9780691154763 - commemorative landscape painting in china (tang center lecture) von clapp, anne de coursey (24 Ergebnisse)
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Paperback. Zustand: Used; Like New. Princeton, 2012; illustrated paper covers; corners bumped; 4to, 9 3/4"-12" tall interior pages in like new condition; Interior is clean and unmarked; 135 pages.
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Stiff covers. Zustand des Schutzumschlags: No Dust Jacket As Issued. A nice, bright copy.; Publications Of The Tang Center For East Asian Art, Princeton University, 7; Color Illustrations; 7.1 X 0.5 X 10.1 inches; 144 pages Near Fine No dust jacket as issued.
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Paperback. Zustand: New. When is a landscape more than a landscape? This is a richly illustrated study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support,… and social status. In this unique study, Anne de Coursey Clapp presents a broad view of these commemorative landscape paintings, including antecedents in the Song and Yuan dynasties. The book traces how in commemorative landscape painting members of the literati address their peers in a deeply familiar language of values, just as they had for centuries through literary biography. Although the setting for such pictures is always natural landscape, it is secondary to the man, and its true function is to mirror him as the humanistic ideal of the recluse-scholar. The book shows how the literary associations attached to the new landscape increased during the Yuan dynasty (1271-1368), when the first commemorative paintings appeared, and flourished through the Ming (1368-1644), producing an art form that was simultaneously pictorial and verbal.In the course of exploring the sources and meaning of these paintings, the book examines several varieties of dedicatory paintings, including departure paintings, and the interesting subgenre of "biehao," in which portrait subjects are symbolized through pictorial representations of their literary names.
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Paperback. Zustand: New. When is a landscape more than a landscape? This is a richly illustrated study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support,… and social status. In this unique study, Anne de Coursey Clapp presents a broad view of these commemorative landscape paintings, including antecedents in the Song and Yuan dynasties. The book traces how in commemorative landscape painting members of the literati address their peers in a deeply familiar language of values, just as they had for centuries through literary biography. Although the setting for such pictures is always natural landscape, it is secondary to the man, and its true function is to mirror him as the humanistic ideal of the recluse-scholar. The book shows how the literary associations attached to the new landscape increased during the Yuan dynasty (1271-1368), when the first commemorative paintings appeared, and flourished through the Ming (1368-1644), producing an art form that was simultaneously pictorial and verbal.In the course of exploring the sources and meaning of these paintings, the book examines several varieties of dedicatory paintings, including departure paintings, and the interesting subgenre of "biehao," in which portrait subjects are symbolized through pictorial representations of their literary names.
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Zustand: New. Presents a study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support, and social status. Series: Publications of the Department of Art & Arch…aeology, Princeton University. Num Pages: 144 pages, 51 color illus. 35 halftones. BIC Classification: 1FPC; ACBP; AFC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 259 x 183 x 13. Weight in Grams: 490. . 2012. Paperback. . . . .
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Zustand: New. Presents a study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support, and social status. Series: Publications of the Department of Art & Arch…aeology, Princeton University. Num Pages: 144 pages, 51 color illus. 35 halftones. BIC Classification: 1FPC; ACBP; AFC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 259 x 183 x 13. Weight in Grams: 490. . 2012. Paperback. . . . . Books ship from the US and Ireland.
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Paperback. Zustand: New. When is a landscape more than a landscape? This is a richly illustrated study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support,… and social status. In this unique study, Anne de Coursey Clapp presents a broad view of these commemorative landscape paintings, including antecedents in the Song and Yuan dynasties. The book traces how in commemorative landscape painting members of the literati address their peers in a deeply familiar language of values, just as they had for centuries through literary biography. Although the setting for such pictures is always natural landscape, it is secondary to the man, and its true function is to mirror him as the humanistic ideal of the recluse-scholar. The book shows how the literary associations attached to the new landscape increased during the Yuan dynasty (1271-1368), when the first commemorative paintings appeared, and flourished through the Ming (1368-1644), producing an art form that was simultaneously pictorial and verbal.In the course of exploring the sources and meaning of these paintings, the book examines several varieties of dedicatory paintings, including departure paintings, and the interesting subgenre of "biehao," in which portrait subjects are symbolized through pictorial representations of their literary names.
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Paperback. Zustand: New. When is a landscape more than a landscape? This is a richly illustrated study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support,… and social status. In this unique study, Anne de Coursey Clapp presents a broad view of these commemorative landscape paintings, including antecedents in the Song and Yuan dynasties. The book traces how in commemorative landscape painting members of the literati address their peers in a deeply familiar language of values, just as they had for centuries through literary biography. Although the setting for such pictures is always natural landscape, it is secondary to the man, and its true function is to mirror him as the humanistic ideal of the recluse-scholar. The book shows how the literary associations attached to the new landscape increased during the Yuan dynasty (1271-1368), when the first commemorative paintings appeared, and flourished through the Ming (1368-1644), producing an art form that was simultaneously pictorial and verbal.In the course of exploring the sources and meaning of these paintings, the book examines several varieties of dedicatory paintings, including departure paintings, and the interesting subgenre of "biehao," in which portrait subjects are symbolized through pictorial representations of their literary names.
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