9780486241968 - picasso line drawings and prints: 44 works (dover art library) von picasso, pablo (30 Ergebnisse)
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Soft cover. Zustand: Good. 43 pages. Dover Art Library edition of 44 works in black and white, including neoclassical-style drawings for illustrations, nudes. Stapled in glossy wraps, 8-1/4" x 11", staples rusted, middle pages (19-22) detached but present, wraps age-toned around margins, a few foxing spots to end papers. Pages u…nmarked.
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Soft cover. Zustand: New. 0486241963 New. Retail 2.00.
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Paperback. Zustand: Fine. 48 pages, all illustrations; 29 cm. Firm binding, clean inside copy. *** "61 works over period of 35 years. Bulls, nudes, myth, artists, actors, all in the purest lithographic line." - Publisher. Size: 4to.
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paperback. Zustand: New. New. Clean, unmarked pages. Fine binding and cover. Softcover.
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Trade Paperback. Zustand: Used - Very Good. Demonstrating the artist's major themes, techniques, and styles, 44 drawings -- dating from 1905 to 1954 -- perfectly capture the master draughtsman's incredible line: 1905 circus family, portraits of Diaghilev and Balzac, cubist studies, neo-classical nudes, and mythological scenes. M…edia include lithograph, drypoint, etching, and pen-and-ink. Forty-four drawings from many periods and styles show master 20th-century draughtsman's incredible line: 1905 circus family, portraits of Diaghilev and Balzac, cubist studies, neo-classical nudes, and mythological scenes. Media include lithograph, drypoint, etching, and pen-and-ink. Very nice clean, tight copy free of any marks.
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Paperback. Zustand: new. Paperback. Picasso may have the most uncanny line since Botticelli. Each medium or style he chose to master, no matter how solid or sculptural, can be seen as line disguised, metamorphic; as the labyrinth to which a single thread is the key. Theoretically, line is infinite; Picasso in his fertility nearl…y realised that theory in almost a century of ceaseless drawing, whether on paper, zinc, stone, or other media. Here is a sampling, rather than a comprehensive selection, from that plenitude; while nothing could be comprehensive within a single volume, the genius of Picasso's line manifests itself so clearly that this culling from various periods reveals the line in most of its guises. Beginning with a 1905 circus family in drypoint, 44 drawings cover Picasso's major themes, techniques, and styles. From the almost classic Ingresque clarity of the Diaghilev and Stravinsky portraits (1919, 1920) via cubist studies and "neo-classical" nudes, Picasso's restless hand remakes his world again and again with fresh energy, culminating here in six sketches of the artist/model dashed out in raging love/hate in the midst of personal crisis (1953-54). In between are times of serenity and introspection (Seven Dancers (1919), with the future Olga Picasso up front; many figures and bathers) and, particularity as book illustrations, many mythological studies; Eurydice Stung by a Serpent (1930 etching), Dying Minotaur in the Arena (1933), an etching for a 1934 edition of Lysistrata. Balzac is represented by a striking lithographic portrait (1952) and by etching for Vollard's edition of Le Chef-d'oeuvre inconnu. The sudden appearance of an earthy, hirsute Rembrandt (1934) seems to confirm Picasso's membership in the select group of art history's greatest draughtsmen. Forty-four drawings from many periods and styles show master 20th-century draughtsman's incredible line: 1905 circus family, portraits of Diaghilev and Balzac, cubist studies, neo-classical nudes, and mythological scenes. Media include lithograph, drypoint, etching, and pen-and-ink. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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Paperback. Zustand: Brand New. 48 pages. 11.25x8.75x0.50 inches. In Stock.
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Softcover. Zustand: Gut. Picasso- Line Drawings and Prints softcover, 1981, Dover Publications, noch guter Zustand, leichte Gebrauchsspuren , Einband ein wenig nachgedunkelt, Picassos Line Drawings and Prints Gewicht: 210 g.
