9780719085666 - karel reisz (british film makers) von gardner, colin (27 Ergebnisse)
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Sprache: Englisch
Verlag: Manchester University Press, 2011
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Sprache: Englisch
Verlag: Manchester University Press, GB, 2011
- Softcover
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Paperback. Zustand: New. Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema 'movement' which attacked the parochial middle-class values of home-grown stud…io product with a vigorous commitment to everyday working-class subject matter and a poetically charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz's first feature, Saturday Night and Sunday Morning (1960). As the import of Free Cinema rapidly dissipated during the 'Swinging London' era, Reisz confronted the changing cultural mores of the 1960s and 1970s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978).Drawing on Reisz's early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz's personal brand of character-based realism, offering the spectator a privileged insight into an artist's developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719085666.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Sprache: Englisch
Verlag: Manchester University Press, GB, 2011
- Softcover
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Paperback. Zustand: New. Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema 'movement' which attacked the parochial middle-class values of home-grown stud…io product with a vigorous commitment to everyday working-class subject matter and a poetically charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz's first feature, Saturday Night and Sunday Morning (1960). As the import of Free Cinema rapidly dissipated during the 'Swinging London' era, Reisz confronted the changing cultural mores of the 1960s and 1970s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978).Drawing on Reisz's early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz's personal brand of character-based realism, offering the spectator a privileged insight into an artist's developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado.
Sprache: Englisch
Verlag: Manchester Univ. Press, 2011
- Softcover
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Soft cover. Zustand: New. 2nd Edition. Unopened, no wear.
Sprache: Englisch
Verlag: Manchester University Press, Manchester, 2011
- Softcover
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Paperback. Zustand: new. Paperback. Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema 'movement' which attacked the parochial middle-class values of home…-grown studio product with a vigorous commitment to everyday working-class subject matter and a poetically charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz's first feature, Saturday Night and Sunday Morning (1960). As the import of Free Cinema rapidly dissipated during the 'Swinging London' era, Reisz confronted the changing cultural mores of the 1960s and 1970s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978).Drawing on Reisz's early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz's personal brand of character-based realism, offering the spectator a privileged insight into an artist's developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado. -- . This first full-length critical analysis of the Czech-born, British director, Karel Reisz uses recent interdisciplinary methodologies to explore the crisis of political commitment and historical displacement in the context of the 1960s and '70s counter-culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Zustand: New.
Sprache: Englisch
Verlag: Manchester University Press 2011-06-28, 2011
- Softcover
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Paperback. Zustand: New.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Zustand: New. In.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Zustand: New. This first full-length critical analysis of the Czech-born, British director, Karel Reisz uses recent interdisciplinary methodologies to explore the crisis of political commitment and historical displacement in the context of the 1960s and '70s counter-culture. Series Editor(s): McFarlane, Brian; Sinyard, Neil. Ser…ies: British Film-Makers. Num Pages: 316 pages, Illustrations, black & white. BIC Classification: APFB. Category: (UF) Further/Higher Education. Dimension: 216 x 140 x 17. Weight in Grams: 406. . 2011. Paperback. . . . .
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Zustand: New. This first full-length critical analysis of the Czech-born, British director, Karel Reisz uses recent interdisciplinary methodologies to explore the crisis of political commitment and historical displacement in the context of the 1960s and '70s counter-culture. Series Editor(s): McFarlane, Brian; Sinyard, Neil. Ser…ies: British Film-Makers. Num Pages: 316 pages, Illustrations, black & white. BIC Classification: APFB. Category: (UF) Further/Higher Education. Dimension: 216 x 140 x 17. Weight in Grams: 406. . 2011. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Manchester Univ Pr, 2012
- Softcover
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Paperback. Zustand: Brand New. reissue edition. 310 pages. 8.50x5.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Manchester University Press, GB, 2011
- Softcover
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Paperback. Zustand: New. Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema 'movement' which attacked the parochial middle-class values of home-grown stud…io product with a vigorous commitment to everyday working-class subject matter and a poetically charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz's first feature, Saturday Night and Sunday Morning (1960). As the import of Free Cinema rapidly dissipated during the 'Swinging London' era, Reisz confronted the changing cultural mores of the 1960s and 1970s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978).Drawing on Reisz's early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz's personal brand of character-based realism, offering the spectator a privileged insight into an artist's developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado.
Sprache: Englisch
Verlag: Manchester University Press, Manchester, 2011
- Softcover
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Paperback. Zustand: new. Paperback. Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema 'movement' which attacked the parochial middle-class values of home…-grown studio product with a vigorous commitment to everyday working-class subject matter and a poetically charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz's first feature, Saturday Night and Sunday Morning (1960). As the import of Free Cinema rapidly dissipated during the 'Swinging London' era, Reisz confronted the changing cultural mores of the 1960s and 1970s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978).Drawing on Reisz's early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz's personal brand of character-based realism, offering the spectator a privileged insight into an artist's developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado. -- . This first full-length critical analysis of the Czech-born, British director, Karel Reisz uses recent interdisciplinary methodologies to explore the crisis of political commitment and historical displacement in the context of the 1960s and '70s counter-culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: Manchester University Press, GB, 2011
- Softcover
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Paperback. Zustand: New. Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema 'movement' which attacked the parochial middle-class values of home-grown stud…io product with a vigorous commitment to everyday working-class subject matter and a poetically charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz's first feature, Saturday Night and Sunday Morning (1960). As the import of Free Cinema rapidly dissipated during the 'Swinging London' era, Reisz confronted the changing cultural mores of the 1960s and 1970s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978).Drawing on Reisz's early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz's personal brand of character-based realism, offering the spectator a privileged insight into an artist's developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Zustand: New. Print on Demand pp. 322 22:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on White w/Gloss Lam.
Sprache: Englisch
Verlag: Manchester University Press, 2011
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Sprache: Englisch
Verlag: Manchester University Press, 2011
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Sprache: Englisch
Verlag: Manchester University Press, 2011
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Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This first full-length critical analysis of the Czech-born, British director, Karel Reisz uses recent interdisciplinary methodologies to explore the crisis of political commitment and historical displacement in the cont…ext of the 1960s and 70s counter-cult.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
- Foto
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema 'movement' w…hich attacked the parochial middle-class values of home-grown studio product with a vigorous commitment to everyday working-class subject matter and a poetically charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz's first feature, Saturday Night and Sunday Morning (1960).As the import of Free Cinema rapidly dissipated during the 'Swinging London' era, Reisz confronted the changing cultural mores of the 1960s and 1970s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978).Drawing on Reisz's early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz's personal brand of character-based realism, offering the spectator a privileged insight into an artist's developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado.
Sprache: Englisch
Verlag: Manchester University Press, 2011
- Softcover
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Taschenbuch. Zustand: Neu. Karel Reisz | Colin Gardner | Taschenbuch | Kartoniert / Broschiert | Englisch | 2011 | Manchester University Press | EAN 9780719085666 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
