9780300076301 - copper into gold: prints by john raphael smith, 1751-1812 von d'oench, ellen g.; smith, john raphael (21 Ergebnisse)
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. By Ellen G. D'Oench. xiv, 320 pages, 190 illustrations, appendices, notes, bibliography, octavo (8vo), hardcover black cloth, gold lettering on spine, dust jacket. Good condition, the book is solid and clean, minor damage to the dust jacket. #27216-2.
Sprache: Englisch
Verlag: Yale University Press for the Paul Mellon Centre for Studies in British Art, New Haven 1999
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Hard Cover. Zustand: Near Fine Plus. Near Fine Plus. First Edition. cloth, hardcover in dust jacket., small anti-theft sticker on verso of dj's back panel. no other flaws - clean, no writing or markings, strong binding.; xiv-300pp., 188 b/w illustrations. includes a comprehensive checklist of the artist's prints. Size: 4to - ove…r 9¾" - 12" tall.
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Zustand: As New. Unread book in perfect condition.
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Zustand: New. A study of John Raphael Smith's career in printmaking. It investigates how he conducted his engraving and publishing business, and what his prints, drawings and paintings reveal about the culture and morality of the society that viewed them. It includes a catalogue raisonne. Series: The Paul Mellon Centre for Studi…es in British Art. Num Pages: 300 pages, 200 illustrations. BIC Classification: 1DBK; 3JF; 3JH; ACV; AFH; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 256 x 192 x 31. Weight in Grams: 1250. . 1999. Hardcover. . . . .
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- Hardcover
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Hardback. Zustand: New. A highly important figure in the late eighteenth-century British art world, John Raphael Smith was the most robust and prolific printmaker of his time. Smith not only produced nearly 400 prints-about 130 of his own design and the others by such noted British artists as Joshua Reynolds, George Romney, and…Joseph Wright of Derby-he was also appointed "Mezzotinto Engraver" to the Prince of Wales and became an impresario of the print-publishing trade. This book is the first full-length study for nearly a hundred years of Smith's remarkable career in printmaking. Ellen D'Oench investigates how Smith conducted his engraving and publishing business and what his prints, drawings, and paintings reveal about the culture and morality of the society that viewed them. She includes a chronological catalogue raisonné with newly discovered works, an inventory of his firm's publications, and a catalogue of prints reproduced from his own original work. Along with full biographical information on Smith and his activities as an artist and publisher, D'Oench pays close attention to the contemporary art market, its operation, and the placement of Smith's products within it. She details Smith's fascination with female genre subjects and his use of printed images to both exploit and critique his culture's manners and morals. Historians of paintings and prints, social and cultural historians, and scholars of women's history will all find in this book an array of delightful illustrations and interesting material. Published for the Paul Mellon Center for Studies in British Art.
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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Zustand: New. A study of John Raphael Smith's career in printmaking. It investigates how he conducted his engraving and publishing business, and what his prints, drawings and paintings reveal about the culture and morality of the society that viewed them. It includes a catalogue raisonne. Series: The Paul Mellon Centre for Studi…es in British Art. Num Pages: 300 pages, 200 illustrations. BIC Classification: 1DBK; 3JF; 3JH; ACV; AFH; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 256 x 192 x 31. Weight in Grams: 1250. . 1999. Hardcover. . . . . Books ship from the US and Ireland.
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Hardcover. Zustand: New.
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Zustand: As New. Unread book in perfect condition.
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Hardcover. Zustand: Brand New. illustrated edition. 320 pages. 10.75x8.50x1.25 inches. In Stock.
Verlag: Yale University Press, New Haven 1999
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Small quarto. 300pp. Illustrated with black and white plates. Fine in fine dustwrapper.
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Zustand: New. pp. xiv + 300.
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Zustand: New. pp. xiv + 300 Illus.
Sprache: Englisch
Verlag: New Haven & London: Published For The Paul Mellon Centre For Studies In British Art By Yale University Press, 1999. 1999
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Hardcover. Dust Jacket Included. 4to. pp. xiv, 300. Catalogue Raisonné. 190 illus. biblio. index. bds. dw. First Edition.
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Hardback. Zustand: New. A highly important figure in the late eighteenth-century British art world, John Raphael Smith was the most robust and prolific printmaker of his time. Smith not only produced nearly 400 prints-about 130 of his own design and the others by such noted British artists as Joshua Reynolds, George Romney, and…Joseph Wright of Derby-he was also appointed "Mezzotinto Engraver" to the Prince of Wales and became an impresario of the print-publishing trade. This book is the first full-length study for nearly a hundred years of Smith's remarkable career in printmaking. Ellen D'Oench investigates how Smith conducted his engraving and publishing business and what his prints, drawings, and paintings reveal about the culture and morality of the society that viewed them. She includes a chronological catalogue raisonné with newly discovered works, an inventory of his firm's publications, and a catalogue of prints reproduced from his own original work. Along with full biographical information on Smith and his activities as an artist and publisher, D'Oench pays close attention to the contemporary art market, its operation, and the placement of Smith's products within it. She details Smith's fascination with female genre subjects and his use of printed images to both exploit and critique his culture's manners and morals. Historians of paintings and prints, social and cultural historians, and scholars of women's history will all find in this book an array of delightful illustrations and interesting material. Published for the Paul Mellon Center for Studies in British Art.
- Hardcover
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