9780413680907 - handke plays one: offending the audience;my foot my tutor;self accusation;kaspar;lake constance;they are dying out (contemporary dramatists series) von handke, peter (25 Ergebnisse)
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Zustand: like_new. Fast & Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.
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Zustand: Fair. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780413680907.
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Paperback. Zustand: new. Paperback. Winner of the 2019 Nobel Prize for Literature. Peter Handke's work is amongst the most strikingly original of all post-war European writing. This collected plays volume features six plays, translated into English, from his staged work in the 1960s/70s by Michael Roloff and Karl Weber. With an…introduction by Tom Kuhn and chronology of Handke's life and work, the collection also includes notes by the author on the plays themselves and a written manifesto. Offending the Audience (1966) is described as "a dissection of our expectations about what ought to happen in the theatre." It was originally conceived not as a play, but as a polemical essay about the theatre and a confrontation with each and every one of the conventions of which audiences have been accustomed to. Self-Accusation (1968) is "a cunning and ironic attack on bureaucratic moral guilt" (Observer). Written as the first of three short plays, it is an investigation of language and the forms of theatre designed to serve as 'autonomous prologues' to the old plays - as a means to sensitise the audience and to make them aware. Kaspar (1968) is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalise the individual. My Foot My Tutor (1969) is a mime for two actors - "Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry" (Guardian). The Ride Across Lake Constance (1970) follows a group of characters (known only by the names of the actors who perform the parts) who talk and play games together and skate over the thin ice that separates them from unspoken danger. "Intensely theatrical.an author for whom playwriting seems akin to tightrope walking" (The Times). They Are Dying Out (1973) puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an "uncanny knack for making the familiar seem strange" (Plays and Players). This volume contains Handke's work from the 1970s. It includes "Kaspar", in which the playwright explores the power of language as a means of oppression - a means of creating artificial uniformity by teaching people to comprehend the world only in terms of the speech patterns they are given. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: New. Peter Handke's work is amongst the most strikingly original of all post-war European writing (Times Educational Supplement) Offending the Audience is "a dissection of our expectations about what ought to happen in the theatre." Self-Accusation is "a cunning and ironic attack on bureaucratic moral guilt"…(Observer); Kaspar is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalise the individual; My Foot My Tutor is a mime for two actors - "Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry" (Guardian). In The Ride across Lake Constance, a group of characters (known only by the names of the actors who perform the parts) talk and play games together and skate over the thin ice that separates them from unspoken danger. "Intensely theatrical.an author for whom playwriting seems akin to tightrope walking" (The Times).They Are Dying Out puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an "uncanny knack for making the familiar seem strange" (Plays and Players).
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Zustand: New. pp. 336 4:B&W 5 x 8 in or 203 x 127 mm Perfect Bound on Creme w/Gloss Lam.
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Zustand: New. This volume contains Handke's work from the 1970s. It includes "Kaspar", in which the playwright explores the power of language as a means of oppression - a means of creating artificial uniformity by teaching people to comprehend the world only in terms of the speech patterns they are given. Series: Contemporary Dr…amatists. Num Pages: 320 pages, black & white illustrations. BIC Classification: DD. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 134 x 203 x 24. Weight in Grams: 400. . 1997. Paperback. . . . .
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Paperback. Zustand: Brand New. 320 pages. 7.76x5.12x1.10 inches. In Stock.
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Zustand: New. This volume contains Handke's work from the 1970s. It includes "Kaspar", in which the playwright explores the power of language as a means of oppression - a means of creating artificial uniformity by teaching people to comprehend the world only in terms of the speech patterns they are given. Series: Contemporary Dr…amatists. Num Pages: 320 pages, black & white illustrations. BIC Classification: DD. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 134 x 203 x 24. Weight in Grams: 400. . 1997. Paperback. . . . . Books ship from the US and Ireland.
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Zustand: New. pp. 336.
