Isbn: 9780520205086 - possessing nature: museums, collecting, and scientific culture in early modern italy (studies on the history of society and culture, 20, band 20) (28 Ergebnisse)

Zustand: Good. Good condition. Volume 20. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: As New. As new clean tight and bright with ink line top edge. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: New. Reprint. In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.…

Zustand: New. In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Drawing on archives of visitors' books, letters, and pleas for patronage, this title reconstructs the lost social world of Renaissance and Baroque museums. Series: Studies on the History of Society & Culture. Num Pages: 449 pages, 30 b&w reproductions, 1 map, 6 museum floor plans, 2 tables. BIC Classification: 1DST; GM; HBJD; HBLH; HBTB; P; WN. Category: (P) Professional & Vocational. Dimension: 226 x 150 x 29. Weight in Grams: 640. . 1996. Paperback. . . . .…

Paperback. Zustand: New. Reprint. In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.…

Zustand: New.

paperback. Zustand: New.

Zustand: New. In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Drawing on archives of visitors' books, letters, and pleas for patronage, this title reconstructs the lost social world of Renaissance and Baroque museums. Series: Studies on the History of Society & Culture. Num Pages: 449 pages, 30 b&w reproductions, 1 map, 6 museum floor plans, 2 tables. BIC Classification: 1DST; GM; HBJD; HBLH; HBTB; P; WN. Category: (P) Professional & Vocational. Dimension: 226 x 150 x 29. Weight in Grams: 640. . 1996. Paperback. . . . . Books ship from the US and Ireland.…

Soft cover. Zustand: As New. No Jacket. 1st Edition. tiny signature of previous owner on f. e. p.

Paperback. Zustand: Brand New. reprint edition. 449 pages. 9.25x6.25x1.25 inches. In Stock.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory.Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.…

Paperback. Zustand: Brand New. reprint edition. 449 pages. 9.25x6.25x1.25 inches. In Stock.

Zustand: NEW.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. Reprint. In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.…

Zustand: New. In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Drawing on archives of visitors books, letters, and pleas for patronage, t.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Zustand: Neu. Possessing Nature | Museums, Collecting, and Scientific Culture in Early Modern Italy | Paula Findlen | Taschenbuch | Studies on the History of Society and Culture | Einband - flex.(Paperback) | Englisch | 1996 | University of California Press | EAN 9780520205086 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Paperback. Zustand: New. Reprint. In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.…