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Paperback. Zustand: new. Paperback. Picasso may have the most uncanny line since Botticelli. Each medium or style he chose to master, no matter how solid or sculptural, can be seen as line disguised, metamorphic; as the labyrinth to which a single thread is the key. Theoretically, line is infinite; Picasso in his fertility nearl…y realised that theory in almost a century of ceaseless drawing, whether on paper, zinc, stone, or other media. Here is a sampling, rather than a comprehensive selection, from that plenitude; while nothing could be comprehensive within a single volume, the genius of Picasso's line manifests itself so clearly that this culling from various periods reveals the line in most of its guises. Beginning with a 1905 circus family in drypoint, 44 drawings cover Picasso's major themes, techniques, and styles. From the almost classic Ingresque clarity of the Diaghilev and Stravinsky portraits (1919, 1920) via cubist studies and "neo-classical" nudes, Picasso's restless hand remakes his world again and again with fresh energy, culminating here in six sketches of the artist/model dashed out in raging love/hate in the midst of personal crisis (1953-54). In between are times of serenity and introspection (Seven Dancers (1919), with the future Olga Picasso up front; many figures and bathers) and, particularity as book illustrations, many mythological studies; Eurydice Stung by a Serpent (1930 etching), Dying Minotaur in the Arena (1933), an etching for a 1934 edition of Lysistrata. Balzac is represented by a striking lithographic portrait (1952) and by etching for Vollard's edition of Le Chef-d'oeuvre inconnu. The sudden appearance of an earthy, hirsute Rembrandt (1934) seems to confirm Picasso's membership in the select group of art history's greatest draughtsmen. Forty-four drawings from many periods and styles show master 20th-century draughtsman's incredible line: 1905 circus family, portraits of Diaghilev and Balzac, cubist studies, neo-classical nudes, and mythological scenes. Media include lithograph, drypoint, etching, and pen-and-ink. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Zustand: new. Paperback. Picasso may have the most uncanny line since Botticelli. Each medium or style he chose to master, no matter how solid or sculptural, can be seen as line disguised, metamorphic; as the labyrinth to which a single thread is the key. Theoretically, line is infinite; Picasso in his fertility nearl…y realised that theory in almost a century of ceaseless drawing, whether on paper, zinc, stone, or other media. Here is a sampling, rather than a comprehensive selection, from that plenitude; while nothing could be comprehensive within a single volume, the genius of Picasso's line manifests itself so clearly that this culling from various periods reveals the line in most of its guises. Beginning with a 1905 circus family in drypoint, 44 drawings cover Picasso's major themes, techniques, and styles. From the almost classic Ingresque clarity of the Diaghilev and Stravinsky portraits (1919, 1920) via cubist studies and "neo-classical" nudes, Picasso's restless hand remakes his world again and again with fresh energy, culminating here in six sketches of the artist/model dashed out in raging love/hate in the midst of personal crisis (1953-54). In between are times of serenity and introspection (Seven Dancers (1919), with the future Olga Picasso up front; many figures and bathers) and, particularity as book illustrations, many mythological studies; Eurydice Stung by a Serpent (1930 etching), Dying Minotaur in the Arena (1933), an etching for a 1934 edition of Lysistrata. Balzac is represented by a striking lithographic portrait (1952) and by etching for Vollard's edition of Le Chef-d'oeuvre inconnu. The sudden appearance of an earthy, hirsute Rembrandt (1934) seems to confirm Picasso's membership in the select group of art history's greatest draughtsmen. Forty-four drawings from many periods and styles show master 20th-century draughtsman's incredible line: 1905 circus family, portraits of Diaghilev and Balzac, cubist studies, neo-classical nudes, and mythological scenes. Media include lithograph, drypoint, etching, and pen-and-ink. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Kartoniert / Broschiert. Zustand: New. KlappentextForty-four drawings from many periods and styles show master 20th-century draughtsman s incredible line: 1905 circus family, portraits of Diaghilev and Balzac, cubist studies, neo-classical nudes, and mythological scenes. Medi.
