ISBN: 9780299149444 - post-theory: reconstructing film studies (wisconsin studies in film) (35 Ergebnisse)

Zustand: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Zustand: Very Good. 1 Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 1 Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Zustand: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Zustand: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Zustand: Good. 564 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. PLEASE NOTE: The reason for the lower "good" rating is because the is a light ding to the top edge of the front cover along with the lower page corners being lightly bumped.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9780299149444.

Soft cover. Zustand: Very Good. Light shelf rubbing to edge of spine, otherwise fine.

Paperback. Zustand: Very Good+. 564 pages. covers show slight handling ; 6 x 9 ".

Zustand: new.

Zustand: New. Brand New.

1st edition. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; xvii, 563 p. : ill. Notes; Includes bibliographical references and index. Contents; Intro -- Contents -- Contributors -- Introduction -- Part One. State of the Art -- 1. Contemporary Film Studies and the Vicissitudes of Grand Theory (David Bordwell) -- 2. Prospects for Film Theory: A Personal Assessment (Noël Carroll) -- Part Two. Film Theory and Aesthetics -- 3. Psychoanalytic Film Theory and the Problem of the Missing Spectator (Stephen Prince) -- 4. Convention, Construction, and Cinematic Vision (David Bordwell) -- 5. Is a Cognitive Approach to the Avant-garde Cinema Perverse? (James Peterson) -- 6. The Logic and Legacy of Brechtianism (Murray Smith) -- 7. Characterization and Fictional Truth in the Cinema (Paisley Livingston) -- 8. Empathy and (Film) Fiction (Alex Neill) -- 9. Feminist Frameworks for Horror Films (Cynthia A. Freeland) -- 10. Apt Feelings, or Why "Women's Films" Aren't Trivial (Flo Leibowitz) -- 11. Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music (Jeff Smith) -- 12. Film Music and Narrative Agency (Jerrold Levinson) -- 13. Nonfiction Film and Postmodernist Skepticism (Noël Carroll) -- 14. Moving Pictures and the Rhetoric of Nonfiction Film: Two Approaches (Carl Plantinga) -- 15. Film, Reality, and Illusion (Gregory Currie) -- Part Three. Psychology of Film -- 16. The Case for an Ecological Metatheory (Joseph Anderson and Barbara Anderson) -- 17. Movies in the Mind's Eye (Julian Hochberg and Virginia Brooks) -- 18. Notes on Audience Response (Richard J. Gerrig and Deborah A. Prentice) -- Part Four. History and Analysis -- 19. Toward a New Media Economics (Douglas Gomery) -- 20. Columbia Pictures: The Making of a Motion Picture Major, 1930?1943 (Tino Balio) -- 21. "A Brief Romantic Interlude": Dick and Jane Go to 3 1/2 Seconds of the Classical Hollywood Cinema (Richard Malthy) -- 22. The Jazz Singer's Reception in the Media and at the Box Office (Donald Crafton). 23. Jameson and "Global Aesthetics" (Michael Walsh) -- 24. Reconstructing Japanese Film (Donald Kirihara) -- 25. Danish Cinema and the Politics of Recognition (Mette Hjort) -- 26. Whose Apparatus? Problems of Film Exhibition and History (Vance Kepley, Jr.) -- Selected Bibliography -- Index. Subjects; Motion pictures. Film theory. Motion picture audiences. Motion picture industry. Film history. Cinema films. 1 Kg. …

Paperback. Zustand: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

1st edition. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; xvii, 563 p. : ill. Notes; Includes bibliographical references and index. Contents; Intro -- Contents -- Contributors -- Introduction -- Part One. State of the Art -- 1. Contemporary Film Studies and the Vicissitudes of Grand Theory (David Bordwell) -- 2. Prospects for Film Theory: A Personal Assessment (Noël Carroll) -- Part Two. Film Theory and Aesthetics -- 3. Psychoanalytic Film Theory and the Problem of the Missing Spectator (Stephen Prince) -- 4. Convention, Construction, and Cinematic Vision (David Bordwell) -- 5. Is a Cognitive Approach to the Avant-garde Cinema Perverse? (James Peterson) -- 6. The Logic and Legacy of Brechtianism (Murray Smith) -- 7. Characterization and Fictional Truth in the Cinema (Paisley Livingston) -- 8. Empathy and (Film) Fiction (Alex Neill) -- 9. Feminist Frameworks for Horror Films (Cynthia A. Freeland) -- 10. Apt Feelings, or Why "Women's Films" Aren't Trivial (Flo Leibowitz) -- 11. Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music (Jeff Smith) -- 12. Film Music and Narrative Agency (Jerrold Levinson) -- 13. Nonfiction Film and Postmodernist Skepticism (Noël Carroll) -- 14. Moving Pictures and the Rhetoric of Nonfiction Film: Two Approaches (Carl Plantinga) -- 15. Film, Reality, and Illusion (Gregory Currie) -- Part Three. Psychology of Film -- 16. The Case for an Ecological Metatheory (Joseph Anderson and Barbara Anderson) -- 17. Movies in the Mind's Eye (Julian Hochberg and Virginia Brooks) -- 18. Notes on Audience Response (Richard J. Gerrig and Deborah A. Prentice) -- Part Four. History and Analysis -- 19. Toward a New Media Economics (Douglas Gomery) -- 20. Columbia Pictures: The Making of a Motion Picture Major, 1930?1943 (Tino Balio) -- 21. "A Brief Romantic Interlude": Dick and Jane Go to 3 1/2 Seconds of the Classical Hollywood Cinema (Richard Malthy) -- 22. The Jazz Singer's Reception in the Media and at the Box Office (Donald Crafton). 23. Jameson and "Global Aesthetics" (Michael Walsh) -- 24. Reconstructing Japanese Film (Donald Kirihara) -- 25. Danish Cinema and the Politics of Recognition (Mette Hjort) -- 26. Whose Apparatus? Problems of Film Exhibition and History (Vance Kepley, Jr.) -- Selected Bibliography -- Index. Subjects; Motion pictures. Film theory. Motion picture audiences. Motion picture industry. Film history. Cinema films. 1 Kg. …

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: Very Good. Very good condition. Light wear. Binding tight, pages clean. Pictures available upon request.? AP.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780299149444.

Zustand: new.

Zustand: New. A collection of essays on topics as diverse as film scores, audience response and the national film industries of Russia, Scandinavia, the US and Japan. The book examines issues such as: what goes on when viewers perceive a film?; how do movies create illusions?; and how does a film arouse emotion? Series: Wisconsin Studies in Film. Num Pages: 582 pages, 57 b&w photographs, 13 line illustrations. BIC Classification: APFA; KNTC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 30. Weight in Grams: 768. . 1996. Paperback. . . . .…

Zustand: New. pp. 582.

Paperback. Zustand: Brand New. 1st edition. 582 pages. 9.25x6.25x1.25 inches. In Stock.

Zustand: New. In English.

Zustand: New.

Zustand: New. A collection of essays on topics as diverse as film scores, audience response and the national film industries of Russia, Scandinavia, the US and Japan. The book examines issues such as: what goes on when viewers perceive a film?; how do movies create illusions?; and how does a film arouse emotion? Series: Wisconsin Studies in Film. Num Pages: 582 pages, 57 b&w photographs, 13 line illustrations. BIC Classification: APFA; KNTC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 30. Weight in Grams: 768. . 1996. Paperback. . . . . Books ship from the US and Ireland.…