Isbn: 9780521035231 - chinese theatre & actor performance (cambridge studies in modern theatre) (21 Ergebnisse)

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Paperback. Zustand: New. This work gives an 'inside' view of Chinese theatre and the actor in performance. In doing so it also challenges Western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. Jo Riley writes from her personal observations of, and dialogue with, Chinese actors and her first-hand experiences of the theatre world of China in general, none of which was possible before 1980. She uses not only jingju (so misrepresented as Peking opera) but also exorcism, puppet theatre and ancient animation rites at the tomb to provide models for exploring the process of creating presence on the Chinese stage. Her study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.…

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Zustand: New. This work gives an 'inside' view of Chinese theatre and the actor in performance. Series Editor(s): Bradby, David. Series: Cambridge Studies in Modern Theatre. Num Pages: 364 pages, 22 b/w illus. BIC Classification: 1FPC; AN. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 24. Weight in Grams: 556. . 2006. 1st Edition. Paperback. . . . .…

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Zustand: New. This work gives an 'inside' view of Chinese theatre and the actor in performance. Series Editor(s): Bradby, David. Series: Cambridge Studies in Modern Theatre. Num Pages: 364 pages, 22 b/w illus. BIC Classification: 1FPC; AN. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 24. Weight in Grams: 556. . 2006. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This work gives an 'inside' view of Chinese theatre and the actor in performance. In doing so it also challenges Western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. Jo Riley writes from her personal observations of, and dialogue with, Chinese actors and her first-hand experiences of the theatre world of China in general, none of which was possible before 1980. She uses not only jingju (so misrepresented as Peking opera) but also exorcism, puppet theatre and ancient animation rites at the tomb to provide models for exploring the process of creating presence on the Chinese stage. Her study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.…

Zustand: New. This work gives an inside view of Chinese theatre and the actor in performance. It is based on personal observations of and dialogue with Chinese actors, experiences which were impossible before 1980. Riley s study is well illustrated with photographs and.

Paperback. Zustand: New. This work gives an 'inside' view of Chinese theatre and the actor in performance. In doing so it also challenges Western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. Jo Riley writes from her personal observations of, and dialogue with, Chinese actors and her first-hand experiences of the theatre world of China in general, none of which was possible before 1980. She uses not only jingju (so misrepresented as Peking opera) but also exorcism, puppet theatre and ancient animation rites at the tomb to provide models for exploring the process of creating presence on the Chinese stage. Her study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.…

Zustand: New. Print on Demand pp. 364 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Zustand: New. PRINT ON DEMAND pp. 364.

Paperback. Zustand: new. Paperback. This work gives an 'inside' view of Chinese theatre and the actor in performance. In doing so it also challenges Western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. Jo Riley writes from her personal observations of, and dialogue with, Chinese actors and her first-hand experiences of the theatre world of China in general, none of which was possible before 1980. She uses not only jingju (so misrepresented as Peking opera) but also exorcism, puppet theatre and ancient animation rites at the tomb to provide models for exploring the process of creating presence on the Chinese stage. Her study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre. This work gives an 'inside' view of Chinese theatre and the actor in performance. It is based on personal observations of and dialogue with Chinese actors, experiences which were impossible before 1980. Riley's study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Zustand: Neu. Chinese Theatre and the Actor in Performance | Josephine Riley (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2006 | Cambridge University Press | EAN 9780521035231 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …