ISBN: 9780521182836 - shakespeare and the power of performance: stage and page in the elizabethan theatre (10 Ergebnisse)

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Zustand: New. This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. Num Pages: 278 pages, black & white illustrations. BIC Classification: 2AB; DSB; DSGS. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 15. Weight in Grams: 426. . 2010. Reissue. paperback. . . . .…

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Zustand: New. pp. 278.

- Softcover
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Zustand: New. This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. Num Pages: 278 pages, black & white illustrations. BIC Classification: 2AB; DSB; DSGS. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 15. Weight in Grams: 426. . 2010. Reissue. paperback. . . . . Books ship from the US and Ireland.…

- Softcover
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself.…

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- Print-on-Demand
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PF. Zustand: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Zustand: New. Print on Demand pp. 278 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

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Zustand: New. PRINT ON DEMAND pp. 278.

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Paperback. Zustand: new. Paperback. Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself. Bridging the gap between today's page- and stage-centred interpretations of Shakespeare's works, Weimann and Bruster explore how the playwright responded to the competing claims of acting and writing in the Elizabethan era. Focusing on the trio of clown, fool, and cross-dressed boy actor, they demonstrate how Shakespeare explored issues of performance. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

- Softcover
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Anbieter: moluna, Greven, Deutschlandmoluna
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Bridging the gap between today s page- and stage-centred interpretations of Shakespeare s works, Weimann and Bruster explore how the playwright responded to the competing claims of acting and writing in the Elizabethan era. Focusing on the trio of clown, fo.…