Isbn: 9780521285247 - performance and politics in popular drama: aspects of popular entertainment in theatre, film and television, 1800-1976 (15 Ergebnisse)

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Zustand: New. Editor(s): Bradby, David; James, Louis; Sharratt, Bernard. Num Pages: 344 pages, illustrations, plans, music, bibliography, index. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 20. Weight in Grams: 510. . 2010. Revised ed. paperback. . . . .

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Zustand: New. Editor(s): Bradby, David; James, Louis; Sharratt, Bernard. Num Pages: 344 pages, illustrations, plans, music, bibliography, index. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 20. Weight in Grams: 510. . 2010. Revised ed. paperback. . . . . Books ship from the US and Ireland. …

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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Since the beginning of the nineteenth-century, many forms of theatre have been called 'popular', but in the twentieth-century the term 'popular drama' has taken on definite political overtones, often indicating a repudiation of 'commercial theatre'. Does this mean that political theatre is or tries to be more attractive to more people than commercial theatre Does it conversely mean that commercial theatre has no political effects The articles in this book were submitted as papers for a conference on the theme of 'popular' theatre, film and television. Contributions came from people with very different types of experience: from an ex-animal trainer to a lecturer in film studies; from playwrights, directors and actors to professional critics and academics. Each author focused on a particular problem of defining drama in performance, drawing together the conditions of performance, the types of audience and the political effects of the plays or films in question. The result was a series of fruitful connections and juxtapositions that shows the remarkable continuity of the problems raised in attempts to create a popular political drama.…

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Paperback. Zustand: new. Paperback. Since the beginning of the nineteenth century many forms of theatre have been called 'popular', but in the twentieth century the term 'popular drama' has taken on definite political overtones, often indicating a repudiation of 'commercial theatre'. But does that mean that political theatre is or tries to be more attractive to more people than commercial theatre? Does it conversely mean that commercial theatre has no political effects? The articles in this book were submitted as papers for a conference on the theme of 'popular' theatre, film and television. Contributions came from people with very different types of experience: from an ex-animal trainer to a lecturer in film studies; from playwrights, directors and actors to professional critics and academics. Each author focused on a particular problem of defining drama in performance, drawing together the conditions of performance, the types of audience and the political effects of the plays or films in question. The result was a series of fruitful connections and juxtapositions which shows the remarkable continuity of the problems raised in attempts to create a popular political drama. Since the beginning of the nineteenth century many forms of theatre have been called ???popular???, but in the twentieth century the term ???popular drama??? has taken on definite political overtones, often indicating a repudiation of ???commercial theatre??? But does that mean that political theatre is or tries to be more attractive to more people than commercial theatre? Does it conversely mean that commercial theatre has no political effects? The articles in this book were submitted as papers for a conference on the theme of ???popular??? theatre, film and television. Contributions came from people with very different types of experience: from an ex-animal trainer to a lecturer in film studies; from playwrights, directors and actors to professional critics and academics. Each author focused on a particular problem of defining drama in performance, drawing together the conditions of performance, the types of audience and the political effects of the plays or films in question. The result was a series of fruitful connections and juxtapositions which shows the remarkable continuity of the problems raised in attempts to create a popular political drama. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisPreface Acknowledgements Part I. Spectacle, Performance and Audience in Nineteenth-Century Theatre: 1. Introduction Louis James 2. Was Jerrold s Black Ey d Susan more popular than Wordsworth s Lucy? Louis James 3. W.…