ISBN: 9780300247268 - alain locke and the visual arts (richard d. cohen lectures on african & african american art) (38 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

hardcover. Zustand: New.

Zustand: new.

Zustand: New.

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

hardcover. Zustand: New. *NEW* hardcover in DJ, sealed in plastic. Fresh from a distributor with no price tags and no remainder marks.

hardcover. Zustand: New. New. Clean, unmarked pages. Fine binding and cover. Hardcover. In shrink wrap.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Hardback book (227 pages) with 48 color and 72 b/w illustrations. Removed from shrink wrap to photograph. Bookseller since 1995 (LL-6-TS-Middle) rareviewbooks.

Hardcover. Zustand: new. Hardcover. A fresh perspective on the influential critic, offering new ways of understanding the art of the Harlem Renaissance Critic and theorist Alain Locke (18851954) was a foundational figure of the Harlem Renaissance who argued that changing self-perceptions among Black artists and writers would alter Americas view of itself as a whole. Offering a new interpretation of Lockes influential writings, Kobena Mercer focuses on the importance of cross-cultural entanglement and positions the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past. Mercer considers Lockes understudied 1940 picture book, The Negro in Art, a global history of the Black image, and argues for the significance of Black queer practices within the history of modernism. With this booka deft blend of philosophy, cultural studies, and art history, enlivened with illustrations by artists including Richmond Barthe, Aaron Douglas, and Lois Mailou JonesMercer demonstrates that Locke envisioned modern art as a dynamic space where images and ideas would circulate widely, generating new hybrid forms from the fluid conditions of diaspora. A fresh perspective on the influential critic, offering new ways of understanding the art of the Harlem Renaissance Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2022. Hardcover. . . . . .

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New.

Hardback. Zustand: New. A fresh perspective on the influential critic, offering new ways of understanding the art of the Harlem Renaissance   "Mercer's sumptuously illustrated study . . . succeeds in positioning Locke as an important philosophical voice in the 'not yet finalized story of Afro-modern art and culture.'"-Douglas Field, Times Literary Supplement   Alain Locke (1885-1954), leading theorist of the Harlem Renaissance, maintained a lifelong commitment to the visual arts. Offering an in-depth study of Locke's writings and art world interventions, Kobena Mercer focuses on the importance of cross-cultural entanglement. This distinctive approach reveals Locke's vision of modern art as a dynamic space where images and ideas generate new forms under the fluid conditions of diaspora.   Positioning the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past, Mercer shows how Aaron Douglas, Loïs Mailou Jones, and other New Negro artists acknowledged the diaspora's rupture with the ancestral past as a prelude to the rebirth of identity. In his 1940 picture book, The Negro in Art, Locke also explored the different ways black and white artists approached the black image. Mercer's reading highlights the global mobility of black images as they travel across national and ethnic frontiers. Finally, Mercer examines how Locke's investment in art was shaped by gay male aestheticism. Black male nudes, including works by Richmond Barthé and Carl Van Vechten, thus reveal the significance of queer practices in modernism's cross-cultural genesis.   Published in association with the Hutchins Center for African and African American Research, Harvard University.…

Zustand: As New. Unread book in perfect condition.

Zustand: new.

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Zustand: New. Shipped from the UK within 2 business days of order being placed.

Hardback. Zustand: New. A fresh perspective on the influential critic, offering new ways of understanding the art of the Harlem Renaissance   "Mercer's sumptuously illustrated study . . . succeeds in positioning Locke as an important philosophical voice in the 'not yet finalized story of Afro-modern art and culture.'"-Douglas Field, Times Literary Supplement   Alain Locke (1885-1954), leading theorist of the Harlem Renaissance, maintained a lifelong commitment to the visual arts. Offering an in-depth study of Locke's writings and art world interventions, Kobena Mercer focuses on the importance of cross-cultural entanglement. This distinctive approach reveals Locke's vision of modern art as a dynamic space where images and ideas generate new forms under the fluid conditions of diaspora.   Positioning the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past, Mercer shows how Aaron Douglas, Loïs Mailou Jones, and other New Negro artists acknowledged the diaspora's rupture with the ancestral past as a prelude to the rebirth of identity. In his 1940 picture book, The Negro in Art, Locke also explored the different ways black and white artists approached the black image. Mercer's reading highlights the global mobility of black images as they travel across national and ethnic frontiers. Finally, Mercer examines how Locke's investment in art was shaped by gay male aestheticism. Black male nudes, including works by Richmond Barthé and Carl Van Vechten, thus reveal the significance of queer practices in modernism's cross-cultural genesis.   Published in association with the Hutchins Center for African and African American Research, Harvard University.…

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Hardcover. Zustand: Brand New. 224 pages. 10.00x7.00x0.94 inches. In Stock.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. In English.

Zustand: New.