Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
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In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719087172.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
Anbieter: St Philip's Books, P.B.F.A., B.A., Oxford, Vereinigtes Königreich
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In den WarenkorbHardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. ~Dustwrapper unfaded and unclipped. ~Robust packaging. Overseas tracking available on request. Used books are exempt from USA tariffs. 1st edition. Hardback. Size: viii, 236pp. With dustwrapper. No ownership marks.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Sprache: Englisch
Verlag: Manchester University Press, Manchester and New York, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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In den WarenkorbHardback. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. A clean, attractive copy. Jacket very lightly dulled at spine. 215 x 135 mm. viii, 248 pp. Includes bibliographical references and index. Book.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
Anbieter: Basi6 International, Irving, TX, USA
Zustand: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Zustand: New. pp. 256.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Sprache: Englisch
Verlag: Manchester University Press, GB, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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In den WarenkorbHardback. Zustand: New. Hillman explores English tragedy in relation to France with a frank concentration on Shakespeare. He sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism) with reference to specific French texts and contexts.Three manifestations of the 'Shakespearean tragic' are singled out: Hamlet, Antony and Cleopatra and All's Well That Ends Well, a comedy with melancholic overtones whose French setting is shown to be richly significant. Hillman brings to bear on each of these central works a cluster of French intertextual echoes, sometimes literary in origin (whether dramatic or otherwise), sometimes involving historical texts, memoirs or contemporary political documents which have no obvious connection with the plays but prove capable of enriching interpretation of them It will be of interest not only to scholars specialising in early modern English theatre, but also to both specialists and students concerned with the circulation of information and the production of meaning within early modern European culture.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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In den WarenkorbHardback. Zustand: New. New copy - Usually dispatched within 4 working days.
Sprache: Englisch
Verlag: Manchester University Press 2012-06-11, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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In den WarenkorbHardcover. Zustand: New.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Zustand: New. Num Pages: 256 pages. BIC Classification: 2AB; DSBD; DSGS. Category: (G) General (US: Trade). Dimension: 220 x 145 x 25. Weight in Grams: 448. . 2012. hardcover. . . . .
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In den WarenkorbHardcover. Zustand: Brand New. 236 pages. 9.00x6.00x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
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Zustand: New. Num Pages: 256 pages. BIC Classification: 2AB; DSBD; DSGS. Category: (G) General (US: Trade). Dimension: 220 x 145 x 25. Weight in Grams: 448. . 2012. hardcover. . . . . Books ship from the US and Ireland.
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Gebunden. Zustand: New.
Sprache: Englisch
Verlag: Manchester University Press, GB, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
EUR 98,01
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In den WarenkorbHardback. Zustand: New. Hillman explores English tragedy in relation to France with a frank concentration on Shakespeare. He sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism) with reference to specific French texts and contexts.Three manifestations of the 'Shakespearean tragic' are singled out: Hamlet, Antony and Cleopatra and All's Well That Ends Well, a comedy with melancholic overtones whose French setting is shown to be richly significant. Hillman brings to bear on each of these central works a cluster of French intertextual echoes, sometimes literary in origin (whether dramatic or otherwise), sometimes involving historical texts, memoirs or contemporary political documents which have no obvious connection with the plays but prove capable of enriching interpretation of them It will be of interest not only to scholars specialising in early modern English theatre, but also to both specialists and students concerned with the circulation of information and the production of meaning within early modern European culture.
Sprache: Englisch
Verlag: Manchester University Press Jun 2012, 2012
ISBN 10: 0719087171 ISBN 13: 9780719087172
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Richard Hillman pursues his exploration of English tragedy in relation to France with a frank concentration on Shakespeare. Instead of focusing on common paradigms, he sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism), but again with reference to specific French texts and contexts.Three manifestations of the 'Shakespearean tragic' are singled out: Hamlet, Antony and Cleopatra and All's Well That Ends Well, a comedy with melancholic overtones whose French setting is shown to be richly significant. Hillman brings to bear on each of these central works a cluster of French intertextual echoes, sometimes literary in origin (whether dramatic or otherwise), sometimes involving historical texts, memoirs or contemporary political documents which have no obvious connection with the plays but prove capable of enriching interpretation of them. Some of this material is quite obscure, at least to literary scholars, and one effect is to suggest the surprising degree to which segments of the English theatre-going public would have responded to the evocation of facts, images and ideas emanating from France in a variety of forms.All in all, this book constitutes a notable advance in Shakespeare criticism, both methodologically and in substance. Its interdisciplinary approach will make it of interest not only to scholars specialising in early modern English theatre, but also to both specialists and students concerned with the circulation of information and the production of meaning within early modern European culture.