9780300032277 - mannerism and renaissance poetry: concept, mode, inner design von mirollo, james v. (19 Ergebnisse)
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hardcover. Zustand: Very Good. Mannerism and Renaissance Poetry â" Concept, Mode, Inner Design This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintai…ned and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Hardcover. 225pp. Near new condition, covers bright, text clean & binding tight in a like dust jacket.
Sprache: Englisch
Verlag: Yale University Press, New Haven, Connecticut, 1984
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Hardcover. Zustand: Fine condition. Very Good DJ (lightly soiled). First Printing of the First Edition. New Haven, Connecticut: Yale University Press, 1984. Clean, square, tight, unmarked copy. Sharp corners. No owner's name or bookplate. No remainder mark. Illustrated. Study of literary and artistic manifestations of mannerism…in the Renaissance. Looks at Vasari, Cellini, Petrarchism, Baroque poetry, how painters and poets treated the lyric conventions of the veiled face and gloved hand, etc. The author was professor of English and comparative literature at Columbia University. Chapter notes. Bibliography. Index. Original blue cloth. First Printing of the First Edition. Hardcover. Fine condition/Very Good DJ (lightly soiled). 8vo. xv, 225pp.
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Buch. Zustand: Neu. Neuware - The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic… manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini's Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets-Italian, French, Spanish, and English-treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems.
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Hardcover. Zustand: new. Hardcover. The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and ar…tistic manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini's Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets-Italian, French, Spanish, and English-treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems. The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini's Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets-Italian, French, Spanish, and English-treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
