9780295991108 - the poetics and politics of place: ottoman istanbul and british orientalism (13 Ergebnisse)
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Soft cover. Zustand: New. Paperback. 4to. (30 x 24 cm). In English. 285 p. Color and b/w ills. "This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essentia…l role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education. Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures.".
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Zustand: New. pp. 288 120 (Col.) Illus.
Poetics and Politics of Place : Ottoman Istanbul and British Orientalism
Inankur, Zeynep (EDT); Lewis, Reina (EDT); Roberts, Mary (EDT)
Sprache: Englisch
Verlag: Suna and Inan Kirac Foundation, Pera Museum, 2010
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Paperback. Zustand: new. Paperback. This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in th…e dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education.Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures. Takes a fresh look at Orientalism by shifting its centre from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Poetics and Politics of Place : Ottoman Istanbul and British Orientalism
Inankur, Zeynep (EDT); Lewis, Reina (EDT); Roberts, Mary (EDT)
Sprache: Englisch
Verlag: Suna and Inan Kirac Foundation, Pera Museum, 2010
- Softcover
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Sprache: Englisch
Verlag: Suna and Inan Kirac Foundation, Pera Museum, 2010
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Soft cover. Zustand: Very Good. 285 pages : illustrations (chiefly color) ; 28 cm. Contents: AcknowledgmentsPreface / Suna, Inan and Ipek KiracIntroduction: Disruptive Geographies / Mary Roberts, Reina Lewis and Zeynep Inankur Part I: Institutions, Collections, Exhibitions I. Staging The Lure of the East: Exhibition Making and O…rientalism / Christine RidingII. Cultural Exchange and the Politics of Pleasure / Reina Lewis III. Bringing It Home? Orientalist Painting and the Art Market / Nicholas Tromans IV. The Searight Collection / Sarah SearightV. Cultural Consignment and Cultural (Ex)Change / Donald Preziosi VI. Orientalism and Photography / Nancy MicklewrightPart II: Constructing History and the Politics of Place VII. Between the Sublime and the Picturesque: Mourning Modernization and the Production of Orientalist Landscape in Thomas Allom and Reverend Robert Walsh's Constantinople and the Scenery of the Seven Churches of Asia Minor (c. 1839) / Wendy M. K. ShawVIII. Genealogies of Display: Cross-Cultural Networks at the 1880s Istanbul Exhibitions / Mary Roberts IX. Osman Hamdi Bey and the Historiophile Mood: Orientalist Vision and the Romantic Sense of the Past in Late Ottoman Culture / Ahmet Ersoy X. Traveling East: Veiling, Race, and Nations / Teresa Heffernan XI. "Solitary Eagle"?: The Public and Private Personas of John Frederick Lewis (1804-1876) / Briony LlewellynXII. An Ottoman Traveler to the Orient: Osman Hamdi Bey / Edhem EldemPart III. Cultural Mediators, Boundaries, Exchanges XIII. Mary Adelaide Walker / Zeynep InankurXIV. The Dragoman Who Commissioned His Own Portrait / Aykut Gurcaglar XV. European Artists at the Ottoman Court: Propogating a New Dynastic Image in the Nineteenth Century / Gunsel Renda XVI. The Interpretation of Pictorial Space in Nineteenth-Century Ottoman Landscape Painting / Semra Germaner XVII. Orientalism and Aestheticism / Tim BarringerXVIII. The Reception of John Frederick Lewis at the Exposition Universelle in 1855 / Peter Benson Miller Notes on Contributors Index.
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Zustand: New. 2010. Paperback. . . . . .
Sprache: Englisch
Verlag: Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2011., Istanbul:, 2011
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Soft cover. Zustand: New. INANKUR, ZEYNEP - REINA LEWIS - MARY ROBERTS (Edited by) The poetics and politics of place. Ottoman Istanbul and British orientalism. Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2011. 4to., 285 p., color ills. Paperback. New ISBN: 9780295991108 CATALOG: Istanbul / Constantinople KEYWORDS: History of… art Istanbul - Constantinople Orientalism Turkish English relations Travel memories Painting History of art "This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education. Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures.".
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Zustand: New. Takes a fresh look at Orientalism by shifting its centre from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialismsÜber den AutorZeynep Inankur is a professor.
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Paperback. Zustand: new. Paperback. This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in th…e dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education.Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures. Takes a fresh look at Orientalism by shifting its centre from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: Foundation; Museum; University of Washington Press (Distribution), 2010
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Paperback. Zustand: New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- Text in English. 288 pp. ; 124 ills. -- with a bonus offer--; This unique collection takes a fresh look at Orientalism by shifting its… center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as travelling artefacts produced through localized interactions. World renowned scholars and curators analyse the diverse audiences for such art works and the range of differing contexts for their reception both in the nineteenth century and more recently. In this way, British art is put into a dynamic relationship with an historicised understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education.Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display and consumption of Orientalist cultures.Zeynep Inankur is a professor of art history at Mimar Sinan Fine Arts University in Istanbul and coauthor of Constantinople and the Orientalists. Reina Lewis is Artscom Centenary Professor of Cultural Studies at the London College of Fashion, University of the Arts London, and author of Rethinking Orientalism: Women, Travel and the Ottoman Harem. Mary Roberts is the John Schaeffer Associate Professor of British Art at the University of Sydney and author of Intimate Outsiders: The Harem in Ottoman and Orientalist Art and Travel Literature. Other contributors include Tim Barringer, Edhem Eldem, Ahmet Ersoy, Semra Germaner, Aykut Gürçaglar, Teresa Heffernan, Briony Llewellyn, Nancy Micklewright, Peter Benson Miller, Donald Preziosi, Günsel Renda, Christine Riding, Sarah Searight, Wendy Shaw, and Nicholas Tromans. "This rich collection of essays displays a host of new ideas, questions, and insights that spring from centering the study of British and Ottoman Orientalist art in Istanbul, not London, and in a particularly Ottoman milieu of connection, collaboration, and reinvention." -Leslie Peirce, New York University"Opens a new window to the study of Orientalist art with a series of intriguing case studies drawn from the nineteenth century British and late Ottoman visual cultures [and] discussions of contemporary art markets and the politics of curating." -Zeynep Celik, New Jersey Institute of Technology.
