Isbn: 9780300063028 - architecture and the text: the (s)crypts of joyce and piranesi (theoretical perspectives in architectura) (25 Ergebnisse)

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Zustand: Used-Very Good. Pap. Minor shelf wear. Else a nice, clean copy.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780300063028.…

Soft cover. Zustand: Very Good. Small loss to lower corner of rear cover. No additions.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback. Zustand: New. In this profoundly original book, Jennifer Bloomer addresses important philosophical questions concerning the relation between writing and architecture. Drawing together two cultural fantasies from different periods-one literary and one architectural-Bloomer uses the allegorical strategies she finds in James Joyce's Finnegans Wake to analyze three works of Giambattista Piranesi (Campo Marzio, Collegio, and the Carceri). Bloomer argues that architecture is a system of representation, with signifying possibilities that go beyond the merely symbolic.Bloomer reads the texts and ideas of Joyce and Piranesi against one another, further illuminating them with insights from myth, religion, linguistics, film theory, nursery rhymes, and personal anecdotes, as well as from poststructuralist, Marxist, and feminist criticism. Combining the strategies of Finnegans Wake, which Joyce himself called architectural, with conventional strategies of architectural thinking, Bloomer creates a new way of thinking architecturally that is not dominated by linear models and that appropriates ideas, parts, and theoretical frameworks from many other disciplines. Demonstrating her argument by dramatic example, Bloomer's treatise-like Joyce's word-play and Piranesi's play with visual representation-offers the pleasure of ongoing discovery.…

Zustand: New. In English.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. pp. 240.

Zustand: New. pp. 240 36 Illus.

Soft cover. Zustand: New. 8vo (22.5 cm), XVI, 222 pp. Publisher's wrappers (minor shelf-wear). "In this profoundly original book, Jennifer Bloomer addresses important philosophical questions concerning the relation between writing and architecture. Drawing together two cultural fantasies from different periods--one literary and one architectural--Bloomer uses the allegorical strategies she finds in James Joyce's Finnegans Wake to analyze three works of Giambattista Piranesi (Campo Marzio, Collegio, and the Carceri). Bloomer argues that architecture is a system of representation, with signifying possibilities that go beyond the merely symbolic." (from the blurb).…

Kartoniert / Broschiert. Zustand: New. Addresses philosophical questions concerning the relation between writing and architecture. This book draws together two cultural fantasies from different periods, and argues that architecture is a system of representation, with signifying possibilities tha.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Paperback. Zustand: New. In this profoundly original book, Jennifer Bloomer addresses important philosophical questions concerning the relation between writing and architecture. Drawing together two cultural fantasies from different periods-one literary and one architectural-Bloomer uses the allegorical strategies she finds in James Joyce's Finnegans Wake to analyze three works of Giambattista Piranesi (Campo Marzio, Collegio, and the Carceri). Bloomer argues that architecture is a system of representation, with signifying possibilities that go beyond the merely symbolic.Bloomer reads the texts and ideas of Joyce and Piranesi against one another, further illuminating them with insights from myth, religion, linguistics, film theory, nursery rhymes, and personal anecdotes, as well as from poststructuralist, Marxist, and feminist criticism. Combining the strategies of Finnegans Wake, which Joyce himself called architectural, with conventional strategies of architectural thinking, Bloomer creates a new way of thinking architecturally that is not dominated by linear models and that appropriates ideas, parts, and theoretical frameworks from many other disciplines. Demonstrating her argument by dramatic example, Bloomer's treatise-like Joyce's word-play and Piranesi's play with visual representation-offers the pleasure of ongoing discovery.…

Taschenbuch. Zustand: Neu. Neuware - In this profoundly original book, Jennifer Bloomer addresses important philosophical questions concerning the relation between writing and architecture. Drawing together two cultural fantasies from different periods-one literary and one architectural-Bloomer uses the allegorical strategies she finds in James Joyce's Finnegans Wake to analyze three works of Giambattista Piranesi (Campo Marzio, Collegio, and the Carceri). Bloomer argues that architecture is a system of representation, with signifying possibilities that go beyond the merely symbolic. Bloomer reads the texts and ideas of Joyce and Piranesi against one another, further illuminating them with insights from myth, religion, linguistics, film theory, nursery rhymes, and personal anecdotes, as well as from poststructuralist, Marxist, and feminist criticism. Combining the strategies of Finnegans Wake, which Joyce himself called architectural, with conventional strategies of architectural thinking, Bloomer creates a new way of thinking architecturally that is not dominated by linear models and that appropriates ideas, parts, and theoretical frameworks from many other disciplines. Demonstrating her argument by dramatic example, Bloomer's treatise-like Joyce's word-play and Piranesi's play with visual representation-offers the pleasure of ongoing discovery.…

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Zustand: new. Paperback. In this profoundly original book, Jennifer Bloomer addresses important philosophical questions concerning the relation between writing and architecture. Drawing together two cultural fantasies from different periods-one literary and one architectural-Bloomer uses the allegorical strategies she finds in James Joyce's Finnegans Wake to analyze three works of Giambattista Piranesi (Campo Marzio, Collegio, and the Carceri). Bloomer argues that architecture is a system of representation, with signifying possibilities that go beyond the merely symbolic.Bloomer reads the texts and ideas of Joyce and Piranesi against one another, further illuminating them with insights from myth, religion, linguistics, film theory, nursery rhymes, and personal anecdotes, as well as from poststructuralist, Marxist, and feminist criticism. Combining the strategies of Finnegans Wake, which Joyce himself called architectural, with conventional strategies of architectural thinking, Bloomer creates a new way of thinking architecturally that is not dominated by linear models and that appropriates ideas, parts, and theoretical frameworks from many other disciplines. Demonstrating her argument by dramatic example, Bloomer's treatise-like Joyce's word-play and Piranesi's play with visual representation-offers the pleasure of ongoing discovery. Addresses philosophical questions concerning the relation between writing and architecture. This book draws together two cultural fantasies from different periods, and argues that architecture is a system of representation, with signifying possibilities that go beyond the symbolic. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…