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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Yale University Press, New Haven, 1997
ISBN 10: 0300064543 ISBN 13: 9780300064544
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Hardcover. Zustand: new. Hardcover. Dramma per musica-the most usual term for Italian serious opera from the seventeenth to the early nineteenth century-was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world's most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.Reinhard Strohm introduces the concept and history of dramma per musica and then examines the contemporary reception and environment of this operatic tradition, analyzing its social and repertorial patterns and comparing it to theories on the roles of French spoken drama and Italian libretto reform. In describing the principles observed by poets, composers, and performers, Strohm discusses such central concepts of theory and practice as verisimilitude, decorum, gesture, and rhetoric. He also decodes various works, including Handel's Ariodante, operas by Hasse, and stage works featuring the Earl of Essex. Throughout the book, Strohm surveys the traditions of the spoken theater and pays special attention to the subject matter of the librettos, as well as to drama theory, stage action, patronage, political history, and ideology. His account covers opera houses in Rome, Naples, Venice, Hamburg, Dresden, Vienna, Madrid, London, and Warsaw, as he follows one character of the dramatic tradition across the European stages for more than two centuries. Authoritative and enlightening, this book reveals how dramma per musica forms a vital part of our theatrical and musical heritage. Reinhard Strohm introduces the concept and history of dramma per musica and then examine the contemporary reception and environment of this operatic tradition, analysing its social and repertorial patterns and relating it to theories concerning French spoken drama and Italian libretto reform. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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In den WarenkorbZustand: New. 1997. New. hardcover. . . . . .
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hardcover. Zustand: New. In shrink wrap. Looks like an interesting title!
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In den WarenkorbZustand: New. Introduces the concept and history of dramma per musica. The text examines the contemporary reception and environment of this operatic tradition, analyzing its social and repertorial patterns and relating it to theories concerning French spoken drama and It.
Sprache: Englisch
Verlag: Yale University Press Nov 1997, 1997
ISBN 10: 0300064543 ISBN 13: 9780300064544
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Buch. Zustand: Neu. Neuware - Dramma per musica--the most usual term for Italian serious opera from the seventeenth to the early nineteenth century--was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world's most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
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HRD. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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In den WarenkorbHRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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In den WarenkorbHardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Sprache: Englisch
Verlag: Yale University Press, New Haven, 1997
ISBN 10: 0300064543 ISBN 13: 9780300064544
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EUR 78,29
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In den WarenkorbHardcover. Zustand: new. Hardcover. Dramma per musica-the most usual term for Italian serious opera from the seventeenth to the early nineteenth century-was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world's most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.Reinhard Strohm introduces the concept and history of dramma per musica and then examines the contemporary reception and environment of this operatic tradition, analyzing its social and repertorial patterns and comparing it to theories on the roles of French spoken drama and Italian libretto reform. In describing the principles observed by poets, composers, and performers, Strohm discusses such central concepts of theory and practice as verisimilitude, decorum, gesture, and rhetoric. He also decodes various works, including Handel's Ariodante, operas by Hasse, and stage works featuring the Earl of Essex. Throughout the book, Strohm surveys the traditions of the spoken theater and pays special attention to the subject matter of the librettos, as well as to drama theory, stage action, patronage, political history, and ideology. His account covers opera houses in Rome, Naples, Venice, Hamburg, Dresden, Vienna, Madrid, London, and Warsaw, as he follows one character of the dramatic tradition across the European stages for more than two centuries. Authoritative and enlightening, this book reveals how dramma per musica forms a vital part of our theatrical and musical heritage. Reinhard Strohm introduces the concept and history of dramma per musica and then examine the contemporary reception and environment of this operatic tradition, analysing its social and repertorial patterns and relating it to theories concerning French spoken drama and Italian libretto reform. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.