Isbn: 9780415942546 - projecting a camera: language-games in film theory (22 Ergebnisse)

Soft cover. Zustand: Near Fine. No Jacket. Near fine. Clean. Tight. Bright. 8vo - over 7¾ - 9¾" tall. Book.

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback or Softback. Zustand: New. Projecting a Camera: Language-Games in Film Theory. Book.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. pp. 456.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Paperback. Zustand: New.

Zustand: New. pp. 456.

Zustand: New. Through an engagement with the work of Ludwig Wittgenstein and classical and contemporary theorists of film, this book re-assesses a century of film theory and the language and ways through which our conceptions of film have been made. It explores a different way of conceiving film as a language. Num Pages: 456 pages, 4 black & white illustrations, 13 black & white tables, 1 black & white halftones. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 153 x 25. Weight in Grams: 616. . 2006. 1st Edition. paperback. . . . .…

Zustand: New. In English.

Zustand: New. Through an engagement with the work of Ludwig Wittgenstein and classical and contemporary theorists of film, this book re-assesses a century of film theory and the language and ways through which our conceptions of film have been made. It explores a different way of conceiving film as a language. Num Pages: 456 pages, 4 black & white illustrations, 13 black & white tables, 1 black & white halftones. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 153 x 25. Weight in Grams: 616. . 2006. 1st Edition. paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 1st edition. 424 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: New. pp. 456 This item is printed on demand.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Kartoniert / Broschiert. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Edward Branigan is Director of Graduate Studies and a Professor of Film Studies at the University of California, Santa Barbara, and is an attorney. He is the author of Point of View in the Cinema and Narrative Comprehension .…