ISBN: 9780300214611 - the american school: artists and status in the late colonial and early national era (the association of human rights institutes series) (24 Ergebnisse)

Zustand: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

HARD BACK. Zustand: New. Zustand des Schutzumschlags: New. First. 308pp 169 colour & b&w illustrations. An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Heavy item, may attract additional postage. Size: 280x216mm.…

Hardcover. Zustand: VG. Black buckram, gilt letters on spine, auburn & color illus. dust jacket, 308 pp., 170 color & BW illus. "The first comprehensive art-historical study of the subject. . Examines the status of artists from different geographical, professional, and material perspectives: portrait painting in Boston and London, the trade of art in Philadelphia and New York, the negotiability and usefulness of colonial American identity in Italy and London, and the shifting representation of artists in and from the former British colonies following the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists -- John Singleton Copley, Benjamin West, and Gilbert Stuart, among others -- with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements, all well represented." (dj) Terrific for both art and history. …

Zustand: New. An in-depth look at the changing status of American artists in the 18th and early 19th century Num Pages: 316 pages, 90 color + 80 b/w illus. BIC Classification: 1KBB; 3JF; 3JH; ACQ; ACV; HBJK; HBLL. Category: (P) Professional & Vocational. Dimension: 254 x 190. . . 2016. Hardcover. . . . . …

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 368.

Zustand: new.

Zustand: New. An in-depth look at the changing status of American artists in the 18th and early 19th century Num Pages: 316 pages, 90 color + 80 b/w illus. BIC Classification: 1KBB; 3JF; 3JH; ACQ; ACV; HBJK; HBLL. Category: (P) Professional & Vocational. Dimension: 254 x 190. . . 2016. Hardcover. . . . . Books ship from the US and Ireland. …

Zustand: New. In English.

Hardback. Zustand: New. An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists-John Singleton Copley, Benjamin West, and Gilbert Stuart, among others-with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term "American," which she sees as provisional-the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art.…

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. pp. 368.

Hardcover. Zustand: new. Hardcover. An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artistsJohn Singleton Copley, Benjamin West, and Gilbert Stuart, among otherswith accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term American, which she sees as provisionalthe product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art An in-depth look at the changing status of American artists in the 18th and early 19th century Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: new. Hardcover. An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artistsJohn Singleton Copley, Benjamin West, and Gilbert Stuart, among otherswith accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term American, which she sees as provisionalthe product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art An in-depth look at the changing status of American artists in the 18th and early 19th century Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Zustand: New. An in-depth look at the changing status of American artists in the 18th and early 19th centuryKlappentextAn in-depth look at the changing status of American artists in the 18th and early 19th century.

Buch. Zustand: Neu. Neuware - An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists--John Singleton Copley, Benjamin West, and Gilbert Stuart, among others--with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term 'American,' which she sees as provisional--the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art.…

Hardback. Zustand: New. An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists-John Singleton Copley, Benjamin West, and Gilbert Stuart, among others-with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term "American," which she sees as provisional-the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art.…

Hardcover. Zustand: new. Hardcover. An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artistsJohn Singleton Copley, Benjamin West, and Gilbert Stuart, among otherswith accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term American, which she sees as provisionalthe product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art An in-depth look at the changing status of American artists in the 18th and early 19th century Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardcover. Zustand: New.