Anbieter: Better World Books, Mishawaka, IN, USA
Erstausgabe
Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: Better World Books, Mishawaka, IN, USA
Erstausgabe
Zustand: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Yale University Press September 1979, 1979
ISBN 10: 0300023030 ISBN 13: 9780300023039
Anbieter: Dunaway Books, St. Louis, MO, USA
Hardcover. Zustand: Good.
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
Hardcover. Zustand: Good. DJ in brodart - some light shelfwear Standard-sized.
Hardcover. First ition edition. Good/Good (35660) . Hardcover, g., w. ltly slanted, smwht bumped sp top, v. ltly bumped corners. V. ltly bumped corners, 1 ltly frayed. Ltly tanned/sunned p. edges.Crease across r. fixed ep, wrinkling of r. free ep at sp top. Cln, tight, unmarked.Dj g.smwht rubbed--marks, scratches.Sme lt tanning, sme lt soil. Tape repair inside. 289.
Sprache: Englisch
Verlag: Cumberland, Rhode Island, U.S.A.: Yale Univ Pr, 1979, Cumberland, Rhode Island, U.S.A., 1979
ISBN 10: 0300023030 ISBN 13: 9780300023039
Anbieter: Bingo Used Books, Vancouver, WA, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. hardback in near fine condition in very good dust jacket.
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Very Good.
Sprache: Englisch
Verlag: Yale University Press, New Haven, 1979
ISBN 10: 0300023030 ISBN 13: 9780300023039
Anbieter: Henniker Book Farm and Gifts, Henniker, NH, USA
Verbandsmitglied: IOBA
Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Very Good condition. First edition, first printing. No markings to the text block. Previous owner's bookplate on inside front cover. Light soiling to top of text block. Half Title page was stuck to the front free edge page - minor marking due to this. No other damage.; 8vo - over 7¾ - 9¾" tall.
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 5,41
Anzahl: 1 verfügbar
In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0300023030.
Anbieter: Murphy-Brookfield Books, Iowa City SE, IA, USA
Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 289pp.
Sprache: Englisch
Verlag: New Haven : Yale University Press, 1979
ISBN 10: 0300023030 ISBN 13: 9780300023039
Anbieter: MW Books, New York, NY, USA
Erstausgabe
1st edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. Physical description: xx, 289 pages : illustrations ; 22 cm. Notes: Includes bibliographical references and index. Subjects: 1800-1899; English literature 19th century History and criticism Theory, etc.; Romanticism Great Britain; Romanticism. 3 Kg.
Sprache: Englisch
Verlag: Yale University Press, New Haven and London, 1979
ISBN 10: 0300023030 ISBN 13: 9780300023039
Anbieter: Kenneth A. Himber, Lebanon, NJ, USA
Erstausgabe
Hardcover. Zustand: Almost Like New. Zustand des Schutzumschlags: Very Good +. First Printing. Book is a clean tight unmarked copy. Dust jacket is slightly chipped on corner edges.
Sprache: Englisch
Verlag: Yale University Press, New Haven & London, 1979
ISBN 10: 0300023030 ISBN 13: 9780300023039
Anbieter: Hackenberg Booksellers ABAA, El Cerrito, CA, USA
xx, 289p., b/w illus., dj.
Sprache: Englisch
Verlag: New Haven : Yale University Press, 1979
ISBN 10: 0300023030 ISBN 13: 9780300023039
Anbieter: MW Books Ltd., Galway, Irland
Erstausgabe
1st edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. Physical description: xx, 289 pages : illustrations ; 22 cm. Notes: Includes bibliographical references and index. Subjects: 1800-1899; English literature 19th century History and criticism Theory, etc.; Romanticism Great Britain; Romanticism. 1 Kg.
EUR 28,14
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. 312 44:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Case Laminate on Creme w/Gloss Lam.
Zustand: New. pp. 312.
Zustand: New. pp. 312.
