Isbn: 9780593801932 - a century of poetry in the new yorker: 1925-2025 (35 Ergebnisse)

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Hardcover. Zustand: new. Hardcover. Edited by the magazines poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New YorkerSeamus Heaney, Dorothy Parker, Louise Bogan, Louise Glueck, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.The book is organized into sections honoring times of day (Morning Bell, Lunch Break, After-Work Drinks, Night Shift), allowing poets from different eras to talk back to one another in the same space, intertwined with chronological groupings from the decades as they march by: the frothy 1920s and 1930s (despite the depression, Young notes), the more serious 40s and 50s (introducing us to the early greats of our contemporary poetry, like Elizabeth Bishop, W. S. Merwin, and Adrienne Rich), the political 60s and 70s, the lyrical 80s and 90s, and then the 2000s with their explosion of greater diversity in the magazine, greater depth and breadth. Inevitably, we see the high points when poems spoke directly into, about, or against the crises of their timesthe war poetry of W. H. Auden and Karl Shapiro; the remarkable outpouring of verse after 9/11 (who can forget Adam Zagajewskis Try to Praise the Mutilated World?); and more recently, stunning poems in response to the cataclysmic events of COVID and the murder of George Floyd.The magazines poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls refrigerator poems: the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limon poemor lines by a new writer youve never heard of but will hear much more from in the futureis what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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Hardback or Cased Book. Zustand: New. A Century of Poetry in the New Yorker: 1925-2025. Book.

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Hardcover. Zustand: Brand New. 720 pages. 9.25x6.12x1.37 inches. In Stock.

Buch. Zustand: Neu. Neuware -Edited by the magazine's poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New YorkerSeamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.The book is organized into sections honoring times of day ("Morning Bell," "Lunch Break," "After-Work Drinks," "Night Shift"), allowing poets from different eras to talk back to one another in the same space, intertwined with chronological groupings from the decades as they march by: the frothy 1920s and 1930s ("despite the depression," Young notes), the more serious '40s and '50s (introducing us to the early greats of our contemporary poetry, like Elizabeth Bishop, W. S. Merwin, and Adrienne Rich), the political '60s and '70s, the lyrical '80s and '90s, and then the 2000s' with their explosion of greater diversity in the magazine, greater depth and breadth. Inevitably, we see the high points when poems spoke directly into, about, or against the crises of their timesthe war poetry of W. H. Auden and Karl Shapiro; the remarkable outpouring of verse after 9/11 (who can forget Adam Zagajewski's "Try to Praise the Mutilated World" ); and more recently, stunning poems in response to the cataclysmic events of COVID and the murder of George Floyd.The magazine's poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls "refrigerator poems": the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limón poemor lines by a new writer you've never heard of but will hear much more from in the futureis what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul. 1024 pp. Englisch.…

Buch. Zustand: Neu. Neuware -Edited by the magazine's poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New YorkerSeamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.The book is organized into sections honoring times of day ("Morning Bell," "Lunch Break," "After-Work Drinks," "Night Shift"), allowing poets from different eras to talk back to one another in the same space, intertwined with chronological groupings from the decades as they march by: the frothy 1920s and 1930s ("despite the depression," Young notes), the more serious '40s and '50s (introducing us to the early greats of our contemporary poetry, like Elizabeth Bishop, W. S. Merwin, and Adrienne Rich), the political '60s and '70s, the lyrical '80s and '90s, and then the 2000s' with their explosion of greater diversity in the magazine, greater depth and breadth. Inevitably, we see the high points when poems spoke directly into, about, or against the crises of their timesthe war poetry of W. H. Auden and Karl Shapiro; the remarkable outpouring of verse after 9/11 (who can forget Adam Zagajewski's "Try to Praise the Mutilated World" ); and more recently, stunning poems in response to the cataclysmic events of COVID and the murder of George Floyd.The magazine's poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls "refrigerator poems": the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limón poemor lines by a new writer you've never heard of but will hear much more from in the futureis what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul. 1024 pp. Englisch.…

Buch. Zustand: Neu. Neuware -Edited by the magazine's poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New YorkerSeamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.The book is organized into sections honoring times of day ("Morning Bell," "Lunch Break," "After-Work Drinks," "Night Shift"), allowing poets from different eras to talk back to one another in the same space, intertwined with chronological groupings from the decades as they march by: the frothy 1920s and 1930s ("despite the depression," Young notes), the more serious '40s and '50s (introducing us to the early greats of our contemporary poetry, like Elizabeth Bishop, W. S. Merwin, and Adrienne Rich), the political '60s and '70s, the lyrical '80s and '90s, and then the 2000s' with their explosion of greater diversity in the magazine, greater depth and breadth. Inevitably, we see the high points when poems spoke directly into, about, or against the crises of their timesthe war poetry of W. H. Auden and Karl Shapiro; the remarkable outpouring of verse after 9/11 (who can forget Adam Zagajewski's "Try to Praise the Mutilated World" ); and more recently, stunning poems in response to the cataclysmic events of COVID and the murder of George Floyd.The magazine's poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls "refrigerator poems": the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limón poemor lines by a new writer you've never heard of but will hear much more from in the futureis what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul.…

Hardcover. Zustand: Brand New. 720 pages. 9.25x6.12x1.37 inches. In Stock.

