Isbn: 9780415843669 - latin american art at the museum of modern art: the power of the canon (routledge research in museum studies) (21 Ergebnisse)

Hardcover. Zustand: Good. 1st Edition. Ex-library. Some shelf wear and smudging on covers.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. pp. 160.

Zustand: New. pp. 160 1st edition.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New.

Zustand: New. pp. 160.

Zustand: New. In English.

Hardback. Zustand: New. This book sheds light on an as-yet unstudied aspect of The Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States from the 1930s to the present through its collection displays. In examining the shifting categorization of Latin American works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museum's collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today.The MoMA is widely recognized as the preeminent institution that defined 20th-century art through its collection - shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMA's holdings of art from Latin America shed light on a key period when the stylistic categories that have since come to be accepted by many today as the Modernist canon developed. MoMA's collection displays suggest ways in which artists from areas of the world formerly excluded can be incorporated within today's increasingly global museums. MoMA's approach may be compared to initiatives adopted by several museums since the 2000s, creating geographically defined curatorial positions as a way to redress gaps in collecting art from Latin America and other areas of the world. In this book, author Miriam M. Basilio Gaztambide offers a closer study of the history of collection displays as a means to understand canon formation in modern art museums.This work will be of interest to those researching Latin American, American, modern, and contemporary art, and curatorial and museum studies.…

Zustand: New.

Hardcover. Zustand: Brand New. 160 pages. 9.02x5.98x9.21 inches. In Stock.

Hardback. Zustand: New. This book sheds light on an as-yet unstudied aspect of The Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States from the 1930s to the present through its collection displays. In examining the shifting categorization of Latin American works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museum's collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today.The MoMA is widely recognized as the preeminent institution that defined 20th-century art through its collection - shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMA's holdings of art from Latin America shed light on a key period when the stylistic categories that have since come to be accepted by many today as the Modernist canon developed. MoMA's collection displays suggest ways in which artists from areas of the world formerly excluded can be incorporated within today's increasingly global museums. MoMA's approach may be compared to initiatives adopted by several museums since the 2000s, creating geographically defined curatorial positions as a way to redress gaps in collecting art from Latin America and other areas of the world. In this book, author Miriam M. Basilio Gaztambide offers a closer study of the history of collection displays as a means to understand canon formation in modern art museums.This work will be of interest to those researching Latin American, American, modern, and contemporary art, and curatorial and museum studies.…

Hardcover. Zustand: new. Hardcover. This book sheds light on an as-yet unstudied aspect of The Museum of Modern Arts (MoMA) preeminent role in establishing the definition of the problematic term Latin American art in the United States from the 1930s to the present through its collection displays. In examining the shifting categorization of Latin American works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museums collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today.The MoMA is widely recognized as the preeminent institution that defined 20th-century art through its collection shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMAs holdings of art from Latin America shed light on a key period when the stylistic categories that have since come to be accepted by many today as the Modernist canon developed. MoMAs collection displays suggest ways in which artists from areas of the world formerly excluded can be incorporated within todays increasingly global museums. MoMAs approach may be compared to initiatives adopted by several museums since the 2000s, creating geographically defined curatorial positions as a way to redress gaps in collecting art from Latin America and other areas of the world. In this book, author Miriam M. Basilio Gaztambide offers a closer study of the history of collection displays as a means to understand canon formation in modern art museums.This work will be of interest to those researching Latin American, American, modern, and contemporary art, and curatorial and museum studies. This study sheds light on an as yet unstudied aspect of the Museum of Modern Arts (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Zustand: new. Hardcover. This book sheds light on an as-yet unstudied aspect of The Museum of Modern Arts (MoMA) preeminent role in establishing the definition of the problematic term Latin American art in the United States from the 1930s to the present through its collection displays. In examining the shifting categorization of Latin American works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museums collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today.The MoMA is widely recognized as the preeminent institution that defined 20th-century art through its collection shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMAs holdings of art from Latin America shed light on a key period when the stylistic categories that have since come to be accepted by many today as the Modernist canon developed. MoMAs collection displays suggest ways in which artists from areas of the world formerly excluded can be incorporated within todays increasingly global museums. MoMAs approach may be compared to initiatives adopted by several museums since the 2000s, creating geographically defined curatorial positions as a way to redress gaps in collecting art from Latin America and other areas of the world. In this book, author Miriam M. Basilio Gaztambide offers a closer study of the history of collection displays as a means to understand canon formation in modern art museums.This work will be of interest to those researching Latin American, American, modern, and contemporary art, and curatorial and museum studies. This study sheds light on an as yet unstudied aspect of the Museum of Modern Arts (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Miriam M. Basilio Gaztambide is Associate Professor of Art History and Museum Studies at New York University (NYU). She was co-curator of Tempo (MoMA QNS, 2002), MoMA at El Museo: Latin American and Caribbean Art from the Colle.…

Hardcover. Zustand: new. Hardcover. This book sheds light on an as-yet unstudied aspect of The Museum of Modern Arts (MoMA) preeminent role in establishing the definition of the problematic term Latin American art in the United States from the 1930s to the present through its collection displays. In examining the shifting categorization of Latin American works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museums collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today.The MoMA is widely recognized as the preeminent institution that defined 20th-century art through its collection shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMAs holdings of art from Latin America shed light on a key period when the stylistic categories that have since come to be accepted by many today as the Modernist canon developed. MoMAs collection displays suggest ways in which artists from areas of the world formerly excluded can be incorporated within todays increasingly global museums. MoMAs approach may be compared to initiatives adopted by several museums since the 2000s, creating geographically defined curatorial positions as a way to redress gaps in collecting art from Latin America and other areas of the world. In this book, author Miriam M. Basilio Gaztambide offers a closer study of the history of collection displays as a means to understand canon formation in modern art museums.This work will be of interest to those researching Latin American, American, modern, and contemporary art, and curatorial and museum studies. This study sheds light on an as yet unstudied aspect of the Museum of Modern Arts (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…