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ISBN 10: 0691004781 ISBN 13: 9780691004785
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ISBN 10: 0691004781 ISBN 13: 9780691004785
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ISBN 10: 0691004781 ISBN 13: 9780691004785
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Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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ISBN 10: 0691004781 ISBN 13: 9780691004785
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ISBN 10: 0691004781 ISBN 13: 9780691004785
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Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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[0-691-00478-1] 1999. (Mass market paperback) Very good. xi, 299pp. 8vo. Examines 19th century paridigms that serve to both challenge and shape the American identity. Clean, bright, solid, tight, with black and white photographs.
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Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Verlag: Princeton University Press, 1999
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Sprache: Englisch
Verlag: Princeton University Press, US, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Paperback. Zustand: New. Visual texts uniquely demonstrate the contested terms of American identity. In American Archives Shawn Michelle Smith offers a bold and disturbing account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like--or "should" look like. Her varied sources, which include the middle-class portrait, baby picture, criminal mugshot, and eugenicist record, as well as literary, scientific, and popular texts, enable her to demonstrate how new visual paradigms posed bodily appearance as an index to interior "essence." Ultimately we see how competing preoccupations over gender, class, race, and American identity were played out in the making of a wide range of popular and institutional photographs. Smith demonstrates that as the body was variously mapped and defined as the key to essentialized identities, the image of the white middle-class woman was often held up as the most complete American ideal. She begins by studying gendered images of middle-class domesticity to expose a transformation of feminine architectures of interiority into the "essences" of "blood," "character," and "race."She reads visual documents, as well as literary texts by Nathaniel Hawthorne, Pauline Hopkins, and Theodore Dreiser, as both indices of and forms of resistance to dominant images of gender, class, race, and national identity. Through this analysis Smith shows how the white male gaze that sought to define and constrain white women and people of color was contested and transformed over the course of the nineteenth century. Smith identifies nineteenth-century visual paradigms that continue to shape debates about the terms of American belonging today. American Archives contributes significantly to the growing field of American visual cultural studies, and it is unprecedented in explaining how practices of racialized looking and the parameters of "American looks" were established in the first place.
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Zustand: New. 1999. Paperback. Visual texts demonstrate the contested terms of American identity. This book offers an account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like - or 'should' look like. Num Pages: 302 pages, 60 b&w illus. BIC Classification: 1KBB; 3JH; AJ; HBTB; JFC; JFSJ; JFSL1; JFSL3. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 154 x 20. Weight in Grams: 492. . . . . .
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Zustand: New. 1999. Paperback. Visual texts demonstrate the contested terms of American identity. This book offers an account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like - or 'should' look like. Num Pages: 302 pages, 60 b&w illus. BIC Classification: 1KBB; 3JH; AJ; HBTB; JFC; JFSJ; JFSL1; JFSL3. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 154 x 20. Weight in Grams: 492. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Verlag: Princeton University Press, Princeton, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Verlag: Princeton University Press, 1999
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Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Verlag: Princeton University Press, US, 1999
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In den WarenkorbPaperback. Zustand: New. Visual texts uniquely demonstrate the contested terms of American identity. In American Archives Shawn Michelle Smith offers a bold and disturbing account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like--or "should" look like. Her varied sources, which include the middle-class portrait, baby picture, criminal mugshot, and eugenicist record, as well as literary, scientific, and popular texts, enable her to demonstrate how new visual paradigms posed bodily appearance as an index to interior "essence." Ultimately we see how competing preoccupations over gender, class, race, and American identity were played out in the making of a wide range of popular and institutional photographs. Smith demonstrates that as the body was variously mapped and defined as the key to essentialized identities, the image of the white middle-class woman was often held up as the most complete American ideal. She begins by studying gendered images of middle-class domesticity to expose a transformation of feminine architectures of interiority into the "essences" of "blood," "character," and "race."She reads visual documents, as well as literary texts by Nathaniel Hawthorne, Pauline Hopkins, and Theodore Dreiser, as both indices of and forms of resistance to dominant images of gender, class, race, and national identity. Through this analysis Smith shows how the white male gaze that sought to define and constrain white women and people of color was contested and transformed over the course of the nineteenth century. Smith identifies nineteenth-century visual paradigms that continue to shape debates about the terms of American belonging today. American Archives contributes significantly to the growing field of American visual cultural studies, and it is unprecedented in explaining how practices of racialized looking and the parameters of "American looks" were established in the first place.
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Sprache: Englisch
Verlag: Princeton University Press, 2000
ISBN 10: 0691004781 ISBN 13: 9780691004785
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In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Visual texts demonstrate the contested terms of American identity. This book offers an account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like - or should loo.
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691004781 ISBN 13: 9780691004785
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Taschenbuch. Zustand: Neu. American Archives | Gender, Race, and Class in Visual Culture | Shawn Michelle Smith | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1999 | Princeton University Press | EAN 9780691004785 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.