ISBN: 9780375710148 - open shutters: poems (24 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Knopf Doubleday Publishing Group, 2005

    0375710140 / 9780375710148

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    Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

  • Sprache: Englisch

    Verlag: Knopf, 2005

    0375710140 / 9780375710148

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    paperback. Zustand: Very Good. Reprint. Used - Very Good.

  • Sprache: Englisch

    Verlag: Knopf, 2005

    0375710140 / 9780375710148

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  • Sprache: Englisch

    Verlag: Knopf, 2005

    0375710140 / 9780375710148

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  • Sprache: Englisch

    Verlag: Knopf Publishing Group 1/25/2005, 2005

    0375710140 / 9780375710148

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    Paperback or Softback. Zustand: New. Open Shutters. Book.

  • Sprache: Englisch

    Verlag: Knopf, 2005

    0375710140 / 9780375710148

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  • Sprache: Englisch

    Verlag: Random House USA Inc, IN, 2005

    0375710140 / 9780375710148

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  • Sprache: Englisch

    Verlag: Knopf, 2005

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  • Sprache: Englisch

    Verlag: Random House USA Inc, 2005

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    Paperback. Zustand: new. Paperback. Now in paperback, an exciting, provocative, and rewarding collection from one of the most appealing of our younger poets.Mary Jo Salter's sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, "Trompe l'Oeil," the shadow-casting shutters on Genoese houses are made of paint only, an "open lie." And yet "Who needs to be correct / more often than once a day? / Who needs real shadow more than play?"Open Shutters also calls to mind the lens of a camera-in the villanelle "School Pictures" or in the stirring sequence "In the Guesthouse," which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story.Darkness and light interact throughout the book-in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter's most serious work.Fittingly, the volume fools the eye once more by closing with "An Open Book," in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms.Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open. Mary Jo Salter's sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, "Trompe l'Oeil," the shadow-casting shutters on Genoese houses are made of paint only, an "open lie." And yet "Who needs to be correct / more often than once a day? / Who needs real shadow more than play?" Open Shutters also calls to mind the lens of a camera—in the villanelle "School Pictures" or in the stirring sequence "In the Guesthouse," which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story. Darkness and light interact throughout the book—in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter's most serious work. Fittingly, the volume fools the eye once more by closing with "An Open Book," in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms. Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open. "From the Hardcover edition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

  • Sprache: Englisch

    Verlag: Alfred a Knopf Inc, 2005

    0375710140 / 9780375710148

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    Paperback. Zustand: Brand New. reprint edition. 79 pages. 8.50x6.00x0.50 inches. In Stock.

  • Sprache: Englisch

    Verlag: Knopf, 2005

    0375710140 / 9780375710148

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  • Sprache: Englisch

    Verlag: Knopf, 2005

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  • Sprache: Englisch

    Verlag: Knopf, 2005

    0375710140 / 9780375710148

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    Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

  • Sprache: Englisch

    Verlag: Random House USA Inc, IN, 2005

    0375710140 / 9780375710148

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  • Sprache: Englisch

    Verlag: Random House USA Inc, 2005

    0375710140 / 9780375710148

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    PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

  • Sprache: Englisch

    Verlag: Random House, 2005

    0375710140 / 9780375710148

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    Zustand: New. Print on Demand pp. 96.

  • Sprache: Englisch

    Verlag: Random House, 2005

    0375710140 / 9780375710148

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  • Sprache: Englisch

    Verlag: Random House, 2005

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    Zustand: New. PRINT ON DEMAND pp. 96.

