Sprache: Englisch
Verlag: Princeton University Press (edition ), 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: Bay State Book Company, North Smithfield, RI, USA
Zustand: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
paperback. Zustand: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.
Sprache: Englisch
Verlag: Princeton University Press March 1992, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: A Cappella Books, Inc., Atlanta, GA, USA
Paper Back. Zustand: Good.
Sprache: Englisch
Verlag: Princeton University Press, Princeton, NJ, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: Aladdin Books, Fullerton, CA, USA
Trade Paperback. Zustand: Very Good. Very good, no markings. Flat spine with no creasing.
Sprache: Englisch
Verlag: Princeton University Press, c.1992,, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: Harry Alter, Sylva, NC, USA
paperback, Zustand: Very Good, Princeton University Press, c.1992, trade paperbk.prtg., 274pp., NF $.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: Solr Books, Lincolnwood, IL, USA
Zustand: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
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In den WarenkorbZustand: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: Hollywood Canteen Inc., Toronto, ON, Kanada
paperback. Zustand: Very Good. 2025 octoberfiled cinema-3rd shelf.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: Labyrinth Books, Princeton, NJ, USA
Zustand: New.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
Sprache: Englisch
Verlag: Princeton University Press, US, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Paperback. Zustand: New. Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. After proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations.Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 67,53
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
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In den WarenkorbZustand: As New. Unread book in perfect condition.
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In den WarenkorbPaperback. Zustand: Brand New. 274 pages. 9.25x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Princeton University Press, US, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
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In den WarenkorbPaperback. Zustand: New. Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. After proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations.Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: moluna, Greven, Deutschland
EUR 65,72
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In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Argues that a historical examination of spectators responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. This title gives special attention to how questions of class, gender, sexual preference, .
Sprache: Englisch
Verlag: Princeton University Press, New Jersey, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
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In den WarenkorbPaperback. Zustand: new. Paperback. Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. Alter proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations.Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators. Argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. This title gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Interpreting Films | Studies in the Historical Reception of American Cinema | Janet Staiger | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1992 | Princeton University Press | EAN 9780691006161 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Sprache: Englisch
Verlag: Princeton University Press, 1992
ISBN 10: 0691006164 ISBN 13: 9780691006161
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Fotografie Print-on-Demand
Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. After proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators.