Sprache: Englisch
Verlag: Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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paperback. Zustand: Good. . Satisfaction 100% guaranteed.
Sprache: Englisch
Verlag: Princeton University Press, 1998
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Soft cover. Zustand: Very Good. No Jacket. Working-Class Hollywood : Silent Film and the Shaping of Class in America. Ross, Steven J. Published by Princeton University Press, 1998. 367p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked, SIGNED/INSCRIBED--ISBN 10: 069102464210.00. Signed by Author(s).
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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paperback. Zustand: Good. 58713th. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Soft cover. Zustand: Fine. clean, unmarked copy.
Sprache: Englisch
Verlag: Princeton University Press, Princeton, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Soft cover. Zustand: Near Fine. No Jacket. Black and white illustrations inside. Pages are clean. Book is tight. 'I once said something about the lower class in the hearing of my mother,' biographer Stephen Birmingham recounted several years ago.
Sprache: Englisch
Verlag: Princeton University Press, Princeton, N.J., 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Paperback. Zustand: Near Fine. 367 pages, 8vo. Minor shelfwear. Tightly bound, no marks. Volume is in Near Fine condition.
Sprache: Englisch
Verlag: Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Softcover. Zustand: Near Fine. Stiff unmarked book in glossy covers. ; 9.0 X 6.0 X 1.0 inches; 392 pages.
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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In den WarenkorbZustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & highlighter markings. In poor condition, suitable as a reading copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780691024646.
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
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Zustand: New. Reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. This book tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Num Pages: 392 pages, 38 halftones. BIC Classification: 1KBB; 3JJC; 3JJF; 3JJG; APFA; HBTB; JFSC; KNTC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 238 x 157 x 25. Weight in Grams: 580. . 1999. 58713th. Paperback. . . . .
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
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ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Zustand: New. Reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. This book tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Num Pages: 392 pages, 38 halftones. BIC Classification: 1KBB; 3JJC; 3JJF; 3JJG; APFA; HBTB; JFSC; KNTC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 238 x 157 x 25. Weight in Grams: 580. . 1999. 58713th. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
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Sprache: Englisch
Verlag: Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
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In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Reveals how Hollywood became Hollywood and what that meant for the politics of America and American film. This book tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives an.
Sprache: Englisch
Verlag: Princeton University Press, New Jersey, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
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In den WarenkorbPaperback. Zustand: new. Paperback. This path-breaking book reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. Working-Class Hollywood tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Steven Ross documents the rise of a working-class film movement that challenged the dominant political ideas of the day. Between 1907 and 1930, worker filmmakers repeatedly clashed with censors, movie industry leaders, and federal agencies over the kinds of images and subjects audiences would be allowed to see. The outcome of these battles was critical to our own times, for the victors got to shape the meaning of class in twentieth- century America. Surveying several hundred movies made by or about working men and women, Ross shows how filmmakers were far more concerned with class conflict during the silent era than at any subsequent time. Directors like Charlie Chaplin, D. W. Griffith, and William de Mille made movies that defended working people and chastised their enemies.Worker filmmakers went a step further and produced movies from A Martyr to His Cause (1911) to The Gastonia Textile Strike (1929) that depicted a unified working class using strikes, unions, and socialism to transform a nation.J. Edgar Hoover considered these class-conscious productions so dangerous that he assigned secret agents to spy on worker filmmakers. Liberal and radical films declined in the 1920s as an emerging Hollywood studio system, pressured by censors and Wall Street investors, pushed American film in increasingly conservative directions. Appealing to people's dreams of luxury and upward mobility, studios produced lavish fantasy films that shifted popular attention away from the problems of the workplace and toward the pleasures of the new consumer society. While worker filmmakers were trying to heighten class consciousness, Hollywood producers were suggesting that class no longer mattered. Working-Class Hollywood shows how silent films helped shape the modern belief that we are a classless nation. Reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. This book tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Sprache: Englisch
Verlag: Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Working-Class Hollywood | Silent Film and the Shaping of Class in America | Steven J. Ross | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2000 | Princeton University Press | EAN 9780691024646 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Sprache: Englisch
Verlag: Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Fotografie Print-on-Demand
Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This path-breaking book reveals how Hollywood became 'Hollywood' and what that meant for the politics of America and American film. Working-Class Hollywood tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Steven Ross documents the rise of a working-class film movement that challenged the dominant political ideas of the day. Between 1907 and 1930, worker filmmakers repeatedly clashed with censors, movie industry leaders, and federal agencies over the kinds of images and subjects audiences would be allowed to see. The outcome of these battles was critical to our own times, for the victors got to shape the meaning of class in twentieth- century America.Surveying several hundred movies made by or about working men and women, Ross shows how filmmakers were far more concerned with class conflict during the silent era than at any subsequent time. Directors like Charlie Chaplin, D. W. Griffith, and William de Mille made movies that defended working people and chastised their enemies. Worker filmmakers went a step further and produced movies from A Martyr to His Cause (1911) to The Gastonia Textile Strike (1929) that depicted a unified working class using strikes, unions, and socialism to transform a nation. J. Edgar Hoover considered these class-conscious productions so dangerous that he assigned secret agents to spy on worker filmmakers.Liberal and radical films declined in the 1920s as an emerging Hollywood studio system, pressured by censors and Wall Street investors, pushed American film in increasingly conservative directions. Appealing to people's dreams of luxury and upward mobility, studios produced lavish fantasy films that shifted popular attention away from the problems of the workplace and toward the pleasures of the new consumer society. While worker filmmakers were trying to heighten class consciousness, Hollywood producers were suggesting that class no longer mattered. Working-Class Hollywood shows how silent films helped shape the modern belief that we are a classless nation.