Isbn: 9780691285849 - comic enlightenment: rabelais and english literature (22 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Princeton University Press 8/11/2026, 2026

    0691285845 / 9780691285849

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  • Sprache: Englisch

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  • Sprache: Englisch

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    Paperback. Zustand: New. How the seventeenth-century translations of notoriously obscene tales by Rabelais shaped some of the great works of eighteenth-century English fictionFrançois Rabelais's Gargantua and Pantagruel-loosely related tales of gluttonous, drunken giants and their fantastic adventures-was one of the most notorious works of Renaissance Europe, condemned by both the Roman Catholic Church and the Protestant reformer John Calvin as obscene and irreligious. In Elizabethan and early Stuart England, familiarity with Rabelais signaled membership in a cosmopolitan elite. But it was only with the seventeenth-century translations of Gargantua and Pantagruel by the eccentric Scottish laird Sir Thomas Urquhart and the Huguenot refugee Peter Motteux that Rabelaisian comedy became fully a part of English literature. In Comic Enlightenment, Nicholas McDowell reconstructs the cultural and political contexts of Urquhart and Motteux's work during the Civil Wars and Restoration and shows how this palimpsest of translations, notes and commentary influenced the development of satire and fiction in Britain and an emergent Anglo-Irish literary culture.Challenging conventional accounts of the origins of the English novel, McDowell offers extensive new interpretations of landmark literary works of the eighteenth century, including Jonathan Swift's A Tale of a Tub and Gulliver's Travels and Laurence Sterne's Tristram Shandy. McDowell's ambitious and sweeping account shows how the "Rabelaisian" became part of novelistic currency through the long history of translation and imitation of Rabelais's works.

  • Sprache: Englisch

    Verlag: Princeton University Press, 2026

    0691285845 / 9780691285849

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  • Sprache: Englisch

    Verlag: Princeton University Press, US, 2026

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    Paperback. Zustand: New. How the seventeenth-century translations of notoriously obscene tales by Rabelais shaped some of the great works of eighteenth-century English fictionFrançois Rabelais's Gargantua and Pantagruel-loosely related tales of gluttonous, drunken giants and their fantastic adventures-was one of the most notorious works of Renaissance Europe, condemned by both the Roman Catholic Church and the Protestant reformer John Calvin as obscene and irreligious. In Elizabethan and early Stuart England, familiarity with Rabelais signaled membership in a cosmopolitan elite. But it was only with the seventeenth-century translations of Gargantua and Pantagruel by the eccentric Scottish laird Sir Thomas Urquhart and the Huguenot refugee Peter Motteux that Rabelaisian comedy became fully a part of English literature. In Comic Enlightenment, Nicholas McDowell reconstructs the cultural and political contexts of Urquhart and Motteux's work during the Civil Wars and Restoration and shows how this palimpsest of translations, notes and commentary influenced the development of satire and fiction in Britain and an emergent Anglo-Irish literary culture.Challenging conventional accounts of the origins of the English novel, McDowell offers extensive new interpretations of landmark literary works of the eighteenth century, including Jonathan Swift's A Tale of a Tub and Gulliver's Travels and Laurence Sterne's Tristram Shandy. McDowell's ambitious and sweeping account shows how the "Rabelaisian" became part of novelistic currency through the long history of translation and imitation of Rabelais's works.

