINDBERG AUGUST 1849 1912 LITERARY.