9780521565608 - Blueprints Black Federal Theatre (Cambridge Studies in American Literature and Culture, 81, Band 81) von Fraden (23 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. A crisp, unmarked softcover in very good condition; light edge wear and rubbing to cover.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780521565608.

Zustand: Muy bueno. : En la década de 1930, la Work Progress Administration financió un masivo Federal Theatre Project en los principales centros urbanos de Estados Unidos, presentando cientos de producciones, algunas de las más populares y memorables de las cuales fueron producidas en las controvertidas y vanguardistas 'Unidades Negras'. Este experimento en cultura apoyada por el gobierno trajo a primer plano uno de los problemas centrales en la cultura democrática estadounidense: la representación de la diferencia racial. Aquellos en la profesión rápidamente descubrieron responsabilidades ideológicas ineludibles que asistían a cualquier tipo de espectáculo, ya fuera aparentemente entretenido o de naturaleza política. Explorando el idealismo liberal de los años treinta y los debates críticos en las revistas negras sobre el papel de un teatro afroamericano, Fraden también analiza los obstáculos que enfrentan los dramaturgos, el público y los actores negros en un entorno cambiante. EAN: 9780521565608 Tipo: Libros Categoría: Historia|Arte y Cultura Título: Blueprints for a Black Federal Theatre Autor: Rena Fraden Editorial: Cambridge University Press Idioma: en Páginas: 266 Formato: tapa blanda.

Soft cover. Zustand: Very Good. trade paperback in very good + condition.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780521565608.

Zustand: New.

Paperback. Zustand: New. In the 1930s, the Work Progress Administration funded a massive Federal Theatre Project in America's major urban centres, presenting hundreds of productions, some of the most popular and memorable of which were produced in the highly controversial and avant garde 'Negro Units'. This experiment in government-supported culture brought to the forefront one of the central problems in American democratic culture - the representation of racial difference. Those in the profession quickly discovered inescapable ideological responsibilities attending any sort of show, whether apparently entertaining or political in nature. Exploring the liberal idealism of the thirties and the critical debates in black journals over the role of an African American theatre, Fraden also looks at the obstacles facing black playwrights, audiences, and actors in a changing milieu.

Zustand: New. In.

PF. Zustand: New.

Zustand: New. This book focuses on debates of various groups of black and white critics, audiences, and artists over African American theatre in the 1930s. Series Editor(s): Gelpi, Albert (Stanford University, California); Posnock, Ross. Series: Cambridge Studies in American Literature and Culture. Num Pages: 268 pages, 18 b/w illus. BIC Classification: 1KBB; 3JJG; AN; DSB. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 15. Weight in Grams: 370. . 2008. Revised ed. paperback. . . . .

Zustand: New. pp. 268.

Zustand: New. This book focuses on debates of various groups of black and white critics, audiences, and artists over African American theatre in the 1930s. Series Editor(s): Gelpi, Albert (Stanford University, California); Posnock, Ross. Series: Cambridge Studies in American Literature and Culture. Num Pages: 268 pages, 18 b/w illus. BIC Classification: 1KBB; 3JJG; AN; DSB. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 15. Weight in Grams: 370. . 2008. Revised ed. paperback. . . . . Books ship from the US and Ireland.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title!

Paperback. Zustand: New. In the 1930s, the Work Progress Administration funded a massive Federal Theatre Project in America's major urban centres, presenting hundreds of productions, some of the most popular and memorable of which were produced in the highly controversial and avant garde 'Negro Units'. This experiment in government-supported culture brought to the forefront one of the central problems in American democratic culture - the representation of racial difference. Those in the profession quickly discovered inescapable ideological responsibilities attending any sort of show, whether apparently entertaining or political in nature. Exploring the liberal idealism of the thirties and the critical debates in black journals over the role of an African American theatre, Fraden also looks at the obstacles facing black playwrights, audiences, and actors in a changing milieu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In the 1930s, the Work Progress Administration funded a massive Federal Theatre Project in America's major urban centres, presenting hundreds of productions, some of the most popular and memorable of which were produced in the highly controversial and avant garde 'Negro Units'. This experiment in government-supported culture brought to the forefront one of the central problems in American democratic culture - the representation of racial difference. Those in the profession quickly discovered inescapable ideological responsibilities attending any sort of show, whether apparently entertaining or political in nature. Exploring the liberal idealism of the thirties and the critical debates in black journals over the role of an African American theatre, Fraden also looks at the obstacles facing black playwrights, audiences, and actors in a changing milieu.

Paperback. Zustand: new. Paperback. During the 1930s the Work Progress Administration funded the Federal Theater Project to sustain unemployed theatrical workers in New York, Chicago, Los Angeles and other major urban centers, employing over 12,000 people and presenting countless productions. Some of the most popular and memorable of these works, such as the "voodoo" Macbeth and the "swing" Mikado, were produced in the so-called Negro Units, whose story is narrated in this book. Particular focus is given to problems of representation in a community and in an era trying to define what was African American, what was Negro, what was American, what was peculiar, and what was universal in the arts. This book focuses on debates of various groups of black and white critics, audiences, and artists over what was properly representative of African American theatre in the 1930s. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: Brand New. 266 pages. 9.25x6.25x1.00 inches. In Stock. This item is printed on demand.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Zustand: New. Print on Demand pp. 268 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Zustand: New. PRINT ON DEMAND pp. 268.

Paperback. Zustand: new. Paperback. During the 1930s the Work Progress Administration funded the Federal Theater Project to sustain unemployed theatrical workers in New York, Chicago, Los Angeles and other major urban centers, employing over 12,000 people and presenting countless productions. Some of the most popular and memorable of these works, such as the "voodoo" Macbeth and the "swing" Mikado, were produced in the so-called Negro Units, whose story is narrated in this book. Particular focus is given to problems of representation in a community and in an era trying to define what was African American, what was Negro, what was American, what was peculiar, and what was universal in the arts. This book focuses on debates of various groups of black and white critics, audiences, and artists over what was properly representative of African American theatre in the 1930s. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Blueprints for a Black Federal Theatre, 1935-1939 focuses on the struggles of various groups of black and white critics, audiences, and artists to define what constituted authentic, properly representative African American art in the theatre of the 1930s.