  • Sprache: Englisch

    Verlag: Princeton University Press, 2026

    0691285845 / 9780691285849

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  • Sprache: Englisch

    Verlag: Princeton University Press, 2026

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  • Sprache: Englisch

    Verlag: Princeton University Press, 2026

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  • Sprache: Englisch

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  • Sprache: Englisch

    Verlag: Princeton University Press, 2026

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  • Sprache: Englisch

    Verlag: Princeton University Press, New Jersey, 2026

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    Paperback. Zustand: new. Paperback. How the seventeenth-century translations of notoriously obscene tales by Rabelais shaped some of the great works of eighteenth-century English fictionFrancois Rabelaiss Gargantua and Pantagruelloosely related tales of gluttonous, drunken giants and their fantastic adventureswas one of the most notorious works of Renaissance Europe, condemned by both the Roman Catholic Church and the Protestant reformer John Calvin as obscene and irreligious. In Elizabethan and early Stuart England, familiarity with Rabelais signaled membership in a cosmopolitan elite. But it was only with the seventeenth-century translations of Gargantua and Pantagruel by the eccentric Scottish laird Sir Thomas Urquhart and the Huguenot refugee Peter Motteux that Rabelaisian comedy became fully a part of English literature. In Comic Enlightenment, Nicholas McDowell reconstructs the cultural and political contexts of Urquhart and Motteuxs work during the Civil Wars and Restoration and shows how this palimpsest of translations, notes and commentary influenced the development of satire and fiction in Britain and an emergent Anglo-Irish literary culture.Challenging conventional accounts of the origins of the English novel, McDowell offers extensive new interpretations of landmark literary works of the eighteenth century, including Jonathan Swifts A Tale of a Tub and Gullivers Travels and Laurence Sternes Tristram Shandy. McDowells ambitious and sweeping account shows how the Rabelaisian became part of novelistic currency through the long history of translation and imitation of Rabelaiss works. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Sprache: Englisch

    Verlag: Princeton University Press, US, 2026

    0691285845 / 9780691285849

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    Paperback. Zustand: New. How the seventeenth-century translations of notoriously obscene tales by Rabelais shaped some of the great works of eighteenth-century English fictionFrançois Rabelais's Gargantua and Pantagruel-loosely related tales of gluttonous, drunken giants and their fantastic adventures-was one of the most notorious works of Renaissance Europe, condemned by both the Roman Catholic Church and the Protestant reformer John Calvin as obscene and irreligious. In Elizabethan and early Stuart England, familiarity with Rabelais signaled membership in a cosmopolitan elite. But it was only with the seventeenth-century translations of Gargantua and Pantagruel by the eccentric Scottish laird Sir Thomas Urquhart and the Huguenot refugee Peter Motteux that Rabelaisian comedy became fully a part of English literature. In Comic Enlightenment, Nicholas McDowell reconstructs the cultural and political contexts of Urquhart and Motteux's work during the Civil Wars and Restoration and shows how this palimpsest of translations, notes and commentary influenced the development of satire and fiction in Britain and an emergent Anglo-Irish literary culture.Challenging conventional accounts of the origins of the English novel, McDowell offers extensive new interpretations of landmark literary works of the eighteenth century, including Jonathan Swift's A Tale of a Tub and Gulliver's Travels and Laurence Sterne's Tristram Shandy. McDowell's ambitious and sweeping account shows how the "Rabelaisian" became part of novelistic currency through the long history of translation and imitation of Rabelais's works.

  • Sprache: Englisch

    Verlag: Princeton University Press, 2026

    0691285845 / 9780691285849

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    Paperback. Zustand: new. Paperback. How the seventeenth-century translations of notoriously obscene tales by Rabelais shaped some of the great works of eighteenth-century English fictionFrancois Rabelaiss Gargantua and Pantagruelloosely related tales of gluttonous, drunken giants and their fantastic adventureswas one of the most notorious works of Renaissance Europe, condemned by both the Roman Catholic Church and the Protestant reformer John Calvin as obscene and irreligious. In Elizabethan and early Stuart England, familiarity with Rabelais signaled membership in a cosmopolitan elite. But it was only with the seventeenth-century translations of Gargantua and Pantagruel by the eccentric Scottish laird Sir Thomas Urquhart and the Huguenot refugee Peter Motteux that Rabelaisian comedy became fully a part of English literature. In Comic Enlightenment, Nicholas McDowell reconstructs the cultural and political contexts of Urquhart and Motteuxs work during the Civil Wars and Restoration and shows how this palimpsest of translations, notes and commentary influenced the development of satire and fiction in Britain and an emergent Anglo-Irish literary culture.Challenging conventional accounts of the origins of the English novel, McDowell offers extensive new interpretations of landmark literary works of the eighteenth century, including Jonathan Swifts A Tale of a Tub and Gullivers Travels and Laurence Sternes Tristram Shandy. McDowells ambitious and sweeping account shows how the Rabelaisian became part of novelistic currency through the long history of translation and imitation of Rabelaiss works. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Sprache: Englisch