Anbieter: Romtrade Corp., STERLING HEIGHTS, MI, USA
Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
Anbieter: Basi6 International, Irving, TX, USA
Zustand: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Yale University Press, New Haven, 1979
ISBN 10: 0300023030 ISBN 13: 9780300023039
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Hardcover. Zustand: new. Hardcover. The copious attention visited on romanticism during recent decades has only rarely resulted in comprehensive theoretical constructions. This new work by Michael Cooke, offering an explicit theory of romanticism, is thus both needed and valuable. Cooke proposes that the multifariousness of the movement-found in single works and authors and compounded in the cross-relations among authors-is not an obstacle but a clue to grasping the singular essence of romanticism. The romantic writer, refusing the cloak of hereditary values and forms, looks for value in a context of uncertainty and openness on a principle of essential non-exclusiveness. For anything possible to be posited, everything possible must be taken into account. The concept of inclusion, manifesting itself at almost any level-formal, thematic, generic, rhetorical, actional, or passional-underlies and reconciles much of romanticism's apparent diversity, inconsistency, and incongruity: indeed, romantic literature may be said to constitute acts of inclusion.Cooke explores his thesis in chapters on romanticism and the universality of art; on elegy, prophecy, and satire; on the norm of consequences in romanticism; on the feminine as the crux of value; on the mode of argument, especially in Wordsworth's poetry; and on Don Juan as a test case of romantic form, exhibiting at once the obsession and the self-discipline of spontaneity. Arguing cogently and originally, he comes to terms with a fundamental truth about romanticism. The copious attention visited on romanticism during recent decades has only rarely resulted in comprehensive theoretical constructions. This new work by Michael Cooke, offering an explicit theory of romanticism, is thus both needed and valuable. Cooke proposes that the multifariousness of the movement-found in single works and authors and compounded in the cross-relations among authors-is not an obstacle but a clue to grasping the singular essence of romanticism. The romantic writer, refusing the cloak of hereditary values and forms, looks for value in a context of uncertainty and openness on a principle of essential non-exclusiveness. For anything possible to be posited, everything possible must be taken into account. The concept of inclusion, manifesting itself at almost any level-formal, thematic, generic, rhetorical, actional, or passional-underlies and reconciles much of romanticism's apparent diversity, inconsistency, and incongruity: indeed, romantic literature may be said to constitute acts of inclusion. Cooke explores his thesis in chapters on romanticism and the universality of art; on elegy, prophecy, and satire; on the norm of consequences in romanticism; on the feminine as the crux of value; on the mode of argument, especially in Wordsworth's poetry; and on Don Juan as a test case of romantic form, exhibiting at once the obsession and the self-discipline of spontaneity. Arguing cogently and originally, he comes to terms with a fundamental truth about romanticism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 60,22
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 70,30
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 72,21
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
EUR 80,35
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 101,36
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
EUR 64,55
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Yale University Press Sep 1979, 1979
ISBN 10: 0300023030 ISBN 13: 9780300023039
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - The copious attention visited on romanticism during recent decades has only rarely resulted in comprehensive theoretical constructions. This new work by Michael Cooke, offering an explicit theory of romanticism, is thus both needed and valuable. Cooke proposes that the multifariousness of the movement-found in single works and authors and compounded in the cross-relations among authors-is not an obstacle but a clue to grasping the singular essence of romanticism.The romantic writer, refusing the cloak of hereditary values and forms, looks for value in a context of uncertainty and openness on a principle of essential non-exclusiveness. For anything possible to be posited, everything possible must be taken into account. The concept of inclusion, manifesting itself at almost any level-formal, thematic, generic, rhetorical, actional, or passional-underlies and reconciles much of romanticism's apparent diversity, inconsistency, and incongruity: indeed, romantic literature may be said to constitute acts of inclusion.Cooke explores his thesis in chapters on romanticism and the universality of art; on elegy, prophecy, and satire; on the norm of consequences in romanticism; on the feminine as the crux of value; on the mode of argument, especially in Wordsworth's poetry; and on Don Juan as a test case of romantic form, exhibiting at once the obsession and the self-discipline of spontaneity. Arguing cogently and originally, he comes to terms with a fundamental truth about romanticism.
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.