Hardcover. Zustand: Brand New. 720 pages. 9.25x6.12x1.37 inches. In Stock.

Hardcover. Zustand: Brand New. 720 pages. 9.25x6.12x1.37 inches. In Stock.

Zustand: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. KEVIN YOUNG is the author of fifteen books of poetry and prose. He is the&nbsppoetry editor of The&nbspNew Yorker, where he hosts the&nbspPoetry Podcast, and is the editor of nine other anthology volumes, including African American Poetry: 250 .

Hardback. Zustand: New.

Hardcover. Zustand: new. Hardcover. Edited by the magazines poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New YorkerSeamus Heaney, Dorothy Parker, Louise Bogan, Louise Glueck, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.The book is organized into sections honoring times of day (Morning Bell, Lunch Break, After-Work Drinks, Night Shift), allowing poets from different eras to talk back to one another in the same space, intertwined with chronological groupings from the decades as they march by: the frothy 1920s and 1930s (despite the depression, Young notes), the more serious 40s and 50s (introducing us to the early greats of our contemporary poetry, like Elizabeth Bishop, W. S. Merwin, and Adrienne Rich), the political 60s and 70s, the lyrical 80s and 90s, and then the 2000s with their explosion of greater diversity in the magazine, greater depth and breadth. Inevitably, we see the high points when poems spoke directly into, about, or against the crises of their timesthe war poetry of W. H. Auden and Karl Shapiro; the remarkable outpouring of verse after 9/11 (who can forget Adam Zagajewskis Try to Praise the Mutilated World?); and more recently, stunning poems in response to the cataclysmic events of COVID and the murder of George Floyd.The magazines poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls refrigerator poems: the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limon poemor lines by a new writer youve never heard of but will hear much more from in the futureis what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Zustand: New. 2025. 1st Edition. hardcover. . . . . .

Buch. Zustand: Neu. Neuware -Edited by the magazine's poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New YorkerSeamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.The book is organized into sections honoring times of day ("Morning Bell," "Lunch Break," "After-Work Drinks," "Night Shift"), allowing poets from different eras to talk back to one another in the same space, intertwined with chronological groupings from the decades as they march by: the frothy 1920s and 1930s ("despite the depression," Young notes), the more serious '40s and '50s (introducing us to the early greats of our contemporary poetry, like Elizabeth Bishop, W. S. Merwin, and Adrienne Rich), the political '60s and '70s, the lyrical '80s and '90s, and then the 2000s' with their explosion of greater diversity in the magazine, greater depth and breadth. Inevitably, we see the high points when poems spoke directly into, about, or against the crises of their timesthe war poetry of W. H. Auden and Karl Shapiro; the remarkable outpouring of verse after 9/11 (who can forget Adam Zagajewski's "Try to Praise the Mutilated World" ); and more recently, stunning poems in response to the cataclysmic events of COVID and the murder of George Floyd.The magazine's poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls "refrigerator poems": the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limón poemor lines by a new writer you've never heard of but will hear much more from in the futureis what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul.Petersen Buchimport GmbH, Weidestraße 122 a, 22083 Hamburg 1024 pp. Englisch.…

Buch. Zustand: Neu. A Century of Poetry in The New Yorker | 1925-2025 | Kevin Young | Buch | 1024 S. | Englisch | 2025 | Random House LLC US | EAN 9780593801932 | Verantwortliche Person für die EU: Petersen Buchimport GmbH, Vertrieb, Weidestr. 122a, 22083 Hamburg, gpsr[at]petersen-buchimport[dot]com | Anbieter: preigu.…

Hardcover. Zustand: new. Hardcover. Edited by the magazines poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New YorkerSeamus Heaney, Dorothy Parker, Louise Bogan, Louise Glueck, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.The book is organized into sections honoring times of day (Morning Bell, Lunch Break, After-Work Drinks, Night Shift), allowing poets from different eras to talk back to one another in the same space, intertwined with chronological groupings from the decades as they march by: the frothy 1920s and 1930s (despite the depression, Young notes), the more serious 40s and 50s (introducing us to the early greats of our contemporary poetry, like Elizabeth Bishop, W. S. Merwin, and Adrienne Rich), the political 60s and 70s, the lyrical 80s and 90s, and then the 2000s with their explosion of greater diversity in the magazine, greater depth and breadth. Inevitably, we see the high points when poems spoke directly into, about, or against the crises of their timesthe war poetry of W. H. Auden and Karl Shapiro; the remarkable outpouring of verse after 9/11 (who can forget Adam Zagajewskis Try to Praise the Mutilated World?); and more recently, stunning poems in response to the cataclysmic events of COVID and the murder of George Floyd.The magazines poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls refrigerator poems: the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limon poemor lines by a new writer youve never heard of but will hear much more from in the futureis what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …