Verlag: Princeton University Press, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Princeton University Press, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Princeton University Press, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:0691046131.
Verlag: Princeton University Press, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: ANARTIST, New York, NY, USA
Hardcover with dustjacket, 204 pages, dustjacket has many tears along edges and some small to 1 large pieces missing, no internal marks. Priority and foreign shipping may be extra for this item.
Verlag: Princeton University Press, Princeton, NJ, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: Sea Chest Books, Tucumcari, NM, USA
Erstausgabe
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Horizontally oblong octavo, 8 7/8 inches tall by 10 1/2 inches long. First edition covered in yellow cloth with light orange printing on the spine, in near fine condition. The dust jacket is in very good conditio with some edgewaer, spine panel fading and a short notched closed tear at the upper front spine fold. Intact price. Many artists were dependent on the commissions and work provided by the WPA during the Great Depression. This is the history of the the struggles and inner workings of the WPA. It's legacy was a vast amount of public art, and other projects, much of which endures and is still appreciated today. The text is accompanied by 90 illustrations of the WPA at work, and some of the artworks produced during that period. xii and 203 pp.
Verlag: Princeton University Press, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: Exquisite Corpse Booksellers, Houston, TX, USA
Erstausgabe
Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 203 pages. Oblong format hardcover. Texts in English. There is some staining to the rear panel of the dustjacket, with some overall wear to the jacket, now encased in a Mylar sleeve. But wear to the edges and corners of the boards is minimal, the binding is tight, the interior clean and free of markings. Illustrated in black and white. Book.
Verlag: Princeton University Press, Princeton, NJ, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: LEFT COAST BOOKS, Santa Barbara, CA, USA
Erstausgabe Signiert
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st. Cloth, xii, 203 pages, illustrations; 23 x 27 cm. SIGNED by Richard McKinzie on the title page, with the previous owner's signature on the front paste-down endpaper (inside front cover). Age toning. Dust jacket, with moderate edgewear & a sunned spine (bold & legible titles), protected in a mylar book cover. Another copy available. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. An indispensible publication on the W.P.A.'s Federal Art Project. "Willem de Kooning and Anton Refregier were reduced to painting goldfish and palm trees on the walls of speakeasies in the early years of the Great Depression; most artists had no work at all. Thousands of artists were kept alive, and their skills preserved, by programs of the Works Porgress Administration (WPA). Richard D. MicKinzie recreates the turbulent history of these programs to examine their origins, the personalities that shaped them, their effects on the artists they employed, and public and official reaction to the art they produced. The administratiors of the WPA struggled with an uncertain future, fluctuating funds, and the problems of organizing the work of artists according to bureaucratic methods. Both administrators and artists were confronted with criticism ranging from the assertion that Mother Goose murals in a children's hospital were 'unsuitable to the dignity of a public institution,' to charges of subversion when a portrait of President Lincoln in a post office mural apparently resembled Lenin. As political opposition to the WPA spread, attempts to establish the Federal Art Project on a permanent basis met with derision in Congress and charges that the WPA was a 'hotbed of communisim.'" - Publisher. CONTENTS: The entering wedge; Bid for survival; The bureaucracy of art; WPA-patron; The cultural capital; Relief artists and the fine arts; Relief artists and socially useful projects; Relief art on the defense, 1938-1943; A masterpiece? Size: Oblong. SIGNED. Collectible.
Verlag: Princeton University Press, Princeton, NJ, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Erstausgabe
Hardcover. Zustand: Near Very Good. Zustand des Schutzumschlags: Good. 1st Edition. First edition, hardcover, has slight bumps to the spine ends and cover corners, foxing to the head with lighter foxing to the fore edge of the covers, mild smudging to the edges of the text block, and some finger-smudges to the page edges. Otherwise, this is a solid, tight, Near Very Good copy in an unclipped, Good only dust jacket, which has bumps with tears and internal tape repairs at the spine ends and corners, rubbing with foxing and some small spots of soiling to the covers, sunning to the spine, and some wear with short tears to the edges. The jacket is in Mylar.
Verlag: Princeton University Press, Princeton, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: art longwood books, Gloucester, MA, USA
Erstausgabe
Hard Cover. Zustand: Near Fine Plus. Zustand des Schutzumschlags: Near Fine. First Edition. cloth, hardcover in dust jacket., very small, faint owner stamp to front free endpaper.dj is price-clipped and background color of spine is sunned. no other flaws, clean, no text or exterior markings. strong binding and hinges.; xii-203pp., 89 b/w illustrations. examines the wpa art projects, the experience of artists in the depression. Size: Oblong 8vo.
Verlag: Princeton University Press, Princeton (New Jersey), 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: Biblioteca di Babele, Tarquinia, VT, Italien
Zustand: DISCRETO USATO. INGLESE Volume rilegato in tutta tela con titoli al dorso, coperta protetta da nastro adesivo trasparente, naturalmente imbrunita e con ordinari segni del tempo. Tagli regolari ed imbruniti, pagine ben salde alla costa e con minima imbrunitura. Libro completamente fruibile, con prefazione dell'autore, presenti 89 illustrazioni in nero nel testo, numero pagine 203; da segnalare: il volume potrebbe contenere timbri, il materiale è stato regolarmente acquisito dalla nostra Libreria.
Verlag: Princeton University Press, Princeton, NJ, 1973
ISBN 10: 0691046131 ISBN 13: 9780691046136
Anbieter: LEFT COAST BOOKS, Santa Barbara, CA, USA
Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st. Cloth, xii, 203 pages, illustrations; 23 x 27 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. An indispensible publication on the W.P.A.'s Federal Art Project. "Willem de Kooning and Anton Refregier were reduced to painting goldfish and palm trees on the walls of speakeasies in the early years of the Great Depression; most artists had no work at all. Thousands of artists were kept alive, and their skills preserved, by programs of the Works Porgress Administration (WPA). Richard D. MicKinzie recreates the turbulent history of these programs to examine their origins, the personalities that shaped them, their effects on the artists they employed, and public and official reaction to the art they produced. The administratiors of the WPA struggled with an uncertain future, fluctuating funds, and the problems of organizing the work of artists according to bureaucratic methods. Both administrators and artists were confronted with criticism ranging from the assertion that Mother Goose murals in a children's hospital were 'unsuitable to the dignity of a public institution,' to charges of subversion when a portrait of President Lincoln in a post office mural apparently resembled Lenin. As political opposition to the WPA spread, attempts to establish the Federal Art Project on a permanent basis met with derision in Congress and charges that the WPA was a 'hotbed of communisim.'" - Publisher. CONTENTS: The entering wedge; Bid for survival; The bureaucracy of art; WPA-patron; The cultural capital; Relief artists and the fine arts; Relief artists and socially useful projects; Relief art on the defense, 1938-1943; A masterpiece? Size: Oblong. Collectible.