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Paperback. Zustand: new. Paperback. Winner of the 2019 Nobel Prize for Literature. Peter Handke's work is amongst the most strikingly original of all post-war European writing. This collected plays volume features six plays, translated into English, from his staged work in the 1960s/70s by Michael Roloff and Karl Weber. With an…introduction by Tom Kuhn and chronology of Handke's life and work, the collection also includes notes by the author on the plays themselves and a written manifesto. Offending the Audience (1966) is described as "a dissection of our expectations about what ought to happen in the theatre." It was originally conceived not as a play, but as a polemical essay about the theatre and a confrontation with each and every one of the conventions of which audiences have been accustomed to. Self-Accusation (1968) is "a cunning and ironic attack on bureaucratic moral guilt" (Observer). Written as the first of three short plays, it is an investigation of language and the forms of theatre designed to serve as 'autonomous prologues' to the old plays - as a means to sensitise the audience and to make them aware. Kaspar (1968) is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalise the individual. My Foot My Tutor (1969) is a mime for two actors - "Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry" (Guardian). The Ride Across Lake Constance (1970) follows a group of characters (known only by the names of the actors who perform the parts) who talk and play games together and skate over the thin ice that separates them from unspoken danger. "Intensely theatrical.an author for whom playwriting seems akin to tightrope walking" (The Times). They Are Dying Out (1973) puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an "uncanny knack for making the familiar seem strange" (Plays and Players). This volume contains Handke's work from the 1970s. It includes "Kaspar", in which the playwright explores the power of language as a means of oppression - a means of creating artificial uniformity by teaching people to comprehend the world only in terms of the speech patterns they are given. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Paperback. Zustand: new. Paperback. Winner of the 2019 Nobel Prize for Literature. Peter Handke's work is amongst the most strikingly original of all post-war European writing. This collected plays volume features six plays, translated into English, from his staged work in the 1960s/70s by Michael Roloff and Karl Weber. With an…introduction by Tom Kuhn and chronology of Handke's life and work, the collection also includes notes by the author on the plays themselves and a written manifesto. Offending the Audience (1966) is described as "a dissection of our expectations about what ought to happen in the theatre." It was originally conceived not as a play, but as a polemical essay about the theatre and a confrontation with each and every one of the conventions of which audiences have been accustomed to. Self-Accusation (1968) is "a cunning and ironic attack on bureaucratic moral guilt" (Observer). Written as the first of three short plays, it is an investigation of language and the forms of theatre designed to serve as 'autonomous prologues' to the old plays - as a means to sensitise the audience and to make them aware. Kaspar (1968) is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalise the individual. My Foot My Tutor (1969) is a mime for two actors - "Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry" (Guardian). The Ride Across Lake Constance (1970) follows a group of characters (known only by the names of the actors who perform the parts) who talk and play games together and skate over the thin ice that separates them from unspoken danger. "Intensely theatrical.an author for whom playwriting seems akin to tightrope walking" (The Times). They Are Dying Out (1973) puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an "uncanny knack for making the familiar seem strange" (Plays and Players). This volume contains Handke's work from the 1970s. It includes "Kaspar", in which the playwright explores the power of language as a means of oppression - a means of creating artificial uniformity by teaching people to comprehend the world only in terms of the speech patterns they are given. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Zustand: New. This volume contains Handke s work from the 1970s. It includes Kaspar , in which the playwright explores the power of language as a means of oppression - a means of creating artificial uniformity by teaching people to comprehend the world only in terms of .
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Taschenbuch. Zustand: Neu. Neuware - Winner of the 2019 Nobel Prize for Literature.Peter Handke's work is amongst the most strikingly original of all post-war European writing. This collected plays volume features six plays, translated into English, from his staged work in the 1960s/70s by Michael Roloff and Karl Weber. With an…introduction by Tom Kuhn and chronology of Handke's life and work, the collection also includes notes by the author on the plays themselves and a written manifesto.Offending the Audience (1966) is described as 'a dissection of our expectations about what ought to happen in the theatre.' It was originally conceived not as a play, but as a polemical essay about the theatre and a confrontation with each and every one of the conventions of which audiences have been accustomed to.Self-Accusation (1968) is 'a cunning and ironic attack on bureaucratic moral guilt' (Observer). Written as the first of three short plays, it is an investigation of language and the forms of theatre designed to serve as 'autonomous prologues' to the old plays - as a means to sensitise the audience and to make them aware.Kaspar (1968) is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalise the individual.My Foot My Tutor (1969) is a mime for two actors - 'Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry' (Guardian).The Ride Across Lake Constance (1970) follows a group of characters (known only by the names of the actors who perform the parts) who talk and play games together and skate over the thin ice that separates them from unspoken danger. 'Intensely theatrical.an author for whom playwriting seems akin to tightrope walking' (The Times).They Are Dying Out (1973) puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an 'uncanny knack for making the familiar seem strange' (Plays and Players).
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Paperback. Zustand: New. Peter Handke's work is amongst the most strikingly original of all post-war European writing (Times Educational Supplement) Offending the Audience is "a dissection of our expectations about what ought to happen in the theatre." Self-Accusation is "a cunning and ironic attack on bureaucratic moral guilt"…(Observer); Kaspar is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalise the individual; My Foot My Tutor is a mime for two actors - "Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry" (Guardian). In The Ride across Lake Constance, a group of characters (known only by the names of the actors who perform the parts) talk and play games together and skate over the thin ice that separates them from unspoken danger. "Intensely theatrical.an author for whom playwriting seems akin to tightrope walking" (The Times).They Are Dying Out puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an "uncanny knack for making the familiar seem strange" (Plays and Players).
