9780521884150 - the renaissance reform of medieval music theory: guido of arezzo between myth and history von mengozzi, stefano (14 Ergebnisse)

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Zustand: New. A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context. Num Pages: 304 pages, 28 b/w illus. 19 tables 3 music examples. BIC Classification: 3H; AVA; AVGC2; AVH. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 262 x 182 x 23. Weight in Grams: 760. . 2010. Illustrated. hardcover. . . . . …

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 306 | Sprache: Englisch | Produktart: Bücher | A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.

Zustand: New. A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context. Num Pages: 304 pages, 28 b/w illus. 19 tables 3 music examples. BIC Classification: 3H; AVA; AVGC2; AVH. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 262 x 182 x 23. Weight in Grams: 760. . 2010. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Brand New. 1st edition. 286 pages. 9.75x7.00x0.75 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Modern scholars have often portrayed the method of hexachordal solmization - the sight-singing method introduced by the 11th-century monk Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of solmization theory from Guido of Arezzo to Gioseffo Zarlino. These texts show that six-syllable solmization was only an option for sight-singing that never imposed its operational 'sixth-ness' onto the diatonic system, already grounded on the seven pitch letters. It was primarily through the agency of several 'classicizing' theorists of the humanist era that the six syllables came to be mistakenly conceived as a fundamental diatonic structure - a 'hexachord' built from the 'tetrachord' of the Ancient Greeks. The book will be of particular interest to readers seeking to deepen their knowledge of medieval and Renaissance musical thought with an eye to major intellectual trends of the time.…

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Zustand: New. Print on Demand pp. 304.

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Hardcover. Zustand: new. Hardcover. Modern scholars have often portrayed the method of hexachordal solmization - the sight-singing method introduced by the 11th-century monk Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of solmization theory from Guido of Arezzo to Gioseffo Zarlino. These texts show that six-syllable solmization was only an option for sight-singing that never imposed its operational 'sixth-ness' onto the diatonic system, already grounded on the seven pitch letters. It was primarily through the agency of several 'classicizing' theorists of the humanist era that the six syllables came to be mistakenly conceived as a fundamental diatonic structure - a 'hexachord' built from the 'tetrachord' of the Ancient Greeks. The book will be of particular interest to readers seeking to deepen their knowledge of medieval and Renaissance musical thought with an eye to major intellectual trends of the time. Mengozzi demonstrates how scholasticism and humanism played a decisive role in shaping the history of hexachordal solmization, a sight-singing method introduced by the 11th-century monk Guido of Arezzo. The book will be of interest to early-modern specialists interested in exploring medieval and Renaissance musical thought in its intellectual context. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mengozzi demonstrates how scholasticism and humanism played a decisive role in shaping the history of hexachordal solmization, a sight-singing method introduced by the 11th-century monk Guido of Arezzo. The book will be of interest to early-modern specialis.…