    Verlag: Princeton University Press, US, 2026

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    Paperback. Zustand: New. How the seventeenth-century translations of notoriously obscene tales by Rabelais shaped some of the great works of eighteenth-century English fictionFrançois Rabelais's Gargantua and Pantagruel-loosely related tales of gluttonous, drunken giants and their fantastic adventures-was one of the most notorious works of Renaissance Europe, condemned by both the Roman Catholic Church and the Protestant reformer John Calvin as obscene and irreligious. In Elizabethan and early Stuart England, familiarity with Rabelais signaled membership in a cosmopolitan elite. But it was only with the seventeenth-century translations of Gargantua and Pantagruel by the eccentric Scottish laird Sir Thomas Urquhart and the Huguenot refugee Peter Motteux that Rabelaisian comedy became fully a part of English literature. In Comic Enlightenment, Nicholas McDowell reconstructs the cultural and political contexts of Urquhart and Motteux's work during the Civil Wars and Restoration and shows how this palimpsest of translations, notes and commentary influenced the development of satire and fiction in Britain and an emergent Anglo-Irish literary culture.Challenging conventional accounts of the origins of the English novel, McDowell offers extensive new interpretations of landmark literary works of the eighteenth century, including Jonathan Swift's A Tale of a Tub and Gulliver's Travels and Laurence Sterne's Tristram Shandy. McDowell's ambitious and sweeping account shows how the "Rabelaisian" became part of novelistic currency through the long history of translation and imitation of Rabelais's works.

  • Sprache: Englisch

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    0691285845 / 9780691285849

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    Paperback. Zustand: new. Paperback. How the seventeenth-century translations of notoriously obscene tales by Rabelais shaped some of the great works of eighteenth-century English fictionFrancois Rabelaiss Gargantua and Pantagruelloosely related tales of gluttonous, drunken giants and their fantastic adventureswas one of the most notorious works of Renaissance Europe, condemned by both the Roman Catholic Church and the Protestant reformer John Calvin as obscene and irreligious. In Elizabethan and early Stuart England, familiarity with Rabelais signaled membership in a cosmopolitan elite. But it was only with the seventeenth-century translations of Gargantua and Pantagruel by the eccentric Scottish laird Sir Thomas Urquhart and the Huguenot refugee Peter Motteux that Rabelaisian comedy became fully a part of English literature. In Comic Enlightenment, Nicholas McDowell reconstructs the cultural and political contexts of Urquhart and Motteuxs work during the Civil Wars and Restoration and shows how this palimpsest of translations, notes and commentary influenced the development of satire and fiction in Britain and an emergent Anglo-Irish literary culture.Challenging conventional accounts of the origins of the English novel, McDowell offers extensive new interpretations of landmark literary works of the eighteenth century, including Jonathan Swifts A Tale of a Tub and Gullivers Travels and Laurence Sternes Tristram Shandy. McDowells ambitious and sweeping account shows how the Rabelaisian became part of novelistic currency through the long history of translation and imitation of Rabelaiss works. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Sprache: Englisch

    Verlag: Princeton University Press, 2026

    0691285845 / 9780691285849

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    Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - How the seventeenth-century translations of notoriously obscene tales by Rabelais shaped some of the great works of eighteenth-century English fictionFrançois Rabelais's Gargantua and Pantagruelloosely related tales of gluttonous, drunken giants and their fantastic adventureswas one of the most notorious works of Renaissance Europe, condemned by both the Roman Catholic Church and the Protestant reformer John Calvin as obscene and irreligious. In Elizabethan and early Stuart England, familiarity with Rabelais signaled membership in a cosmopolitan elite. But it was only with the seventeenth-century translations of Gargantua and Pantagruel by the eccentric Scottish laird Sir Thomas Urquhart and the Huguenot refugee Peter Motteux that Rabelaisian comedy became fully a part of English literature. In Comic Enlightenment, Nicholas McDowell reconstructs the cultural and political contexts of Urquhart and Motteux's work during the Civil Wars and Restoration and shows how this palimpsest of translations, notes and commentary influenced the development of satire and fiction in Britain and an emergent Anglo-Irish literary culture.Challenging conventional accounts of the origins of the English novel, McDowell offers extensive new interpretations of landmark literary works of the eighteenth century, including Jonathan Swift's A Tale of a Tub and Gulliver's Travels and Laurence Sterne's Tristram Shandy. McDowell's ambitious and sweeping account shows how the "Rabelaisian" became part of novelistic currency through the long history of translation and imitation of Rabelais's works.