  • Sprache: Englisch

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    0375710140 / 9780375710148

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  • Sprache: Englisch

    Verlag: Random House USA Inc, 2005

    0375710140 / 9780375710148

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    Paperback. Zustand: new. Paperback. Now in paperback, an exciting, provocative, and rewarding collection from one of the most appealing of our younger poets.Mary Jo SalterP#8217;s sparkling new collection,Plt;bPgt; Open ShuttersPlt;/bPgt;, leads us into a world where things are often not what they seem. In the first poem, P#8220;Trompe lP#8217;Oeil,P#8221; the shadow-casting shutters on Genoese houses are made of paint only, an P#8220;open lie.P#8221; And yet P#8220;Who needs to be correct / more often than once a day? / Who needs real shadow more than play?P#8221;Plt;brPgt;Plt;brPgt;Plt;bPgt;Open ShuttersPlt;/bPgt; also calls to mind the lens of a cameraP#8212;in the villanelle P#8220;School PicturesP#8221; or in the stirring sequence P#8220;In the Guesthouse,P#8221; which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story.Plt;brPgt;Plt;brPgt;Darkness and light interact throughout the bookP#8212;in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished SalterP#8217;s most serious work.Plt;brPgt;Plt;brPgt;Fittingly, the volume fools the eye once more by closing with P#8220;An Open Book,P#8221; in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms.Plt;brPgt;Plt;bPgt;Plt;brPgt;Open Shutters Plt;/bPgt;is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open. Mary Jo Salter's sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, "Trompe l'Oeil," the shadow-casting shutters on Genoese houses are made of paint only, an "open lie." And yet "Who needs to be correct / more often than once a day? / Who needs real shadow more than play?" Open Shutters also calls to mind the lens of a camera—in the villanelle "School Pictures" or in the stirring sequence "In the Guesthouse," which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story. Darkness and light interact throughout the book—in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter's most serious work. Fittingly, the volume fools the eye once more by closing with "An Open Book," in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms. Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open. "From the Hardcover edition. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Sprache: Englisch

    Verlag: Knopf Doubleday Publishing Group, 2005

    0375710140 / 9780375710148

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    Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Mary Jo Salter's sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, "Trompe l'Oeil," the shadow-casting shutters on Genoese houses are made of paint only, an "open lie." And yet "Who needs to be correct / more often than once a day / Who needs real shadow more than play "Open Shutters also calls to mind the lens of a camerain the villanelle "School Pictures" or in the stirring sequence "In the Guesthouse," which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story.Darkness and light interact throughout the bookin poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter's most serious work.Fittingly, the volume fools the eye once more by closing with "An Open Book," in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms.Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open.…

  • Sprache: Englisch

    Verlag: Random House USA Inc, 2005

    0375710140 / 9780375710148

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    Paperback. Zustand: new. Paperback. Now in paperback, an exciting, provocative, and rewarding collection from one of the most appealing of our younger poets.Mary Jo Salter's sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, "Trompe l'Oeil," the shadow-casting shutters on Genoese houses are made of paint only, an "open lie." And yet "Who needs to be correct / more often than once a day? / Who needs real shadow more than play?"Open Shutters also calls to mind the lens of a camera-in the villanelle "School Pictures" or in the stirring sequence "In the Guesthouse," which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story.Darkness and light interact throughout the book-in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter's most serious work.Fittingly, the volume fools the eye once more by closing with "An Open Book," in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms.Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open. Mary Jo Salter's sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, "Trompe l'Oeil," the shadow-casting shutters on Genoese houses are made of paint only, an "open lie." And yet "Who needs to be correct / more often than once a day? / Who needs real shadow more than play?" Open Shutters also calls to mind the lens of a camera—in the villanelle "School Pictures" or in the stirring sequence "In the Guesthouse," which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story. Darkness and light interact throughout the book—in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter's most serious work. Fittingly, the volume fools the eye once more by closing with "An Open Book," in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms. Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open. "From the Hardcover edition. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

  • Sprache: Englisch

    Verlag: Knopf Doubleday Publishing Group, 2005

    0375710140 / 9780375710148

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    Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mary Jo Salter was born in Grand Rapids, Michigan, and grew up in Detroit and Baltimore. She was educated at Harvard and Cambridge Universities and worked as a staff editor at The Atlantic Monthly and as poetry editor of The New Republic. A vi.…

  • Sprache: Englisch

    Verlag: Knopf Doubleday Publishing Group, 2005

    0375710140 / 9780375710148

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    Taschenbuch. Zustand: Neu. Open Shutters | Mary Jo Salter | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2005 | Knopf Doubleday Publishing Group | EAN 9780375710148 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…