9780393029017 - spectrum of innovation: color in american printmaking, 1890-1960 von acton, david (18 Ergebnisse)

hardcover. Zustand: Fair.

Zustand: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Very Good. The pages are lightly tanned at the edges. The copy shows minor external wear, but is in otherwise clean condition.

Hard cover. Zustand: Good. Zustand des Schutzumschlags: Good. Small scuff mark on front of jacket, not covering text. Price on front jacket flap is clipped, and jacket edges are lightly worn, but jacket is protected by a mylar cover. Cloth cover boards are lightly scuffed and worn along edges. Binding is secure. Light stain on fore edge of text block. Edges of pages are very lightly tanned, but pages are otherwise clean and unmarked. …

Hardcover. Zustand: Near Fine. 1st Edition. EXCELLENT PAGES And DUST JACKET And BINDING. Hardback. As Shown. Not ex-library or facsimile reprint. Published/printed by Norton, 1990. Approximately 9 X 12. 304 pages.

Softcover, 304 pages; good condition; crease to spine; moderate rubbing to covers; black wear marks to bottom outer edge of pages; no internal marks. Foreign shipping may be extra.

Hardcover w/DJ. Zustand: VG/VG. First Edition. Worcester Art Museum. VG/VG. 1990. First Edition. Hardcover w/DJ. 4to., 304 pp. . Color Photographs (illustrator).

hardcover. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Hardbound. Zustand: VG+/VG+. Blue cloth with glossy illustrated dustjacket. 304 pp. 100 full-page color plates and 21 bw plates. Includes Introductory essays detailing printmaking methods and histories. This is followed by 100 superb full page color plates of the prints, with notes on each print on facing page; artists include Mary Cassat, Whistler, Milton Avery, Stuart Davis, and John Taylor Arms, Margaret Jordan Patterson, William Meyerowitz and many others. Includes artists' biographies, and selected bibliography. Text contributions by Clinton Adams and Karen F. Beall. A wonderful book to look through.…

hardcover. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Zustand: Fair. This book explores the use of color in American printmaking from 1890 to 1960, analyzing artistic trends and innovations during this period. Published by W W Norton & Co Inc, it provides a detailed look at the development of printmaking techniques and aesthetics. From the library of John Russell Taylor.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good +. 1st. Dust Jacket: Yes. Unclipped. External Condition: Very good. Minor wear to the edges. Clean. Internal Condition: Excellent. Clean. ISBN: 0393029018. Author/Editor: Acton, David. Publisher: Worcester Art Museum. Year: 1990. Edition: 1st. Binding: Hardcover. Illustrated: Yes, colour. Language: English. Page Count: 304. Keywords: printmaking, prints, America, color. The book for sale is the one in the photo. …

Zustand: Gut. 1. ed. 304 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. M09901 0-393-02901-8 Sprache: Englisch Gewicht in Gramm: 1750.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. Catalogue for show at Worcester Art Museum. With contributions by Clinton Adams and Karen F. Beall. Bound in publisher's original blue cloth with spine stamped in silver. Illustrated with absolutely gorgeous full-color reproductions of 100 prints. Excellent presentation of truly incredible work. Book fine, dust jacket fine except for one eight-of-an-inch chip to bottom of back cover. 9 x 12 inches. 304 pages.…

Hardcover with dustjacket, 304 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

[0-393-02901-8] 1990, 1st edition, 1st printing. (hardcover) Near fine in very good dust jacket. 304pp. Tall 4to. Lettering in silver to spine. Slightest sliver of fading to cloth at heel of spine from off-set jacket. Dust jacket rubbed; faint age-toning; rear panel wrinkled; price-clipped. Internally bright, tight, and clean. Replete with colour reproductions of artwork. Released to correspond with a touring exhibition, which visited the Amon Carter Museum (July 28 - September 23, 1990), the Nelson-Atkins Museum of Art (October 14 - December 2, 1990), and the Worcester Art Museum (September 22 - November 17, 1991). …

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: New. This survey of colour printing by 100 inventive artists begins with works from the 1890s when American artists travelled to Europe to learn traditional printmaking techniques. It then continues through the colour woodcut revival, the development of colour serigraphy and lithography, the evolution of colour intaglio processes, and the free technical experiments of the modernists. The final print, from 1960, is the first lithograph in colour which heralded the explosion of a vital new tradition of printmaking.…